The Sunday Six

I hope you’ve had a good week and would like to welcome you to another installment of The Sunday Six. Once again, I’ve put together an itinerary that will take us to music from different genres released in six different decades.

Kenny Burrell/Weaver of Dreams

Today, we start in September 1956 when American jazz guitarist Kenny Burrell released the first album under his name, appropriately titled Introducing Kenny Burrell. Burrell’s recording debut occurred five years earlier, as a 20-year-old in Dizzy Gillespie’s sextet while studying at Wayne State University. Apart from releasing a large volume of albums as a leader, Burrell recorded and performed as a sideman with Jimmy Smith, Stanley Turrentine, Johnny Hodges and many others. Weaver of Dreams, co-written by Jack Elliott and Victor Young, is a beautiful track to ease us into the trip. Burrell was backed by Tommy Flanagan (piano), Paul Chambers (bass) and Kenny Clarke (drums).

Atlanta Rhythm Section/Spooky

Next, let’s jump to June 1979 and a really cool song I was reminded of just the other day: Spooky, from the eighth studio album Underdog by southern rockers Atlanta Rhythm Section. Spooky’s origin is a 1967 instrumental composed by saxophonist Mike Shapiro and Harry Middlebrooks Jr. Later that year, Florida soft rock band Classics IV released a version with lyrics. Classics IV keyboarder Dean Daughtry and and the group’s guitarist J. R. Cobb subsequently co-founded Atlanta Rhythm Section in 1970. Not only did they include what became the song’s best-known version on the above album, but also released it separately as the second single in August 1979.

Oasis/Some Might Say

Time to pay a visit to the ’90s and one of the biggest alternative rock bands of that decade: Britain’s Oasis who were formed in Manchester in 1991. Their critically acclaimed and commercially successful August 1994 debut album Definitely Maybe was followed by (What’s the Story) Morning Glory? in October 1995. While critics initially were lukewarm, it became one of the best-selling albums of all time with more than 22 million copies sold worldwide. Some Might Say, who cares about the critics!

Buddy Guy/Born to Play Guitar

If there’s one blues guitarist who seemingly was born to do what he does, it’s Buddy Guy. And he put it all in words and sound on the title tack of his 17th studio album Born to Play Guitar, which came out in July 2015. When you see Guy perform live, which I’ve been fortunate to have experienced three times over the past eight years, most recently in April 2022, you get the sense it’s about more than just playing the geetar; it’s about a mission to keep the blues alive. Now 87, Guy is currently on his Damn Right Farewell Tour.

Julie Driscoll, Brian Auger and The Trinity/This Wheel’s On Fire

As frequent travelers on the Sunday Six music time machine know, there can be no such excursion without a stop in the ’60s. This next destination was another great suggestion by my longtime German music friend Gerd. In April 1968, English singer and actress Julie Driscoll and British group Brian Auger and The Trinity released psychedelic gem This Wheel’s On Fire as a single. Co-written by Bob Dylan and Rick Danko, the song was originally recorded by Dylan and The Band in 1967. Dylan eventually released it in June 1975 on his album The Basement Tapes.

Steeleye Span/Jack Hall

This leaves us with the sixth and final stop. To wrap up, we shall travel to September 1989, which saw the release of Tempted and Tried, the 13th studio album by British folk rock band Steeleye Span. After releasing 10 albums in rapid succession between 1970 and 1977, the group significantly slowed down the pace. Tempted and Tried only was their third album that appeared since 1977. Jack Hall, a traditional English folk song from the early 18th century, was arranged by the band’s vocalist and guitarist Bob Johnson. Steeleye Span remain active to this day with one original member (Maddy Prior) in their current line-up.

This post wouldn’t be complete without a Spotify playlist of the above tracks. As always, I hope there’s something that tickles your fancy and you’ll be back for more.

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Is it really Sunday again? And where did January go? Welcome to another musical excursion through space and time! As always, our itinerary includes six stops in different decades with music in different flavors. Let’s do it!

Kenny Dorham/Blue Friday

Opening today’s trip is American jazz trumpeter, composer and occasional vocalist Kenny Dorham. Over his relatively short 25-year career, he became one of the most active bebop trumpeters. He played with the likes of Dizzy Gillespie, Charlie Parker, Thelonious Monk, Sonny Rollins and Max Roach. Starting from late 1953 Dorham also released some 20 albums as leader. Sadly, he passed away from kidney disease at age 48 in December 1972. Blue Friday, a Dorham composition, appeared on his February 1960 album Quiet Kenny. His quartet included Tommy Flanagan (piano), Paul Chambers (bass) and Art Taylor (drums).

Elton John/Club At the End of the Street

Let’s next head to August 1989 and a song by Elton John I’ve always liked. I was reminded of Club At the End of the Street the other day when I caught it on the radio in my car. While I generally prefer the piano man’s music during the first half of the ’70s, he has also had some great songs thereafter. Composed by Elton John with lyrics from his longtime collaborator Bernie Taupin, Club At the End of the Street is from John’s 22nd studio album Sleeping with the Past. The song was also released separately as a single in March 1990.

Mudcrutch/Scare Easy

A great tip from my longtime German music buddy Gerd takes us back to the current century. Before Tom Petty founded the Heartbreakers, he formed Mudcrutch in 1970, together with Tom Leadon, brother of Eagles co-founder Bernie Leadon, and Mike Campbell who would later join the Heartbreakers. While Mudcrutch gained regional popularity in central Florida and southern Georgia and in 1974 got a deal with Shelter Records in Los Angeles, a single they released failed to chart. Therefore, the label dissolved them, keeping only Petty under contract. Subsequently, he formed the hugely successful Tom Petty and the Heartbreakers. Fast-forward to August 2007 when Petty invited original Mudcrutch members Randall Marsh and Tom Leadon, Campbell and Benmont Tench (also of the Heartbreakers) to reform Mudcrutch. The first outcome was an eponymous album that appeared in April 2008. Another one, Mudcrutch 2, would follow eight years later. From the first album, here’s Scare Easy, written by Petty.

Fats Domino/I’m Walkin’

Let’s jump back 51 years to February 1957. That’s when Fats Domino put out one of his most successful singles, I’m Walkin’. Written by him with frequent collaborator Dave Bartholomew, it was Domino’s third single in a row to top the U.S. R&B Best Sellers chart and also peaked at no. 4 on the pop charts, indicating his crossover appeal. Domino wrote the song after his car had broken down and he overheard a fan say, “Hey, look at Fats Domino, he’s walking!” It’s amazing what a car breakdown can do!

Led Zeppelin/All My Love

Our next stop is August 1979, which saw the release of Led Zeppelin’s eighth and final studio album, In Through the Out Door, prior to their breakup in early December 1980 after the death of drummer John Bonham in September that year. Unlike on Zep’s previous albums, bassist and keyboarder John Paul Jones and vocalist Robert Plant played a much more prominent role. Bonham and guitarist Jimmy Page, who were in the throes of alcoholism and heroin addiction, respectively, oftentimes didn’t show up in time at the recording studio. This left Jones and Plant to put together the songs, with Plant and Bonham adding their parts separately. One of the consequences was the prominent use of the Yamaha GX-1 synthesizer Jones had recently purchased. All My Love is a great example of what this baby could do!

Lenny Kravitz/Rock And Roll Is Dead

Time to wrap up our trip. For this we shall go to September 1995 and the fourth studio album by Lenny Kravitz, Circus. Peaking at no. 10 in the U.S. on the Billboard 200, it became his first top 10 album there. In the UK where Kravitz had enjoyed more chart success up to that point, the album hit no. 5, marking his third in a row to reach the top 10. Circus was most successful in Switzerland and The Netherlands where it topped the charts, as well as Australia and Austria where it peaked at no. 2 and no. 3, respectively. Here’s the great opener Rock And Roll Is Dead, whose title Kravitz said was widely taken at face value when he actually was poking fun at life as a rock star.

Last but not least, here’s a Spotify playlist of the above goodies. As always, I hope there’s something for you and that you’ll be back to join me for more music time travel next Sunday!

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Welcome to another Sunday Six and hope you’re enjoying your weekend. Whatever it is you’re doing or plans you may have, most things go better with great music. I invite you to join me to embark on a new trip to celebrate music of the past and the present, six tunes at a time.

Coleman Hawkins Quartet/Love Song From “Apache”

Let’s start our journey in August 1963 with some soothing saxophone jazz by Coleman Hawkins. According to Wikipedia, German jazz music journalist Joachim-Ernst Berendt characterized Hawkins as one of the first prominent tenor sax jazz players, saying, “There were some tenor players before him, but the instrument was not an acknowledged jazz horn”. It’s my first exposure to Hawkins, so I’ll take that comment at face value. Born in St. Joseph, Mo. in 1904, Hawkins started playing saxophone at the age of 9. As a 17-year-old, he already was playing with Mamie Smith’s Jazz Hounds. While Hawkins became known with swing music during the big band era, he also had a role in the development of bebop in the ’40s. Love Song From “Apache”, composed by Johnny Mercer and David Raskin, is a beautiful track from a 1963 album by the Coleman Hawkins Quartet titled Today And Now. For jazz aficionados, Cole was backed by Tommy Flanagan (piano), Major Holley (upright bass) and Eddie Locke (drums).

Tears For Fears/Advice For the Young at Heart

On February 25, Tears For Fears released their first new album in nearly 18 years. While I’ve yet to spend more time with The Tipping Point, it brought the British new wave duo of Roland Orzabal and Curt Smith back on my radar screen. Formed in 1981, they are best remembered for their ’80s hits Mad World, Shout, Everybody Wants to Rule the World and Sowing the Seeds of Love. Given the Beatlesque sound of the latter, perhaps it’s not a surprise that tune, off their September 1989 album The Seeds of Love, is my favorite. Another song from that album I’ve always liked is Advice For the Young at Heart. Like several other tunes, it is credited to Orzabal and Nicky Holland, the keyboarder in Tears For Fears’ touring band during most of the second half of the ’80s.

John Hiatt & The Gooners/My Baby Blue

Next, let’s jump to May 2003 and a great tune by John Hiatt, an artist I’ve really come to appreciate over the past couple of years. While Hiatt has written songs for 50-plus years and recorded close to 30 albums, his tunes oftentimes became hits for other artists. Perhaps the most prominent examples are Thing Called Love and Have a Little Faith in Me, which became hits for Bonnie Raitt  and Joe Cocker, respectively. Hiatt’s songs have also been covered by an impressive and diverse array of other artists like B.B. King, Bob Dylan, Buddy Guy, Emmylou Harris, Joan Baez, Linda Ronstadt, The Nitty Gritty Dirt Band  and Willy DeVille. My Baby Blue, penned by Hiatt, is from his 17h studio album Beneath This Gruff Exterior, the only one that also credits his backing band The Gooners who also backed him on the Slow Turning (August 1988) and The Tiki Bar Is Open (September 2001) albums.

Chuck Prophet/Ford Econoline

When Spotify served up Ford Econoline by Chuck Prophet the other day, for a moment, I thought I was listening to a Ray Davies tune. From his AllMusic bio: Chuck Prophet is a singer, songwriter, and multi-instrumentalist who has created a handful of impressive solo albums when he isn’t busy collaborating with some of the most respected figures in roots rock. A songwriter with a naturalistic sense of storytelling and drawing characters, and a melodic sense that brings together the impact of rock with the nuance of country, blues, and folk, Prophet has been releasing worthwhile solo albums since 1990, when he brought out his first solo LP, Brother Aldo. Prior to that, he was a key member of the rough-edged Paisley Underground band Green on Red, who had a small cult following in the United States and a significantly larger one overseas, and in between solo efforts, he worked as a sideman, collaborator, or producer for Alejandro Escovedo, Kelly Willis, Warren Zevon, Cake, Kim Richey, and many more. Well, I’m glad to finally “meet” an artist who it sounds like should have entered my radar screen a long time ago. Ford Econoline, written by Prophet, is a track from Night Surfer, an album that appeared in September 2014. Man, I love that tune and really want to hear more by Prophet. Any tips are welcome!

Traffic/Walking in the Wind

Alrighty, time to pay the ’70s a visit. The year is 1974 and the month is September. That’s when Traffic released their seventh studio album When the Eagle Flies. It would be the English rock band’s last record before Steve Winwood and Jim Capaldi revived Traffic one more time for Far From Home, the final album released under that name in May 1994. On When the Eagle Flies, apart from Windwood (vocals, acoustic piano, organ, Mellotron, Moog synthesizer, guitars) and Capaldi (drums, percussion, backing vocals, keyboards), the band’s line-up also included founding member Chris Wood (flute, saxophones), as well as Rosko Gee (bass). By the time the record came out, percussionist Rebop Kwaku Baah had been fired. Perhaps this explains why he remained uncredited for the congas he provided for two tunes – not a nice thing to do! Here’s Walking in the Wind, which like all other tunes except one was co-written by Winwood and Capaldi.

The Animals/Boom Boom

And once again, we’ve reached the final stop of our little trip. Let’s finish things off with a great rendition of John Lee Hooker classic Boom Boom by The Animals. The British blues rock band first released this gem as a single in North America in November 1964. It was also included on their second American studio album The Animals on Tour from February 1965, a somewhat misleading title for a studio recording. Originally, Boom Boom had appeared in March 1962 on Hooker’s studio album Burnin‘. The Animals’ rendition reached no. 43 on the U.S. Billboard Hot 100 and no. 14 in Canada on the RPM Top 40 & 5 singles chart. Hooker’s original peaked at no. 60 on the Billboard Hot 100, only one of two of his songs that made the mainstream chart, as well as no. 16 on Billboard’s Hot R&B Sides. I never get tired to listen to Eric Burdon’s great voice and the band’s hot sound!

Here’s a Spotify playlist featuring the above goodies. Hope there’s something there you like!

Sources: Wikipedia; AllMusic; YouTube; Spotify

The Sunday Six

It’s Sunday morning and time again to embark on another eclectic music mini-journey. Somehow it doesn’t feel a week has gone by since the last published installment of The Sunday Six, but the calendar doesn’t lie. This time, my picks include some saxophone-driven jazz, rock, funk and country, touching the 1950s, ’70s, ’80s and 2021. I actually skipped one of my favorite decades, the ’60s, which is a rare occurrence!

Sonny Rollins/St. Thomas

This time, I’d like to start with some saxophone jazz by Sonny Rollins. I first featured the American tenor saxophonist, who is very influential in the jazz world, earlier this year in this Sunday Six installment from March. Over an incredible 70-year-plus career, Rollins has recorded more than 60 albums as a leader and appeared on many additional records as a sideman. He has played with the likes of Charlie Parker, Miles Davis, Dizzy Gillespie, Thelonious Monk, Max Roach and Modern Jazz Quartet. St. Thomas is the lead track off his breakthrough album Saxophone Colossus from 1957. The title of his sixth record became Rollins’ nickname. Credited to Rollins, St. Thomas is based on a nursery song his mother sang to him when he was a child. On the recording, he was joined by Tommy Flanagan (piano), Doug Watkins (bass) and Max Roach (drums). Earlier this month, Rollins turned 91.

Dave Mason/Let It Go, Let It Flow

Dave Mason had been a familiar name to me in connection with Traffic, the English rock band he founded together with Steve Winwood, Jim Capaldi and Chris Wood in April 1967. Over the course of his 50-year-plus career, Mason also played and recorded with many other artists, such as Paul McCartney, George Harrison, Jimi Hendrix, Eric Clapton, Fleetwood Mac and Leon Russell. Between 1993 and 1995, Mason was a member of Fleetwood Mac and appeared on their 16th studio album Time from October 1995. In addition to that, he launched a solo career in 1970 and has released 15 albums to date. Let It Go, Let It Flow, written by Mason, is from his seventh solo record Let It Flow that appeared in April 1977. This is a catchy tune – I love the singing and the harmony guitar action, as well as the organ (Mike Finnegan) and bass work (Gerald Johnson). Let It Go, Let It Flow also was released separately as a single and reached no. 45 in the U.S. on the Billboard Hot 100.

Cold Chisel/When the War is Over

A recent post by Robert Horvat from Rearview Mirror about Cold Chisel reminded me of When the War is Over, another song by the Australian rock band. Not only do I love this tune, especially the vocals, but it also brings back memories of my years as a bassist in a band when I was in my early ’20s. In addition to originals written by the group’s leader, we also did some covers. And, yes, this included When the War is Over, a track from Cold Chisel’s fourth studio album Circus Animals that came out in March 1982. Written by the band’s drummer and backing vocalist Steve Prestwich, When the War is Over also became the album’s third single in July 1982, climbing to no. 25 on the Australian charts. The song has been covered by various other artists, including Little River Band and Scenic Drive. ‘Who the hell is Scenic Drive?’ you might wonder. Hint: A German band that focused on West Coast-oriented pop rock and existed between 1987 and 1989.

Stevie Wonder/Superstition

After a beautiful rock ballad, it’s time for something more groovy, something funky. Superstition by Stevie Wonder was the first track that came to my mind in this context. One of my all-time favorite tunes by Wonder, Superstition became the lead single of his 15th studio album Talking Book from October 1972. It also yielded his first no. 1 hit on the Billboard Hot 100 since Fingertips – Part 2 from 1963 when he was still known as Little Stevie Wonder. Jeff Beck who participated in the recording sessions for Talking Book came up with the opening drum beat. Wonder improvised the guitar-like riff, playing a Hohner clavinet. They created a rough demo of the tune with the idea that Beck would record the song for his next album. However, by the time Beck did so, Wonder had recorded the tune for Talking Book, and at the insistence of Berry Gordy who saw a hit, it had been released as a single. Apparently, Beck wasn’t happy and made some comments to the press Wonder didn’t appreciate. Eventually, Beck released his version of Superstition on his 1973 eponymous debut album with Beck, Bogert & Appice.

Scott Hirsch/Dreamer

For this next pick, let’s jump to the present and beautiful music from a forthcoming album by producer and singer-songwriter Scott Hirsch. From his Facebook page: You’ve heard the sound of Scott Hirsch. You might not know it, but his audio production has lurked deep in the cut of many admired recordings from the late 1990s to the present. A founding member of Hiss Golden Messenger, he was integral to the band’s formative years in the studio and on the road. His sonic imprint remains on their productions; most recently mixing the forthcoming album Quietly Blowing It. He recorded and mixed a Grammy nominated record by the legendary folk-singer Alice Gerrard and has produced and played on records by William Tyler, Mikael Jorgensen, Orpheo McCord and Daniel Rossen. I’m completely new to Hirsch who released his solo debut Blue Rider Songs in 2016. Dreamer, which features folk and alt. country singer-songwriter Kelly McFarling, is a mellow country-oriented tune from Hirsch’s upcoming third solo album Windless Day scheduled for October 8. He released the tune upfront on August 13.

The Robbin Thompson Band/Brite Eyes

And once again, it’s time to wrap up this latest music zig-zag excursion. Let’s pick up the speed with a great tune by Robbin Thompson. Thompson was a member of Steel Mill, an early Bruce Springsteen band that existed from November 1969 to January 1971 and included three members of the future E Street Band: Vini Lopez, Danny Federici and Steve Van Zandt. Thompson also worked with Timothy B. Schmit, Phil Vassar, Butch Taylor and Carter Beauford. Between 1976 and 2013, he recorded a series of albums that appeared under his and other names. Thompson passed away from cancer in 2015 at the age of 66. Here’s Brite Eyes, a track from Two B’s Please, an album released in 1980 by The Robbin Thompson Band. The seductive rocker also became a single and a minor national hit in the U.S., peaking at no. 66 on the Billboard Hot 100. It’s got a bit of a Jackson Browne flair, while the harmony singing is reminiscent of America. Also, check out that great bassline – what an awesome tune!

Sources: Wikipedia; Scott Hirsch Facebook page; YouTube