Best of What’s New

A selection of newly released music that caught my attention

While sadly my time to blog and read posts by my fellow music bloggers has been very limited over the past couple of weeks, the good news is the music never stops. It’s great to see this includes decent new releases. I’m particularly excited about new music by Bruce Springsteen, one of my all-time favorite artists. This installment of Best of What’s New also features two great blues artists and a soulful roots/Americana singer-songwriter. Let’s get to it.

Bruce Springsteen/Letter to You

Bruce Springsteen announced a new album with the E Street Band on September 10. Letter to You, his 20th album, is slated for October 23. The Boss and his band mates recorded it at his home studio in just five days. The album features nine recently written tracks and three re-recorded but previously unreleased songs from the ’70s. Springsteen’s website characterized Letter to You as a rock album fueled by the band’s heart-stopping, house-rocking signature sound. Apparently, Springsteen is pretty upbeat about it. “I love the emotional nature of Letter To You,” he stated. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs… It turned out to be one of the greatest recording experiences I’ve ever had.” Here’s the official video of the title track. Sounds like classic Boss to me and I can’t wait to hear the rest of the album!

Al Basile/Second Wind

When it comes to the blues, you rarely can go wrong, in my completely unbiased opinion. So I was a happy camper when I came across Second Wind by Al Basile – yet another artist I don’t believe I had heard of before, even though he’s been around for close to 50 years! According to his website, Basile began his musical career as a cornet player with Roomful of Blues in 1973, and has worked with the Duke Robillard Band as a songwriter and recording member since 1990, appearing on twelve CDs and a DVD; his songs have been used in films and television and covered by such artists as Ruth Brown and Johnny Rawls, and bands New Jump Blues and the Knickerbocker All Stars. He has fifteen solo blues and roots CDs out under his own name, the majority having reached the top 15 on the Living Blues airplay charts in their year of release. They have all been produced by Robillard and feature his guitar playing and many former Roomful members...He is also a prize-winning poet, with two published books, 2011’s A Lit House and 2017’s Tonesmith. But unlike Brian May, Basile is not an astrophysicist – what an underachiever! Second Wind is a tune from Basile’s new album Last Hand, which appeared on August 21.

Kat Riggins/No Sale

And what’s even better than the blues? Of course, more blues, especially when it’s delivered by a great vocalist and rocks! From the website of Kat Riggins, a blues artist born in the blues capital of the world Miami: Inspired by the variety and abundance of music in her parents’ collection, it makes sense that her own music is peppered with hints of R&B, soul, country, gospel, hip-hop, and rock-n-roll. Make no mistake; however, Kat Riggins is undeniably a BLUES WOMAN! She travels the world with the sole mission of keeping the blues alive and thriving through her Blues Revival Movement. She has been vocally compared to Koko Taylor, Etta James and Tina Turner to name a few. While obviously influenced by those icons, Mrs. Riggins has a voice and delivery all her own. Full of power, rasp and grit she can belt out one of her contemporary blues originals one minute, then deliver a tender, sultry standard the next. Based on Discogs, Riggins released her debut Lilly Rose in 2014. No Sale is a nice blues rocker off her new and fourth album Cry Out that appeared on August 14. It’s got a bit of a ZZ Top vibe. As noted in a review on Rock & Blues Muse, the album was produced by blues veteran and songwriter Mike Zito, co-founder of the record’s label Gulf Coast Records, who also played guitar.

Oliver Wood/Soul of This Town

Soul of This Town is the debut solo single by guitarist Oliver Wood, who since 2004 has been playing together with his brother Chris Wood (upright bass) and Jano Rix (drums) in roots/Americana trio The Wood Brothers. Prior to that, he was part of Tinsley Ellis’ touring lineup and headed his own band King Johnson that released six albums over a 12-year span. Evidently, here’s another artist who has been around for 30-plus years and had escaped my attention until now. With The Wood Brothers, he has released six albums to date. Wood co-wrote Soul of This Town with Phil Cook, a singer-songwriter from Raleigh, N.C. The single was released on August 21. I can also recommend the bluesy B-side The Battle is over (But the War Goes On).

Sources: Wikipedia; Bruce Springsteen website; Al Basile website; Kat Riggins website; Discogs; Rock & Blues Muse; YouTube

Beware Of Mr. Baker

In memoriam of a drumming giant with a 60-year-plus career

When I saw the name of Ginger Baker pop up in a CNN news alert on my phone yesterday morning, I immediately knew what had happened. Just a few days ago, I had spotted a story on Facebook, reporting Baker was in the hospital and critically ill. The legendary drummer passed away on October 6 at age 80.

Baker was a pretty wild character. His constant fights with Jack Bruce while they played together in The Graham Bond Organisation and lateron in “supergroup” Cream have widely been reported. Once he even pulled a knife on Bruce – yikes! Baker’s volatile behavior is also impressively captured in the fascinating 2012 American documentary Beware of Mr. BakerAt some point, he hits film maker Jay Bulger in the nose with his walking stick – a terrifying thought, especially coming from a drummer.

So, yes, Baker wasn’t exactly a saint. But I don’t feel it’s my place to judge. Plus, let’s be honest here: The same can be said about some other music artists, including one of my biggest heroes of all time, John Lennon. He certainly was a less than perfect husband to his first wife Cynthia Powell and father to Julian, his son from that marriage. Still, the fact Lennon’s behavior fell short doesn’t change my admiration for him as an artist. The same is true for Ginger Baker.

Ginger Baker 2

There are already many obituaries out there, and undoubtedly, there will be many more. I don’t want to add yet another such piece. If you feel like reading an obituary for Baker, you can do so here at Rolling Stone, for example. Instead, I’d like to commemorate Baker with some of his music. And there is quite a lot over a career that spanned more than 60 years.

Less than two years after Baker had started picking up the drums at age 16, he was initially playing Dixieland on London’s Soho jazz scene. He was also influenced by bebop and artists like Max Roach, Charlie Parker and Dizzie Gillespie. In fact, during a 2013 interview with jazz.fm91 he said, “Oh, for God’s sake, I’ve never played rock.” He also insisted Cream was a jazz band. “Cream was two jazz players and a blues guitarist playing improvised music. We never played the same thing two nights running…It was jazz.” Oh, well, I guess it all depends on how you define jazz. In any case, at the end of the day, who cares what you call it when you’re talking about Cream, one of the greatest bands of the 60s.

In 1962, following Charlie Watts’ departure to The Rolling Stones, 23-year-old Baker joined Blues Incorporated. The English blues band was led by guitarist Alexis Korner, who is often called “a founding father of British blues.” It is also there where Baker first met Jack Bruce. Here’s a great 1962 instrumental called Up-Town, which in addition to Korner (guitar), Bruce (bass) and Baker (drums) also featured Cyril Davies (harmonica), Dick Heckstall-Smith (tenor saxophone) and Johnny Parker (piano).

In 1963, Baker joined The Graham Bond Organisation, where he again played with Bruce, as well as other former Blues Incorporated members Graham Bond (vocals, keyboards, alto-saxophone) and Heckstall-Smith (tenor & soprano saxophone). Guitarist John McLaughlin rounded out the line-up of this jazz and R&B group. Here is Camels & Elephants, a tune featuring a Baker drum solo reminiscent of Toad, except it’s much shorter! 🙂

While Baker made a name for himself in The Graham Bond Organisation, it was his affiliation with next band that cemented his status as a legendary drummer: Cream. Most of the band’s orginal songs were written by Bruce and Eric Clapton. Between the two, they typically also handled vocals. But here is one Cream tune that not only was soley written by Baker but also sung by him: Blue Condition. The song appeared on their second studio album Disraeli Gears from May 1967.

Following the break-up of Cream and Baker’s participation in the short-lived Blind Faith, he founded jazz rock fusion group Ginger Baker’s Air Force. Apart from Baker, the supergroup’s initial formidable lineup included Steve Winwood (organ, vocals), Ric Grech (violin, bass), Jeanette Jacobs (vocals), Denny Laine (guitar, vocals), Chris Wood (tenor saxophone, flute), Graham Bond (alto saxophone), Harold McNair (tenor saxophone), Remi Kabaka (percussion), Alan White (drums) and jazz drummer Phil Seamen with whom Baker had taken lessons in the early ’60s. Here is Do What You Like, a tune Baker originally had written for Blind Faith, featuring Steve Winwood on lead vocals. It appeared on Air Force’s eponymous debut from March 1970, a live recording of a show at the Royal Albert Hall from January 15, 1970.

Just like Baker’s other music ventures, Air Force was short-lived, lasting only for a couple of years. In November 1971, he decided to move to Lagos, Nigeria where he set up a recording studio. It operated through the ’70s. One of the albums produced there was Band On The Run by Paul McCartney and Wings. In addition to putting out various solo albums during that time, Baker worked with Nigerian multi-instrumentalist and composer Fela Kuti, a pioneer of the Afrobeat music genre. One of these albums, Stratavarious, appeared in 1972 and included a track written by Kuti called Tiwa (It’s Our Own).

In 1974, Baker teamed up with brothers Adrian Gurvitz (guitar, vocals) and Paul Gurvitz (bass, vocals) to form Baker Gurvitz Army. Here is the title track and a Baker composition from the band’s third and last album Hearts On Fire, which was released in 1976.

After the demise of his recording studio in Nigeria, Baker relocated to Italy in the early 1980s. In 1987, he released African Force, a jazz fusion album. Here’s the opener Brain Damage, which was co-written by Baker and Jan Kazda.

In 1993, Baker teamed up with Bruce (amazing how often these two guys kept reuniting, despite all their bad past fights) and guitarist Gary Moore to form BBM (Bruce, Baker, Moore). Predictably, the power trio didn’t last long either, but they managed to release one album, Around The Next Dream. Here is Why Does Love (Have To Go Wrong?), which is credited to all three musicians.

The last track I’d like to highlight is from Baker’s final studio album Why?, another jazz  record that appeared in May 2014. It was his first solo record in 16 years. Here is Cyril Davis written by Baker. Other musicians on the album included Pee Wee Ellis (saxophone), Alec Dankworth (bass) and Abass Dodoo (percussion).

This post would be incomplete without a few thoughts from other music artists. Mick Jagger called Baker “a fiery but extremely talented drummer.” Recalling his work on the Band On The Run album in Baker’s studio in Nigeria, Paul McCartney characterized him as a “great drummer, wild and lovely guy.” Steven Van Zandt noted “Baker was one of the greatest drummers of all time” and recommended the album Disraeli Gears to those unfamiliar with him.

There were also some heartfelt words from Baker’s son Kofi Baker, the drummer in Cream tribute band Music Of Cream: “The other day, I had a beautiful visit with my dad…we talked about memories and music and he’s happy I’m keeping his legacy alive. Our relationship was mended and he was in a pieceful place.”

Sources: Wikipedia; CNN; Rolling Stone; Jazz.fm91; YouTube