The Sunday Six

Welcome to another Sunday Six and hope you’re enjoying your weekend. Whatever it is you’re doing or plans you may have, most things go better with great music. I invite you to join me to embark on a new trip to celebrate music of the past and the present, six tunes at a time.

Coleman Hawkins Quartet/Love Song From “Apache”

Let’s start our journey in August 1963 with some soothing saxophone jazz by Coleman Hawkins. According to Wikipedia, German jazz music journalist Joachim-Ernst Berendt characterized Hawkins as one of the first prominent tenor sax jazz players, saying, “There were some tenor players before him, but the instrument was not an acknowledged jazz horn”. It’s my first exposure to Hawkins, so I’ll take that comment at face value. Born in St. Joseph, Mo. in 1904, Hawkins started playing saxophone at the age of 9. As a 17-year-old, he already was playing with Mamie Smith’s Jazz Hounds. While Hawkins became known with swing music during the big band era, he also had a role in the development of bebop in the ’40s. Love Song From “Apache”, composed by Johnny Mercer and David Raskin, is a beautiful track from a 1963 album by the Coleman Hawkins Quartet titled Today And Now. For jazz aficionados, Cole was backed by Tommy Flanagan (piano), Major Holley (upright bass) and Eddie Locke (drums).

Tears For Fears/Advice For the Young at Heart

On February 25, Tears For Fears released their first new album in nearly 18 years. While I’ve yet to spend more time with The Tipping Point, it brought the British new wave duo of Roland Orzabal and Curt Smith back on my radar screen. Formed in 1981, they are best remembered for their ’80s hits Mad World, Shout, Everybody Wants to Rule the World and Sowing the Seeds of Love. Given the Beatlesque sound of the latter, perhaps it’s not a surprise that tune, off their September 1989 album The Seeds of Love, is my favorite. Another song from that album I’ve always liked is Advice For the Young at Heart. Like several other tunes, it is credited to Orzabal and Nicky Holland, the keyboarder in Tears For Fears’ touring band during most of the second half of the ’80s.

John Hiatt & The Gooners/My Baby Blue

Next, let’s jump to May 2003 and a great tune by John Hiatt, an artist I’ve really come to appreciate over the past couple of years. While Hiatt has written songs for 50-plus years and recorded close to 30 albums, his tunes oftentimes became hits for other artists. Perhaps the most prominent examples are Thing Called Love and Have a Little Faith in Me, which became hits for Bonnie Raitt  and Joe Cocker, respectively. Hiatt’s songs have also been covered by an impressive and diverse array of other artists like B.B. King, Bob Dylan, Buddy Guy, Emmylou Harris, Joan Baez, Linda Ronstadt, The Nitty Gritty Dirt Band  and Willy DeVille. My Baby Blue, penned by Hiatt, is from his 17h studio album Beneath This Gruff Exterior, the only one that also credits his backing band The Gooners who also backed him on the Slow Turning (August 1988) and The Tiki Bar Is Open (September 2001) albums.

Chuck Prophet/Ford Econoline

When Spotify served up Ford Econoline by Chuck Prophet the other day, for a moment, I thought I was listening to a Ray Davies tune. From his AllMusic bio: Chuck Prophet is a singer, songwriter, and multi-instrumentalist who has created a handful of impressive solo albums when he isn’t busy collaborating with some of the most respected figures in roots rock. A songwriter with a naturalistic sense of storytelling and drawing characters, and a melodic sense that brings together the impact of rock with the nuance of country, blues, and folk, Prophet has been releasing worthwhile solo albums since 1990, when he brought out his first solo LP, Brother Aldo. Prior to that, he was a key member of the rough-edged Paisley Underground band Green on Red, who had a small cult following in the United States and a significantly larger one overseas, and in between solo efforts, he worked as a sideman, collaborator, or producer for Alejandro Escovedo, Kelly Willis, Warren Zevon, Cake, Kim Richey, and many more. Well, I’m glad to finally “meet” an artist who it sounds like should have entered my radar screen a long time ago. Ford Econoline, written by Prophet, is a track from Night Surfer, an album that appeared in September 2014. Man, I love that tune and really want to hear more by Prophet. Any tips are welcome!

Traffic/Walking in the Wind

Alrighty, time to pay the ’70s a visit. The year is 1974 and the month is September. That’s when Traffic released their seventh studio album When the Eagle Flies. It would be the English rock band’s last record before Steve Winwood and Jim Capaldi revived Traffic one more time for Far From Home, the final album released under that name in May 1994. On When the Eagle Flies, apart from Windwood (vocals, acoustic piano, organ, Mellotron, Moog synthesizer, guitars) and Capaldi (drums, percussion, backing vocals, keyboards), the band’s line-up also included founding member Chris Wood (flute, saxophones), as well as Rosko Gee (bass). By the time the record came out, percussionist Rebop Kwaku Baah had been fired. Perhaps this explains why he remained uncredited for the congas he provided for two tunes – not a nice thing to do! Here’s Walking in the Wind, which like all other tunes except one was co-written by Winwood and Capaldi.

The Animals/Boom Boom

And once again, we’ve reached the final stop of our little trip. Let’s finish things off with a great rendition of John Lee Hooker classic Boom Boom by The Animals. The British blues rock band first released this gem as a single in North America in November 1964. It was also included on their second American studio album The Animals on Tour from February 1965, a somewhat misleading title for a studio recording. Originally, Boom Boom had appeared in March 1962 on Hooker’s studio album Burnin‘. The Animals’ rendition reached no. 43 on the U.S. Billboard Hot 100 and no. 14 in Canada on the RPM Top 40 & 5 singles chart. Hooker’s original peaked at no. 60 on the Billboard Hot 100, only one of two of his songs that made the mainstream chart, as well as no. 16 on Billboard’s Hot R&B Sides. I never get tired to listen to Eric Burdon’s great voice and the band’s hot sound!

Here’s a Spotify playlist featuring the above goodies. Hope there’s something there you like!

Sources: Wikipedia; AllMusic; YouTube; Spotify

Best of What’s New

Welcome to another new music revue. All featured tracks are on albums that were released yesterday. Let’s get to it!

Scorpions/Knock ’em Dead

I trust pop metal stalwarts Scorpions need no introduction. The band was formed in 1965 in Hanover, Germany by guitarist Rudolf Schenker who remains as the original member. The current line-up also includes Klaus Meine (lead vocals, guitar), Matthias Jabs (lead and rhythm guitar, backing vocals), Paweł Mąciwoda (bass, backing vocals) and Mikkey Dee (2016), who have been members since 1969, 1978, 2003 and 2016, respectively. In 2010, the group’s 17th studio album Sting in the Tail appeared, which initially was called their farewell album and followed by their “final tour.” They subsequently changed their mind and have since released two additional records including their latest, Rock Believer. I featured the title track four weeks ago in this Best of What’s installment. Here’s Knock ’em Dead, a pretty typical Scorpions rocker co-written by Meine and Schenker. The band will support the album with a tour, starting in late March with a series of nine gigs in Las Vegas before continuing in Europe until early July. Other than the Vegas residency, oddly, there are currently no other scheduled U.S. dates.

Tears for Fears/Master Plan

This is starting to feel like a trip back to the ’80s. While Scorpions had been around for 16 years by the time British new wave band Tears for Fears were formed in 1981, the German rockers first entered my radar screen in 1984 with their immensely successful album Love at First Sting. At that time, Tears for Fears had released their debut The Hurting (March 1983) and scored their first hit Mad World. Their smash singles Shout and Everybody Wants to Rule the World would still be one year away. These days, Tears for Fears continue to be co-founders Roland Orzabal (guitars, keyboards, vocals) and Curt Smith (bass, keyboards, vocals). The other original members Manny Elias (drums, percussion) and Ian Stanley (keyboards, backing vocals) left long ago in 1986 and 1987, respectively, and were never replaced. Orzabal and Smith broke up in 1991 (though Orzabal kept the Tears for Fears name alive) and reunited in 2010. Fast-forward to the present and The Tipping Point, the duo’s first new album in nearly 18 years. Here’s Master Plan penned by Orzabal. Like most of the other tracks, it’s more on the mellow side. It may not be as instantly memorable as Everybody Wants to Rule the World or Sowing the Seeds of Love, but I still like it!

Dashboard Confessional/The Better of Me

Florida band Dashboard Confessional were initially started in 1999 as a solo acoustic side project by singer-songwriter Chris Carrabba who at the time was the lead vocalist of emo group Further Seems Forever. Following his departure from that band, Carrabba released his solo debut The Swiss Army Romance in March 2000 under the Dashboard Confessional name. By the time of sophomore album The Places You Have Come to Fear the Most came out, Dashboard Confessional had become a trio. Apart from Carrabba, the present line-up includes Scott Schoenbeck (bass, piano, keyboards), Armon Jay (lead guitar, backing vocals) and Chris Kamrada (drums, percussion). The Better of Me is a tune from the group’s ninth and latest album All the Truth That I Can Tell. According to Apple Music, In mid-2020, Chris Carrabba got into a motorcycle accident that nearly paralyzed him—the veteran singer-songwriter was forced to relearn his instrument, unable to play guitar for more than five minutes a day before the pain hit. You would never assume this had happened to him when listening to this tune and others I sampled.

Johnny Marr/Night and Day

My last pick for this week is music by Johnny Marr from his new album Fever Dreams Pts. 1-4. The English guitarist and singer-songwriter, who first gained prominence in the ’80s as a co-founder of English indie rock band The Smiths, had previously released eight of the 16 tracks on two EPs. In December, I featured a tune from the second EP. Following the break-up of The Smiths, Marr played in various other bands, including Pretenders, The The, Electronic, Modest Mouse and The Cribs. His solo debut The Messenger appeared in February 2013. Fever Dreams Pts. 1-4 is Marr’s fourth solo record. Here’s one of the newly released tunes, Night and Day. Like all other tracks on the album, it was co-written by him and James Doviak, co-producer and guitarist in Marr’s band. Kind of catchy!

Last but not least, here’s a playlist of the above and some additional tunes.

Sources: Wikipedia; Scorpions website; Apple Music; YouTube; Spotify