The Sunday Six

Celebrating music with six random tracks at a time

It’s Sunday morning and time again to embark on another eclectic music mini-journey. Somehow it doesn’t feel a week has gone by since the last published installment of The Sunday Six, but the calendar doesn’t lie. This time, my picks include some saxophone-driven jazz, rock, funk and country, touching the 1950s, ’70s, ’80s and 2021. I actually skipped one of my favorite decades, the ’60s, which is a rare occurrence!

Sonny Rollins/St. Thomas

This time, I’d like to start with some saxophone jazz by Sonny Rollins. I first featured the American tenor saxophonist, who is very influential in the jazz world, earlier this year in this Sunday Six installment from March. Over an incredible 70-year-plus career, Rollins has recorded more than 60 albums as a leader and appeared on many additional records as a sideman. He has played with the likes of Charlie Parker, Miles Davis, Dizzy Gillespie, Thelonious Monk, Max Roach and Modern Jazz Quartet. St. Thomas is the lead track off his breakthrough album Saxophone Colossus from 1957. The title of his sixth record became Rollins’ nickname. Credited to Rollins, St. Thomas is based on a nursery song his mother sang to him when he was a child. On the recording, he was joined by Tommy Flanagan (piano), Doug Watkins (bass) and Max Roach (drums). Earlier this month, Rollins turned 91.

Dave Mason/Let It Go, Let It Flow

Dave Mason had been a familiar name to me in connection with Traffic, the English rock band he founded together with Steve Winwood, Jim Capaldi and Chris Wood in April 1967. Over the course of his 50-year-plus career, Mason also played and recorded with many other artists, such as Paul McCartney, George Harrison, Jimi Hendrix, Eric Clapton, Fleetwood Mac and Leon Russell. Between 1993 and 1995, Mason was a member of Fleetwood Mac and appeared on their 16th studio album Time from October 1995. In addition to that, he launched a solo career in 1970 and has released 15 albums to date. Let It Go, Let It Flow, written by Mason, is from his seventh solo record Let It Flow that appeared in April 1977. This is a catchy tune – I love the singing and the harmony guitar action, as well as the organ (Mike Finnegan) and bass work (Gerald Johnson). Let It Go, Let It Flow also was released separately as a single and reached no. 45 in the U.S. on the Billboard Hot 100.

Cold Chisel/When the War is Over

A recent post by Robert Horvat from Rearview Mirror about Cold Chisel reminded me of When the War is Over, another song by the Australian rock band. Not only do I love this tune, especially the vocals, but it also brings back memories of my years as a bassist in a band when I was in my early ’20s. In addition to originals written by the group’s leader, we also did some covers. And, yes, this included When the War is Over, a track from Cold Chisel’s fourth studio album Circus Animals that came out in March 1982. Written by the band’s drummer and backing vocalist Steve Prestwich, When the War is Over also became the album’s third single in July 1982, climbing to no. 25 on the Australian charts. The song has been covered by various other artists, including Little River Band and Scenic Drive. ‘Who the hell is Scenic Drive?’ you might wonder. Hint: A German band that focused on West Coast-oriented pop rock and existed between 1987 and 1989.

Stevie Wonder/Superstition

After a beautiful rock ballad, it’s time for something more groovy, something funky. Superstition by Stevie Wonder was the first track that came to my mind in this context. One of my all-time favorite tunes by Wonder, Superstition became the lead single of his 15th studio album Talking Book from October 1972. It also yielded his first no. 1 hit on the Billboard Hot 100 since Fingertips – Part 2 from 1963 when he was still known as Little Stevie Wonder. Jeff Beck who participated in the recording sessions for Talking Book came up with the opening drum beat. Wonder improvised the guitar-like riff, playing a Hohner clavinet. They created a rough demo of the tune with the idea that Beck would record the song for his next album. However, by the time Beck did so, Wonder had recorded the tune for Talking Book, and at the insistence of Berry Gordy who saw a hit, it had been released as a single. Apparently, Beck wasn’t happy and made some comments to the press Wonder didn’t appreciate. Eventually, Beck released his version of Superstition on his 1973 eponymous debut album with Beck, Bogert & Appice.

Scott Hirsch/Dreamer

For this next pick, let’s jump to the present and beautiful music from a forthcoming album by producer and singer-songwriter Scott Hirsch. From his Facebook page: You’ve heard the sound of Scott Hirsch. You might not know it, but his audio production has lurked deep in the cut of many admired recordings from the late 1990s to the present. A founding member of Hiss Golden Messenger, he was integral to the band’s formative years in the studio and on the road. His sonic imprint remains on their productions; most recently mixing the forthcoming album Quietly Blowing It. He recorded and mixed a Grammy nominated record by the legendary folk-singer Alice Gerrard and has produced and played on records by William Tyler, Mikael Jorgensen, Orpheo McCord and Daniel Rossen. I’m completely new to Hirsch who released his solo debut Blue Rider Songs in 2016. Dreamer, which features folk and alt. country singer-songwriter Kelly McFarling, is a mellow country-oriented tune from Hirsch’s upcoming third solo album Windless Day scheduled for October 8. He released the tune upfront on August 13.

The Robbin Thompson Band/Brite Eyes

And once again, it’s time to wrap up this latest music zig-zag excursion. Let’s pick up the speed with a great tune by Robbin Thompson. Thompson was a member of Steel Mill, an early Bruce Springsteen band that existed from November 1969 to January 1971 and included three members of the future E Street Band: Vini Lopez, Danny Federici and Steve Van Zandt. Thompson also worked with Timothy B. Schmit, Phil Vassar, Butch Taylor and Carter Beauford. Between 1976 and 2013, he recorded a series of albums that appeared under his and other names. Thompson passed away from cancer in 2015 at the age of 66. Here’s Brite Eyes, a track from Two B’s Please, an album released in 1980 by The Robbin Thompson Band. The seductive rocker also became a single and a minor national hit in the U.S., peaking at no. 66 on the Billboard Hot 100. It’s got a bit of a Jackson Browne flair, while the harmony singing is reminiscent of America. Also, check out that great bassline – what an awesome tune!

Sources: Wikipedia; Scott Hirsch Facebook page; YouTube

14 thoughts on “The Sunday Six”

    1. Thanks for listening and commenting, Lisa. I’ll gladly take four out of six!😀

      Admittedly, I really dig that Robbin Thompson tune, in part because of the bass line. I practiced playing it back in the day.

      But if we all would love the same music all the time, it would be kind of boring!

      Liked by 1 person

    1. Thanks. For a few years in my late teens and early twenties, music completely dominated my life – it didn’t necessarily benefit my studies!😀

      While I certainly practiced a lot, I wasn’t exactly Jaco Pastorius. I guess I was an okay bassist. Sometimes I regret that I gave up active music.

      As to Cold Chisel, I love “When the War is Over.” I think the vocals are outstanding. That being said, part of it is probably also nostalgia!

      Liked by 2 people

    1. Thanks. As a huge Beatles fan, I would have to mention Paul McCartney first. He’s done some of the best melodic basslines.

      There are so many other great players. Have you ever seen Tal Wilkenfeld? She’s quite amazing.

      Leland Sklar and Jaco Pastorius also come to mind.

      I also really like Joe Jackson’s longtime bassist Graham Maby.

      Liked by 1 person

    1. Thanks, CB. I believe you know jazz much better than me – I just pretend I do! 🙂 Sonny Rollins was an easy pick, given my love for the saxophone.

      Glad you like the Robbin Thompson tune. I don’t think he ever quite broke through. To me, it primarly sounds like a combo of Jackson Browne and America (the harmony singing). Whatever may be the case, it’s just a great tune.

      Liked by 1 person

      1. Im a jazz pretender also but that doesn’t matter. We both love the music and Sonny has so much great material. I’ll send you your “Sax Card” in the mail.
        Im also a big Mason guy. Check out his redo of ‘Feelin Alright’ with Sammy Hagar and a few others. Very cool.

        Liked by 1 person

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