Best of What’s New

A selection of newly released music that caught my attention

This week was a bit of a drag, so I’m not unhappy it’s over. Of course, this also means it’s time to take another look at newly released music. Between an unusual but great sounding bluesy country trio, gospel from an amazing singer who is primarily known as a backing vocalist, as well as some alternative and indie rock, I think I’ve put together a pretty solid collection of songs. Unless noted otherwise, all music appeared yesterday, April 9. Let’s get to it!

The Reverend Peyton’s Big Damn Band/Too Cool to Dance

The Reverend Peyton’s Big Damn Band (this has got to be one of the coolest band names!) are an American country blues trio from Brown County, Ind. and have been around since 2003. Their members include Josh “The Reverend” Peyton (guitar, lead vocals), his wife “Washboard” Breezy Peyton (washboard) and Max Senteney (drums). According to Apple Music, the band’s sound is characterized by thick, bass-heavy, blues-based guitar figures and growling vocals accompanied by muscular but minimal drumming and the metallic percussive scratch of a washboard (making them one of the first rock bands to regularly feature the latter instrument since Black Oak Arkansas). Their style is informed by rural blues, honky-tonk country, and the rebellious spirit of rock & roll, as Reverend Peyton’s raw and wiry guitar figures add texture to their straightforward melodies. To date, they have released 10 full-length albums and one EP. Too Cool to Dance is from their new album Dance Songs for Hard Times, which addresses the hopes and fears of life during this seemingly never-ending pandemic. But, as the band’s website notes, don’t expect to hear depressing music. “I like songs that sound happy but are actually very sad,” Peyton says. “I don’t know why it is, but I just do.” Well, he isn’t kidding – check this out!

Merry Clayton/A Song For You

American soul and gospel singer Merry Clayton, who began her recording career in 1962, is best known for providing killer backing vocals on Gimme Shelter, the 1969 tune by The Rolling Stones. Moreover, Clayton sang backing vocals on Lynyrd Skynyrd’s Sweet Home Alabama and recorded with Elvis Presley, The Supremes, Ray Charles, Joe Cocker, Linda Ronstadt and Carole King, among others. In addition, Clayton was a member of Charles’ vocal backing group The Raelettes from 1966-1968. In 1963, her solo debut single When the Doorbell Rings appeared. Clayton has also released various solo albums since 1970. In the ’80s, she did some acting as well. A Song for You, which was written by Leon Russell and included on his eponymous debut solo album from March 1970, is a track from Clayton’s new album Beautiful Scars. She first covered the tune on her eponymous third solo album released in 1971. This may be an old tune and “only” a cover, but I just love Clayton’s singing!

The Natvral/New Moon

According to his Bandcamp profile, The Natvral is the new project of Kip Berman, who previously founded American indie rock band The Pains of Being Pure at Heart and was their main songwriter. Between 2009 and 2017, the New York group released four studio albums. As reported by Paste, in November 2019, Berman announced the band had dissolved and that he intended to focus on his new project The Natvral. Well, he did, and the result is Tethers, Berman’s debut album under his new name, which came out on April 2nd. Call me crazy, I seem to hear some Bob Dylan in this tune! Regardless, it sounds great to me!

Major Murphy/In the Meantime

Let wrap things up with Major Murphy, an indie rock from Grand Rapids, Mich. According to their artist profile on Apple Music, they were formed in 2015 behind the songwriting of singer/multi-instrumentalist Jacob Bullard. Jacki Warren (synth, bass, vocals) and Brian Voortman (drums) rounded out the lineup. A home-recorded debut EP called Future Release was issued by Winspear later in 2015, and the trio soon committed to performing live regularly and went on their first tours. Winspear released the follow-up EP On & Off Again in July 2017. That November, Major Murphy previewed a more vibrant sound with “Mary,” the lead track off their full-length debut. Recorded mostly live in the studio with producer/mixer Mike Bridavsky, No. 1 arrived on Winspear in March 2018. That same year, Chad Houseman joined Major Murphy on guitar, keyboards and percussion. He is on the band’s new sophomore album Access, which came out on April 2nd. Here’s In the Meantime, written by Bullard. It’s a catchy tune that has a bit of a Tom Petty vibe.

Sources: Wikipedia; Apple Music; The Reverend Peyton’s Big Damn Band website; YouTube

Ladies Shaking Up Music – Part 2

Celebrating female artists in blues, country, jazz, rock & roll, soul and pop

Here’s the second part of my two-part post that celebrates some of the amazing female music artists I admire. Part I, which you can read here, covered Sister Rosetta Tharpe, Nina Simone, Aretha Franklin, as well as 2021 Rock & Roll Hall of Fame nominees Carole King and Tina Turner. I wouldn’t argue with you, if you’d tell me the aforementioned artists are obvious choices. Undoubtedly, three of the female music artists in this second installment fall in the same category. If you’re curious about my two remaining selections, I encourage you to read on. I also have a fun encore.

Bonnie Raitt

Since my often mentioned dear longtime German music friend introduced me to Bonnie Raitt more than 30 years ago, I’ve dug her both as a terrific slide guitarist and a genuine no BS type of artist. Not surprisingly, this isn’t the first time I’m covering Raitt. I also got to see her live in New Jersey in August 2016, which was really cool, and wrote about here. Raitt who grew up in a musical family started playing the guitar as an eight-year-old, teaching herself by listening to blues records. After three years in college studying Social Relations and African Studies, she decided to drop out and follow her real calling: music. Since her eponymous debut from November 1971, 16 additional studio albums have appeared to date. Her most recent release is Dig In Deep from February 2016. My aforementioned concert was part of the supporting tour for that album. Here’s one of my all-time Bonnie Raitt favorites: Angel From Montgomery, a great tune written and first recorded by John Prine for his 1971 eponymous debut. Raitt covered the song on her fourth studio album Streetlights from September 1974.

Linda Ronstadt

Linda Ronstadt may “only” have been a cover artist (the same is pretty much true for Bonnie Raitt), but what an amazing and versatile vocalist! There’s a reason why she’s so widely admired. And why she’s the only female artist with five platinum-certified U.S. albums in a row in the ’70s. Between 1969 and 2004, Ronstadt released 24 studio albums in genres that varied from country and rock to traditional Mexican music, jazz and even Broadway/operetta. This woman could sing anything! In 2000, she started noticing something was wrong with her voice. During an April 2011 interview with the Arizona Daily Star Ronstadt officially stated she had retired from music. Two years later, she disclosed her diagnosis with Parkinson’s disease. If you’d like to learn more about this incredible artist, I’d encourage you to watch the 2019 documentary Linda Ronstadt: The Sound of My Voice. Or you can read this previous post. Here’s her pretty rendition of Neil Young tune Love Is a Rose, the opener of her sixth solo album Prisoner in Disguise from September 1975. That release was second of the above noted five platinum records in a row.

Sheryl Crow

If I recall it correctly, the first Sheryl Crow tune I heard was All I Wanna Do from her great 1993 debut Tuesday Night Music Club. I liked her style of catchy pop rock from the get-go and have pretty much listened to her ever since. To date, Crow has released 10 additional studio albums. When putting out her most recent one, Threads, in August 2019, which I reviewed here, Crow said it would probably be her final full-length album. She cited changed listening habits of most music consumers who compile their own playlists with songs from different artists rather than listening to entire albums from one artist. In the age of music streaming, that’s certainly easier than never before. While I still believe in albums, I have to admit most of the time, I listen to playlists as well! One of my favorite Cheryl Crow tunes is from her eponymous sophomore album that came out in September 1996. Co-written by Crow and her longtime collaborator Jeff Trott, it’s appropriately titled If It Makes You Happy. Indeed, it does!

Tierinii Jackson

Chances are this is the first time you hear of Tierinii Jackson, the lead vocalist of Southern Avenue. If you’re a more frequent visitor of the blog, the latter name could ring a bell. This band from Memphis, Tenn. blends traditional blues and soul with modern R&B, and is one of most exciting contemporary acts I know. Ever since I saw a post from fellow blogger Music Enthusiast several years ago, I’ve followed the group and have since seen them twice. They are a fantastic live act. To date, Southern Avenue have released two albums: an eponymous debut (February 2017) and Keep On from May 2019. Recently, guitarist Ori Naftaly said on their Facebook fan page the group’s third album is mostly in the can. It’s scheduled for later this year. BTW, I’ve had a chance to exchange a few words with Jackson who is a humble and down to earth person. When I asked her where she learned to sing like this, she casually replied in church. Time for a little demo! Here’s the powerful picker-upper Don’t Give Up, a tune from Southern Avenue’s first album, as captured live by yours truly during a gig in Asbury Park, N.J. in July 2019, the most recent time I saw them. While it was recorded with an aging iPhone, I think it gives you some idea what happens when Tierinii Jackson gets going. Multiply this by at least three and you probably have what being in the venue that evening felt like.

Molly Tuttle

The last artist I’d like to highlight is Molly Tuttle, who I feel is super-talented and has a great future ahead of her: The 28-year-old grew up in the San Francisco Bay area and has lived in Nashville since 2015. She comes from a musical family. Tuttle started playing guitar at the age of eight and three years later already performed on stage with her father, Jack Tuttle, a bluegrass multi-instrumentalist and teacher. She recorded her first album with him as a 13-year-old. In 2015, Tuttle joined the family band The Tuttles with AJ Lee, featuring her father and siblings, along with mandolist AJ Lee. Tuttle’s solo debut happened in October 2012 with the EP Rise. That same year, her impressive guitar skills were recognized by the International Bluegrass Association by awarding her Guitar Player of the Year, something she repeated in 2018. Among other accolades, Tuttle also won Instrumentalist of the Year at the 2018 Americana Music Awards. Here’s her terrific rendition of The Rolling Stones’ She’s a Rainbow from her most recent album …but I’d rather be with you from August 2020. Co-written by Mick Jagger and Keith Richards, the tune originally appeared on the Stones’ 1967 studio album Their Satanic Majesties Request. Check out Tuttle’s incredibly fluid guitar-playing. This is just awesome! In case you’re wondering about Tuttle’s, she’s living with a condition called alopecia universalis, which results in total body hair loss. Usually, she wears wigs.

I’d like to wrap up things with where I started this two-part post: Sister Rosetta Tharpe. I just couldn’t resist to present the following compilation clip of her guitar solos as an encore. Tharpe was a true gospel rock star who among others played a white badass Gibson SG! In case you weren’t aware, now you know where Chuck Berry learned a trick or two. The one caveat is the footage wasn’t published under Tharpe’s name or by a record company, so it’s hard to tell how long this clip will stay on YouTube. Let’s enjoy while it lasts!

Sources: Wikipedia; Southern Avenue Facebook fan page; YouTube

Ladies Shaking Up Music – Part 1

Celebrating female artists in blues, country, jazz, rock & roll, soul and pop

The idea behind this two-part post was inspired by fellow blogger Lisa, aka msjadeli, a talented poet who also likes great music. Throughout this month, she’s doing “Women Music March,” a series I’ve been enjoying. If you haven’t done so, I encourage you to check it out. While female artists aren’t a novelty in my blog, the closest I previously came to celebrate their music in a dedicated fashion were two posts on ladies singing the blues. You can find them here and here. Female talent certainly isn’t limited to the blues. This two-part post includes ten of the many female music artists I admire.

It’s also good timing to recognize female music artists in a dedicated way. March happens to be Women’s History Month, a celebration of contributions women have made and are making to society. Obviously, music is an important part of this, and some of the artists I feature were true trailblazers. Initially, I had planned to include all of my 10 selections in one post but quickly realized it made more sense to break things up. Here’s the first of two installments.

Sister Rosetta Tharpe

Sister Rosetta Tharpe who started playing the guitar as a four-year-old and began her recording career at age 23 in 1938 was a prominent gospel singer and an early pioneer of rock & roll. Playing the electric guitar, she was one of the first popular recording artists to use distortion. Her technique had a major influence on British guitarists like Eric Clapton, Jeff Beck and Keith Richards. She also influenced many artists in the U.S., including Chuck Berry, Elvis Presley, Little Richard and Jerry Lee Lewis, to name a few. After Elvis had seen her being backed by vocal quartet The Jordanaires, he decided to work with them as well. Tharpe has been called “the original soul sister” and “the godmother of rock & roll.” Unfortunately, her health declined prematurely and she passed away from a stroke in 1973 at the untimely age of 58. In May 2018, Tharpe was inducted into the Rock & Roll Hall of Fame as an Early Influence. Here’s Strange Things Happening Everyday, a traditional African American spiritual that became a hit for Tharpe in 1945. This recording is historic, as it’s considered to be one of the very first rock & roll songs. Tharpe’s remarkable guitar-playing, including her solos, distorted sound and bending of strings, is more pronounced on later tunes, but you can already hear some it here. This lady was a true early rock star and trailblazer!

Nina Simone

Born Eunice Kathleen Waymon in Tyron, N.C. in February 1933, Nina Simone was the sixth of eight children growing up in a poor family. She began playing the piano at the age of three or four. After finishing high school, she wanted to become a professional pianist, so she applied to Curtis Institute of Music in Philadelphia. When they rejected her, she decided to take private lessons. In order to pay for them she started performing at a night club in Atlantic City, N.J. The club owner insisted that she also sing, which ended up launching her career as a jazz vocalist. In February 1959, Simone’s debut album Little Blue Girl appeared. It was the start of an active recording career that lasted for more than 30 years until 1993. Afterwards she lived in Southern France and died there in April 2003 at the age of 70. Here’s Ain’t Got No, I Got Life, a medley of the songs Ain’t Got No and I Got Life from the musical Hair, with lyrics by James Rado and Gerome Ragni, and music by Galt MacDermot. It appeared on Simone’s 1968 album ‘Nuff Said and became one of her biggest hits in Europe.

Aretha Franklin

“Queen of Soul” Aretha Franklin, who was born in Memphis, Tenn. in March 1942, began singing as a child at a Baptist church in Detroit, Mich. where her father C.L. Franklin was a minister. The Reverend began managing his daughter when she was 12 years old. He also helped her obtain her first recording deal with J.V.B Records in 1956, which resulted in two gospel singles. After Franklin had turned 18, she told her father she wanted to pursue a secular music career and moved to New York. In 1960, she signed with Columbia Records, which in February 1961 released her debut studio album Aretha: With The Ray Bryant Combo. Thirty-seven additional studio recordings followed until October 2014. In 2017, she came out of semi-retirement for a planned short tour. I had a ticket to see her in Newark on March 25, 2018, her 76th birthday. Unfortunately, it wasn’t meant to be. A few months prior to the gig, it was announced Franklin’s doctor had put her on bed rest and that all remaining shows of the tour were canceled. In August 2018, Aretha Franklin died from pancreatic cancer at the age of 76. Here’s (Sweet Sweet Baby) Since You’ve Been Gone, a great soul tune co-written by Franklin and Ted White, her first husband and manager from 1961 until 1968. It was included on her 12th studio album Lady Soul released in January 1968.

Carole King

More frequent visitors of the blog know how much I admire Carole King. With the recent 50th anniversary of Tapestry, I’ve written extensively about her. Before releasing one of the greatest albums in pop history in 1971 at age 29, for more than 10 years, King wrote an impressive array of hits for many other artists, together with her lyricist and husband Gerry Goffin: Will You Still Love Me (The Shirelles), Take Good Care of My Baby (Bobby Vee), The Loco-Motion (Little Eva), One Fine Day (The Chiffons), I’m Into Somethin’ Good (Herman’s Hermits), Don’t Bring Me Down (The Animals), Pleasant Valley Sunday (The Monkees) – the list of Goffin-King hits goes on and on. This songwriting duo helped shape ’60s music history. They were rightfully inducted into the Songwriter’s Hall of Fame in 1987. King is also currently nominated for the Rock & Roll Hall of Fame. While given her general modesty I imagine she doesn’t even care much about it, it’s just mind-boggling to me why this extraordinary artist wasn’t inducted decades ago! If you share my sentiments and like to do something about it, you can go to rockhall.com and participate in the fan vote. You can do so every day between now and April 30. King is currently trailing in sixth place. Only the first five will be included in the fan vote tally, so she definitely could need some support! To celebrate another true trailblazer in music, let’s get the ground shaking with I Feel the Earth Move from Tapestry!

Tina Turner

What can I say about Tina Turner? Where do I even begin? The Queen of Rock & Roll wasn’t only one of the most compelling live performers, as I had the privilege to witness myself on two occasions. She’s also one of the ultimate survivors. Her initial role as front woman of Ike & Tina Turner brought her great popularity but came at a terrible price. Physically and emotionally abusing your woman wasn’t cool, Ike, and will forever tarnish you. And look what happened after Tina walked out on you on July 1, 1976 with 36 cents and a Mobil credit card in her pocket. She launched a successful solo career, while you struggled. At the time Tina was inducted into the Rock & Roll Hall of Fame in 1991 as part of Ike & Tina Turner, you were in prison – ’nuff said! BTW, Turner is also among the 2021 nominees – this time as a solo artist. Currently in second place in the fan vote, she would certainly deserve a second induction. Here’s The Bitch Is Back from Turner’s first solo album Rough, released in September 1978 after her divorce from pathetic wife beater Ike Turner. It almost sounds like she was giving him the middle finger! Co-written by Bernie Taupin (lyrics) and Elton John (music), the tune first appeared on John’s eighth studio album Caribou from June 1974.

Stay tuned for Part II…

Sources: Wikipedia; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Spring has officially arrived – Yay, finally, as it’s been a long and lonely winter! I’m also happy to report that with today’s installment, The Sunday Six has hit its first mini-milestone: This is the 10th post in the weekly recurring series that celebrates the beauty of music from different periods and genres, six random tunes at a time. I think I found a nice set of tracks I hope you will like.

Sonny Rollins Quartet/My Reverie

Let’s kick things off with some amazing saxophone action by American tenor sax player Sonny Rollins. I have to give a shoutout to fellow blogger Cincinnati Babyhead, who recently posted about Tenor Madness, a studio album Rollins released in 1956 as the Sonny Rollins Quartet. In addition to him, it also featured Red Garland (piano), Paul Chambers (double bass) and Philly Joe Jones (drums) – what a cool name, Philly Joe Jones – I love the flow! Oh, and there was this other fellow called John Coltrane, who joined the band on tenor sax for the album’s opener and title track. The track I’m featuring is called My Reverie. Apparently, the first jazz recording was by Larry Clinton and His Orchestra in 1938, featuring Bea Wain on vocals, with lyrics by Clinton. The music is based on Rêverie, a piano piece by French classical composer Claude Debussy, dating back to 1890. This really goes to show there’s such a thing as truly timeless and beautiful music!

The Horace Silver Quartet/Song for My Father

Let’s shake up things a bit on The Sunday Six with another another instrumental and another jazz track back to back. And, nope, Donald Fagen or Walter Becker are not Horace Silver’s father or otherwise related to the American jazz pianist, composer and arranger. But Becker and Fagen both loved listening to jazz. Undoubtedly, they also got inspired by the intro of Song for My Father. Somehow, it became the introductory riff of Steely Dan’s 1974 single Rikki Don’t Lose That Number, their most successful U.S. single, peaking at no. 4 on the Billboard Hot 100. Whether consciously or unconsciously, to me, this looks a bit like yet another case where a credit should have been given to the original composer. Perhaps Messrs. Becker and Fagen lost his number! Silver who began taking classical piano lessons as a child was active between 1946 and 2004. Initially, he started as a sideman before leading mainly smaller jazz groups. In the early ’50s, he became a co-founder of The Jazz Messengers, which at first he ran together with drummer Art Blakey. After leaving the band in 1956, Silver formed his own five-piece combo, which he led into the 1980s. He continued to release albums until 1998. In 2007, it became known that he had been diagnosed with Alzheimer’s. He passed away in June 2014 at the age of 85. Song for My Father, composed by Silver, is the title track of an album he released with his band in late 1965. Great tune!

Jackson Browne/Shaky Town

I trust Jackson Browne needs no introduction. The American singer-songwriter who has been active since 1966 is one of my all-time favorite music artists. I dig both his vocals and his songwriting. I also have something in common with him: We were both born in the lovely town of Heidelberg, Germany. He went on to become a rock star. I ended up playing bass in two bands in my late teens and early ’20s with short-lived ambitions to become a professional musician. It’s probably a good thing it didn’t happen (though never say never! 🙂 ), and I’m a daddy though not rocking in the U.S.A. Instead, I get to enjoy listening to great music by fantastic artists and giving my two cents as a hobby blogger – not such a terrible thing, after all! The one Jackson Browne album I keep coming back to is Running on Empty, his fifth studio release that appeared in December 1977. When I had that aforementioned dream to become a professional musician, I actually envisaged sounding like Browne on Running on Empty, notably, not like The Beatles – true story. I was tempted to go with the title track. Instead, perhaps somewhat ironically, I decided to pick a tune that’s not by Browne: Shaky Town. The song was written by guitarist Danny Kortchmar, who has worked with the likes of Linda Ronstadt, James Taylor, Neil Young, Carly Simon and not to forget Carole King. Kortchmar also provided harmony vocals. And check out that sweet lap steel guitar by the amazing David Lindley.

The Church/Under the Milky Way

The Church are an alternative rock band from down under, formed in Sydney in 1980. Their debut album Of Skins and Heart appeared in April 1981. Since then, the band that remains active to this day, has released 16 additional studio albums. Their most recent one, Man Woman Life Death Infinity, came out in October 2017. I covered it here at the time. But it was their fifth international breakthrough album Starfish from February 1988, which brought the Aussie band on my radar screen. I just love the sound, and it remains one of my favorite ’80s records. Here’s the fantastic lead single Under the Milky Way. It was co-written by the band’s bassist and vocalist Steve Kilbey and his then-girlfriend and guitarist Karin Jansson, founder of alternative Australian rock band Curious (Yellow). The atmospheric sound and Kilbey’s distinct vocals still give me good chills.

George Harrison/Blow Away

What’s better than enjoying some sweet slide guitar? You guessed it – more sweet slide guitar action! One of the artists I’ve always admired in this context for his unique tone is George Harrison. I don’t know of any guitarist who got that same sweet slide sound. Blow Away was first released in February 1979 as the lead single from Harrison’s eighth, eponymous studio album that came out a few days later. Written by him, it became one of eight top 20 mainstream hits Harrison had in the U.S., peaking at no. 16 on the Billboard Hot 100. It did even better in Canada, hitting no. 7, one of his nine top 10 hits there. The recording features former Sly and the Family Stone member and session drummer Andy Newmark. Nuff said – let’s get blown away!

Elton John/Your Sister Can’t Twist (But She Can Rock ‘n’ Roll)

Time to wrap things up. How about kicking ass with some good ole rock & roll Elton John style? Ask and you shall receive! I guess Your Sister Can’t Twist (But She Can Rock ‘n’ Roll) is more of a deep track. As usual, the lyrics were written by Bernie Taupin, while Sir Elton composed the music. According to Songfacts, the tune is a “throwback to music of the late ’50s and early ’60s when lots of songs were about dance crazes and teenage girls.” Songfacts also quotes John from a 1973 interview with now-defunct American rock magazine Circus, in which he reportedly characterized the tune as “a cross between surfing music and Freddie Cannon records” that was intended “to end the ‘Crocodile Rock’ thing.” Sounds like John had hoped it would help people forget about that latter tune. While it’s a great song that appeared on his masterpiece Goodbye Yellow Brick Road from October 1973, it’s fair to say Your Sister Can’t Twist (But She Can Rock ‘n’ Roll) was completely overshadowed by other tunes from the album, such as Saturday Night’s Alright for Fighting, Bennie and the Jets, Candle in the Wind and of course the title track. John also didn’t release it as a single.

Source: Wikipedia; Songfacts; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Boy, have I been looking forward to this Sunday! While spring doesn’t officially start until March 20, to me, the switch from standard to daylight savings time here in New Jersey and most U.S. states marks the unofficial beginning. Oh, in case I just reminded you and you had forgotten to adjust your watches, you’re welcome! 🙂 Sunday is fun day, so if you’re like me and in the mood for some music, I’ll invite you to read on and check out the clips. I think I put together a nice and diverse set of tracks.

Neil Cowley/Berlin Nights

Let’s kick it off with some beautiful ambient music by English contemporary pianist and composer Neil Cowley. Cowley was born in London in November 1972. He began as a classical pianist and already at the age of 10 performed a Shostakovich piano concerto at Queen Elizabeth Hall. In his late teens, he played keyboards for various soul and funk acts I don’t know, including Mission Impossible, The Brand New Heavies, Gabrielle and Zero 7. It looks like his first album Displaced appeared in 2006 under the name of Neil Cowley Trio. He has since released 14 additional records as a band leader or co-leader. Cowley has also worked as a sideman for various other artists, most notably Adele. Berlin Nights, composed by Cowley, is from his new solo album Hall of Mirrors that appeared on March 5. I find it super relaxing and can literally see a city nightscape before my eyes while listening.

Randy Newman/Guilty

Randy Newman needs no introduction, though he certainly deserves more of my attention. Based on my relatively limited knowledge of his catalog, here is one of my favorites, Guilty, from his fourth studio album Good Old Boys released in September 1974. Written by Newman, the tune was first recorded by Bonnie Raitt for her third studio album Takin’ My Time from October 1973, an excellent cover!

Rosanne Cash/Good Intent

There is lots of talent in the Johnny CashJune Carter Cash family. This includes Rosanne Cash, the eldest daughter of Johnny and his first wife Vivian Liberto Cash Distin. Sadly, I’ve yet to explore Rosanne Cash who started her recording career in 1978 with her eponymous solo album and has since released 13 additional studio albums. Good Intent, co-written by Cash and her longtime collaborator John Leventhal, is included on her 12th studio album Black Cadillac from January 2006. I absolutely love the warm sound of that song and Cash’s vocals. This is a true gem!

The Byrds/Goin’ Back

The Byrds have written so many amazing songs. I also don’t get tired of Rickenbacker maestro Roger McGuinn and his jingle-jangle guitar sound. While it’s perhaps not as well known as Mr. Tambourine Man, Turn! Turn! Turn!, I’ll Feel a Lot Better and Eight Miles High, Goin’ Back has become one of my absolute favorite tunes by The Byrds. It was wo-written by the songwriting powerhouse of Carole King and Gerry Goffin and is yet another reason why Carole King who is nominated for the Rock & Roll Hall of Fame this year should be inducted! Goin’ Back was first released by Dusty Springfield in July 1966, giving her a top 10 hit in the UK and Australia. The Byrds included their rendition on their fifth studio album The Notorious Byrd Brothers from January 1968. It was less successful, peaking at no. 89 in the U.S. on the Billboard Hot 100 and missing the charts in the UK altogether. Regardless, I think it’s a terrific tune with a beautiful atmosphere.

Kim Carnes/Mistaken Identity

Kim Carnes is best known for her cover of Bette Davis Eyes, her international smash hit from 1981. The American singer-songwriter’s recording career started 10 years earlier with her first release Rest on Me. More Love, a cover of a Smokey Robinson tune, brought Carnes her first successful U.S. single in 1980, hitting no. 10 on the Billboard Hot 100. Bette Davis Eyes the following year became the biggest hit of her career. It was part of Carnes’ sixth studio album Mistaken Identity from April 1981. Here’s the title track written by Carnes. I’ve always dug her husky vocals. BTW, now 75 years old, she still appears to be active.

The Beatles/I Saw Her Standing There

This Sunday Six installment has been on the softer side, so as I’m wrapping up, it’s time to step on the gas with a great rock & roll song by my favorite band of all time: I Saw Her Standing There by The Beatles. Primarily written by Paul McCartney, but as usual credited to him and John Lennon, I Saw Her Standing There was the opener of The Beatles’ UK debut album Please Please Me that came out in March 1963. In December of the same year, Capitol Records released the tune in the U.S. as the B-side to I Want to Hold Your Hand, the label’s first single by The Beatles. Ready? One, two, three, four…

Sources: Wikipedia; YouTube

Ten Days of Tapestry

A legendary album turns 50 – part IX

We’re almost there. Tomorrow is the 10th anniversary of Carole King’s Tapestry, her iconic album from 1971, which I’ve been celebrating with this series over the past eight days. Up to now, I’ve explored all of side A, i.e., I Feel the Earth Move, So Far Away, It’s Too Late, Home Again, Beautiful and Way Over Yonder, and the first three tracks on side B: You’ve Got a Friend, Where You Lead and Will You Love Me Tomorrow. Next up: Smackwater Jack.

Smackwater Jack is Tapestry’s second tune Carole co-wrote with Gerry Goffin. Unlike Will You Love Me Tomorrow, Smackwater Jack wasn’t released until Tapestry. It’s a great mid-tempo bluesy rocker. Rolling Stone’s Jon Landau called it an “uptempo shuffle.” In particular, I dig the piano work including Ralph Schuckett’s electric piano, and Danny Kortchmar’s electric guitar. Also, as a retired bassist, I have to call out Charles Larkey’s great bassline.

In addition to its music, Smackwater Jack stands out lyrically. It sounds less personal and less emotional than the other tunes on Tapestry. This doesn’t make it any worse; in fact, I think it’s a great outlaw story told in a very cinematic fashion you could picture in a Western movie.

Check out this excerpt from the lyrics: …The account of the capture/Wasn’t in the papers/But you know, they hanged ol’ Smack right then/Instead of later/You know, the people were quite pleased/’Cause the outlaw had been seized/And on the whole, it was a very good year/For the undertaker…

Smackwater Jack also appeared separately as Tapestry’s second single, paired with So Far Away. Like the album’s first single It’s Too Late/I Feel the Earth Move, Billboard treated it as a double A. It peaked at no. 14 on the Hot 100.

Interestingly, Quincy Jones covered Smackwater Jack as the title track of his studio album that also appeared in 1971. I had not been aware of this. I can’t say I like it as much as Carole’s original version. Still, I think Jones deserves credit for making the tune his own by giving it a funky soul vibe – check it out!

Sources: YouTube; YouTube

Ten Days of Tapestry

A legendary album turns 50 – part VIII

Part VIII of my 10-day celebration of Carole King’s Tapestry is bringing us close to the album’s 50th anniversary day, which is this Wednesday, February 10. The previous parts have featured all of side A – I Feel the Earth Move, So Far Away, It’s Too Late, Home Again, Beautiful and Way Over Yonder – and the first two tracks of side B, You’ve Got a Friend and Where You Lead. Next up is the third track on the B side, and it’s a true standout: Will You Love Me Tomorrow.

Also sometimes known as Will You Still Love Me Tomorrow, this beautiful ballad is one of two tracks on Tapestry, co-written in 1960 by Carole and her then-husband and lyricist Gerry Goffin. It was first recorded and released by American girl group The Shirelles that same year. The song became their first no. 1 single in the U.S. on the Billboard Hot 100. It also climbed to no. 4 in the U.K., giving them their biggest hit there. Will You Love Me Tomorrow became the breakthrough hit for Goffin-King.

On the Tapestry version, James Taylor not only provided acoustic guitar but also backing vocals. Oh, and there was another prominent backing vocalist: Joni Mitchell. The vocals of the three artists beautifully blend, making the tune one of the outstanding gems on Tapestry.

According to Songfacts, apparently because of its perceived sexual lyrics, Will You Love Me Tomorrow met with some resistance from radio stations, but not enough to stop it from becoming a huge hit – absolutely laughable, especially from today’s perspective!

Songfacts also notes Shirley Alston, the lead vocalist of The Shirelles, initially dismissed the song as “too Country and Western”. But producer Luther Dixon reassured her the group could adapt the tune to their style. He also asked Carole and Gerry to add strings and speed up the tempo. They did and the rest is history.

Tapestry producer Lou Adler, who also owned King’s record company, explained, as quoted by Songfacts: “The only thing we reached back for, which was calculated in a way, which of the old Goffin and King songs that was hit should we put on this album? And, that’s how we came up with ‘Will You Still Love Me Tomorrow.’ I thought that song fit what the other songs were saying in Tapestry. A very personal lyric.” Interestingly, Carole’s version of Will You Love Me Tomorrow was not released as a single.

Sources: Wikipedia; Songfacts; YouTube

Ten Days of Tapestry

A legendary album turns 50 – part VII

On to part VII of my mini-series celebrating the 50th anniversary of Carole King’s iconic Tapestry album that’s coming up in just a few days on February 10. So far, the previous parts have highlighted all six tunes of the record’s A-side, I Feel the Earth Move, So Far Away, It’s Too Late, Home Again, Beautiful and Way Over Yonder, as well as the first track on side B, You’ve Got a Friend. Next up: Where You Lead.

Where You Lead is a nice mid-tempo soft rocker. Carole composed the music; her collaborator Toni Stern provided the lyrics, the second such tune on Tapestry. According to Songfacts, While it is a love song rather than an inspirational song, the lyrics are inspired by the Biblical Book of Ruth.

Songfacts also notes Carole subsequently decided to drop the tune from her set list, feeling uncomfortable singing about following a man around. “After I recorded it for the ‘Tapestry’ album, we women decided that we didn’t actually need to follow our men anymore,” King said in a 2004 interview.

In the early 2000s, Where You Lead became the theme song to the U.S. TV series Gilmore Girls, for which Carole re-recorded the tune with adapted lyrics, sharing vocals with her daughter Louise Goffin, who also is a singer-songwriter with 10 published solo albums to date.

Sources: Wikipedia; Songfacts; YouTube

Ten Days of Tapestry

A legendary album turns 50 – part VI

This is part VI of Ten Days of Tapestry, a celebration of the upcoming 50th anniversary of the legendary Carole King album released on February 10, 1971. Parts I-V covered the six tracks on the record’s A-side: I Feel the Earth Move, So Far Away, It’s Too Late, Home Again, Beautiful and Way Over Yonder. On to side B!

The opening track of the B-side is one of Carole’s best known tunes, mainly because of James Taylor’s great cover: You’ve Got a Friend. It’s yet another track with beautifully written lyrics by Carole who also composed the music.

When you’re down and troubled/And you need some love and care/And nothing, nothing is going right/Close your eyes and think of me/And soon I will be there/To brighten up even your darkest night…Such a great pick her upper!

As quoted by Songfacts, Carole said the song “was as close to pure inspiration as I’ve ever experienced. The song wrote itself. It was written by something outside of myself, through me.”

Notably, You’ve Got a Friend never became a hit for Carole. Instead, it was the aforementioned great cover by her friend James Taylor that topped the Billboard Hot 100 in 1974, giving him his only no. 1 single in the U.S. to this day. Taylor, who played guitar on Tapestry, was working on his third studio album Mud Slide Slim and the Blue Horizon in parallel and recorded the tune for that album.

Sources: Wikipedia; Songfacts; YouTube