Lately, it’s starting to feel classic rock is making a comeback, at least in my music world. I first noticed the trend in 2017 when I listened to Michigan rockers Greta Van Fleet. Last year, one of my favorite new records was California Dreamin’, the first full-length studio release by Dirty Honey. In February this year, another band called Goodbye June released their latest excellent album See Where the Night Goes. And now there’s Fortune Child and their impressive debut Close to the Sun.
I first came across the four-piece from Jacksonville, Fla. in February, after they had issued their latest single Tie the Line from the then-forthcoming album. Close to the Sun was since released on March 1. How I missed it at the time remains a bit of a mystery. Fortunately, my latest Sunday Six installment, which included a tune from Goodbye June, reminded me of Fortune Child.
Deprive a person of something, and they will surely go out and find it. In an age where Rock N’ Roll has fallen by the wayside, few have heeded the call to preserve its integrity and importance in most of the music we hear today. It’s time to put the question to rest: Rock N’ Roll is here to stay, and Fortune Child will be commanding the ship.
Founded in Jacksonville, Florida in 2021, it is no secret that these lovers of good ol’ fashioned Rock were inspired by the likes of Led Zeppelin, Lynyrd Skynyrd, Alice in Chains, The Black Crowes and so many more. The four-piece band plans to take the Rock N’ Roll scene by storm, and to remind the people of what truly matters: the music itself.
The band (Christian Powers/ vocals, Buddy Crump/ lead guitar, Melanie Jo/ drums, and Jon Ward/bass) has quickly garnered significant support from the Southeast US Rock N’ Roll scene opening for national touring acts such as Blacktop Mojo and will continue to do so as they leave crowds wanting more and more after each show. It’s loud, it’s dirty, and it’s down-right badass…For 2022, the band has partnered with legendary rock producer Kevin Elson of Journey, Mr. Big, Europe, and Lynyrd Skynyrd to produce their full length debut album “Close to the Sun”…
Let’s take a closer look at some of the goodies. Here’s the opener The Way, which pretty much sets the tone for the album. Like all other tunes except for the last track, it’s credited to the entire band. Hearing a group embracing 70s style classic rock makes me happy. I find it even more remarkable when it’s a new band. Perhaps, there’s still some life left in rock after all!
Here’s Don’t Shoot Me Down and the official video, another great rocker! These guys are having fun and they’re kicking butt – love it! It’s also cool to see a female rock drummer. While being a bit more common nowadays, it still is something you don’t encounter every day.
Next up is the title track. Perhaps the one thing I will say is there isn’t much variety in the band’s tunes. But since I dig their sound, it’s a minor wrinkle in my book.
The last track I’d like to highlight is the closer Conscious. Its acoustic sound and slower tempo provide a nice contrast to the other songs. It’s also the album’s sole tune credited to Powers and Crump only. I think Closer to the Sun would have benefitted from another song like Conscious to mix things up a little more.
Following is a Spotify link to the entire album:
Fortune Child are off to a great start. I certainly look forward to hearing more from them.
Celebrating music with six random tracks at a time
Is it really Sunday again? Yep, the calendar doesn’t lie. I hope everybody is spending a peaceful morning, afternoon, evening – wherever you are when reading this. The six picks in this installment of The Sunday Six include jazz fusion, classic style rock, psychedelic garage rock, folk, pop rock and pop, touching the ’60s, ’70s, ’80s, ’90s and the present. Hope you’ll find something you like.
Let’s start today’s music time travel to the year 1975 with music by German jazz fusion band Passport. I’d like to thank Bruce from Vinyl Connection for the inspiration. He included the group’s sophomore release Second Passport in a recent installment of his ongoing countdown of 1972 albums. Passport were formed by German saxophonist Klaus Doldinger in 1971. Doldinger who is also a known film music composer has had an amazing 70-year career and at age 85 doesn’t think of retirement. Passport, aka Klaus Doldinger’s Passport, are still active as well. Their most recent studio album of original music, Motherhood, appeared in 2020. Homunculus, composed by Doldinger, is a track from Cross Collateral, the second of two albums Passport released in 1975. In addition to Doldinger (saxophones, Moog synthesizer, electric piano, Mellotron), their line-up at the time included Wolfgang Schmid (bass, guitar), Kristian Schultze (keyboards) and Curt Cress (drums).
Fortune Child/Tie the Line
Let’s jump to the present and Tie the Line, the new single by Fortune Child, a cool-sounding classic rock style band founded last year in Jacksonville, Fla. From their website: …it is no secret that these lovers of good ol’ fashioned Rock were inspired by the likes of Led Zeppelin, Lynyrd Skynyrd, Alice in Chains, The Black Crowes and so many more. The four-piece band plans to take the Rock N’ Roll scene by storm, and to remind the people of what truly matters: the music itself. The band (Christian Powers/ vocals, Buddy Crump/ lead guitar, Melanie Jo/ drums, and Jon Ward/bass) has quickly garnered significant support from the Southeast US Rock N’ Roll scene opening for national touring acts such as Blacktop Mojo…It’s loud, it’s dirty, and it’s down-right badass…For 2022, the band has partnered with legendary rock producer Kevin Elson of Journey, Mr. Big, Europe, and Lynyrd Skynyrd to produce their full length debut album “Close to the Sun,” due out in early March. “Old-fashioned” kickass rock sounds like a great proposition to me in an era where rock often is called “dead.” Released on February 18, Tie the Line is the third single appearing ahead of Fortune Child’s above noted upcoming record.
Count Five/Psychotic Reaction
After some kickass rock from the present, how about jumping back 50-plus years for a dose of ’60s rock? Count Five were an American garage rock band formed in San Jose, Calif. in 1964. Initially known as The Squires, the group’s original formation included John Byrne (lead vocals, rhythm guitar), John “Mouse” Michalski (lead guitar), Kenn Ellner (backing and lead vocals, tambourine, harmonica), Roy Chaney (bass) and Craig “Butch” Atkinson (drums). The Count Five who during live performances were wearing Count Dracula-style capes only made one album, Psychotic Reaction, which appeared in October 1966. The title track, written by Byrne and subsequently refined by the band (hence credited to all members), was released as a single ahead of the record in June 1966. Climbing to no. 5 in the U.S. on the Billboard Hot 100 and no. 3 in Canada, the tune became the band’s only hit. It was included in the Rock and Roll Hall of Fame’s list of the 500 Songs That Shaped Rock and Roll. Wikipedia notes the song was among the first successful psychedelic rock tunes, containing the characteristics that would come to define acid rock: the use of feedback and distortion replacing early rock music’s more melodic electric guitars. Neither the album nor any other songs by The Count Five came anywhere near to replicating the success of Psychotic Reaction, and the band broke up in 1969.
More recently, a few of my fellow bloggers like Jim from Music Enthusiast and Lisa from Tao Talk have covered Gordon Lightfoot, which inspired my next pick. I best know the Canadian singer-songwriter and guitarist because of gems like If You Could Read My Mind, Sundown and The Wreck of the Edmund Fitzgerald, which were all chart-toppers in Canada during the first half of the ’70s. Now 83 years old, Lightfoot who has been called Canada’s greatest songwriter remains active. His impressive catalog to date includes 20 studio albums, a similar amount of compilations and three live records, among others. In May 2020, I included a song from Lightfoot’s most recent album Solo in a Best of What’s Newinstallment. Beautiful, written by Lightfoot, is from his eighth studio record Don Quixote that came out in February 1972. The nice love song was also released as a single in May of the same year. It reached no. 13 and no. 58 on the Canadian and U.S. mainstream charts, respectively. The tune topped Canada’s adult alternative chart and climbed to no. 30 on the corresponding U.S. chart.
Eddie Money/Take Me Home Tonight
For this next pick, I’d like to go to the ’80s and American pop rock singer-songwriter Eddie Money. When Take Me Home Tonight popped up on the radio in Germany in 1986, I immediately loved the tune and decided to get the album, on which it appeared, Can’t Hold Back. Other than this record, Money’s sixth studio release from August 1986, and a few additional songs I don’t know his music. But I surely enjoy what I’ve heard. Take Me Home Tonight is credited to Mick Leeson and Peter Vale, along with Ellie Greenwich, Jeff Barry and Phil Spector who wrote The Ronettes’Be My Baby, which was interpolated in the chorus of Money’s song. Apparently, this was the only charting track for him in Germany. Money clearly was much more successful in the U.S. and Canada where he had 12 and 9 top 40 hits, respectively during his 40-plus-year recording career. Sadly, Money died of complications from esophageal cancer at the age of 70 in September 2019.
And once again we’ve reached the end of yet another musical mini-excursion. Today, the final stop takes us to the ’90s and a beautiful tune by Annie Lennox: Why off her solo debut album Diva from April 1992. Lennox recorded it after Eurythmics, her duo with Dave Stewart, had gone on hiatus, in 1990 and the subsequent birth of her first daughter Lola Lennox, who also became a music artist. To date, Lennox has released five additional solo records. In the late ’90s, Eurythmics came back together for another album, Peace, released in October 1999, and had occasional reunions thereafter. Diva became a huge chart and commercial success, topping the charts in the UK and reaching 4x Platinum certification there. In the U.S., it climbed to no. 23 on the Billboard 200 and reached 2X Platinum status. In March 1992, Why was released separately as the album’s lead single. The song also did well in the charts, reaching no. 5 in the UK and Ireland, no. 17 in Australia and no. 34 in the U.S.
And here is a Spotify playlist with the above tunes, as usual:
A selection of newly released music that caught my attention
Welcome to another installment of my weekly recurring feature where I pick newly released songs I like. Let’s get to it without further ado. All tunes except for the last song appeared yesterday (January 7).
Dope Lemon/Rose Pink Cadillac
Dope Lemon is the solo project of Australian singer-songwriter Angus Stone. He first started to release music in 2007 with his sister as part of folk-pop duo Angus & Julia Stone. To date, four albums by the duo have appeared. In April 2009, Stone’s solo debut Smoking Gun came out under the pseudonym Lady of the Sunshine. Starting with his third solo album Honey Bones from April 2016, he has used the Dope Lemon moniker. Rose Pink Cadillac, co-written by him and Elliott Hammond, is the bouncy, funky title track of Stone’s fifth and latest solo release.
Best Coast/All Alone
I think this may be the first time I’m featuring a music artist in back-to-back Best of What’s New installments. Last week, I picked Best Coast’s then-most recently released song Leading. The rock duo, which includes songwriter, guitarist and vocalist Bethany Cosentino and guitarist and multi-instrumentalist Bobb Bruno, was formed in 2009 in Los Angeles. Borrowing again from their Apple Music profile: Drawing inspiration from ’60s surf rock and girl groups, Best Coast’s noisy lo-fi sound gave a nod to contemporaneous acts like Hot Lava, the Vivian Girls, and Brilliant Colors. Best Coast’s first year saw a flurry of little releases. Best Coast had become something of a sensation by the time 2009 came to a close. Fast forward to yesterday and the deluxe issue of Best Coast’s fourth studio album Always Tomorrow. Here’s one of the new tunes, All Alone, written by Cosentino – nice pop-rock!
Gang of Youths/In the Wake of Your Leave
Gang of Youths are an Australian indie rock band formed in Sydney in 2011 by principal songwriter David Le’aupepe (lead vocals, guitar). The other members include Jung Kim (lead guitar, keyboards), Tom Hobden (violin, keyboards, guitar), Max Dunn (bass) and Donnie Borzestowski (drums). According to their Apple Musicprofile, the group’s 2015 debut album The Positions tackled Le’aupepe’s painful divorce and mental health struggles against hard-charging indie rock topped with his tumultuous baritone. Rather than dwell in darkness, though, Gang of Youths’ anthems spin true stories of trauma into triumphant badges of survival and even hopefulness. Witness the empowering, Springsteen-worthy pulse driving “Let Me Down Easy,” from 2017’s Go Farther in Lightness.After winning four ARIA Awards for that record, the band became the inaugural performers on the Australian edition of MTV Unplugged in 2018.In the Wake of Your Love, credited to all members of the group, is a new single from their upcoming third studio album Angel in Realtime scheduled for February 25.
Dirty Honey/Let’s Go Crazy
Let’s wrap up this post with one of my favorite discoveries from last year: Los Angeles rock band Dirty Honey and their new single Let’s Go Crazy. If you’re familiar with Prince, the title of the song may be familiar. It’s actually a tune he originally recorded for his sixth studio and soundtrack album Purple Rain released in June 1984. Dirty Honey, who were formed in 2017 and are influenced by bands like Aerosmith, Led Zeppelin and Black Crowes, do a nice job putting Prince’s funky pop-oriented tune into a classic rock type of song – pretty cool! Their rendition came out on December 31 – another tune I swear I didn’t see in iTunes’ new releases when I checked that day.
Last but not least, here’s a playlist of the above tunes:
This is the second installment of my 2-part review of 2021. Here I’m going to focus on songs released over the past 12 months, which I like in particular. The picks are based on my Best of What’s New weekly recurring feature. Part 1, which you can read here, highlighted my six favorite albums that came out over the past year.
Altogether, Best of What’s New featured more than 200 songs that were released in 2021. From there I narrowed things down to 4o tunes, which are included in the playlist at the end of this post. Following I’d like to highlight 10 out of these 40 songs. It wasn’t easy to pick those 10 tunes. In my view, that’s a good sign since it means there were many great choices.
Aaron Frazer/If I Got It (Your Love Brought It)
Kicking things off is If I Got It (Your Love Brought It), a terrific soul tune by Aaron Frazer, a Brooklyn, New York-based singer-songwriter. The song, co-written by Frazer, Dan Auerbach and David Ferguson, is off Frazer’s debut album Introducing…, which appeared on January 8 and was produced by Auerbach. Check out that neat falsetto, which is reminiscent of Curtis Mayfield – so good!
Gretchen Parlato/É Preciso Perdoar
Next, let’s turn to contemporary jazz by California native Gretchen Parlato. É Preciso Perdoar is the beautiful opener of her fifth studio album Flor (Portuguese for flower) that appeared on March 5. The tune is credited to Brazilian composers Alcyvando Luz and Carlos Coqueijo, as well as Parlato – just beautiful and so relaxing!
Dirty Honey/California Dreamin’
Dirty Honey are a great rock band from Los Angeles that was founded in 2017. I love their classic rock sound that has traces of Aerosmith, Led Zeppelin and The Black Crowes. California Dreamin’, credited to the entire band, is from Dirty Honey’s eponymous first full-length album released April 23.
Lord Huron/Mine Forever
Indie folk-rock band Lord Huron are one of the most seductive contemporary groups I can think of. Their moody sound of layered voices, jangly guitars and expanded reverb is pretty cool – very cinematic! Frankly, their latest record Long Lost, which came out on May 21, easily could have been in part 1 of this year-in-review feature. Here’s my favorite tune off that record, Mine Forever, penned by guitarist and vocalist Ben Schneider who founded Lord Huron in 2010.
Jane Lee Hooker/Drive
While I’ve started to pay much closer attention to new music, I only follow very few contemporary acts. One is Jane Lee Hooker, formed in 2013 in New York as an all-female blues rock band. Drive is more of a rock ballad with a nice soulful vibe. Released as a single on May 28, the tune will be on the band’s next album Rollin’ that is scheduled for January 2022. Definitely looking forward to that one!
The Wallflowers/Roots and Wings
On July 9, The Wallflowers released Exit Wounds, their first new album in nine years. With its warm melodic roots rock, the record sounds like it could be a follow-on to Bringing Down the Horse from May 1996, the sophomore album by Jacob Dylan’s band that brought them commercial success and two Grammy awards. Here’s one of my favorite tracks off the new album: Roots and Wings.
Son Volt/The Globe
While alternative country and Americana rock band Son Volt have been around since 1994, I had not heard of them until August of this year after the release of their ninth and latest album Electro Melodier on July 30. Check out The Globe written by the band’s founder, singer-songwriter and guitarist Jay Farrar. It’s got a bit of a Springsteen vibe, and there’s also a brief homage to The Who. Check out the Moog line at around 2:15 minutes… Love that tune!
Maggie Rose/What Are We Fighting For
Maggie Rose, born Margaret Rose Durante, is a Nashville-based country and rock singer-songwriter, who released her debut single under her maiden name in 2009, a cover of Kings of Leon’sUse Somebody. In the spring of 2013, when her first full-length album appeared, she already had adopted the Maggie Rose moniker. What Are We Fighting For is the opener of her latest album Have a Seat that came out on August 20. The great soulful tune was written by Rose, together with her longtime collaborators, guitarist Alex Haddad and Larry Florman (background vocals, percussion).
Joey Landreth/Two Trains
While he shares a famous last name and also is a slide guitarist, Canadian artist Joey Landreth isn’t related to Sonny Landreth. But he sure as heck is talented and has a great sound! Check out Two Trains, the catchy funky closer from his third and most recent album All That You Dream, which appeared on November 26.
Blue Rodeo/When You Were Wild
When You Were Wild is a great tune by Blue Rodeo, a Canadian country rock band founded in 1984 in Toronto. I first came across the group in February of this year. This tune, co-written by founders Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), is from their 15th studio album Many a Mile released on December 3. I love that beautiful warm sound!
That’s it for the 10 tracks I wanted to call out. There are many more great tunes in the below playlist. Hope you will check them out!
Finally, to those celebrating, I wish you a merry Christmas and please be safe!
Earlier this evening, it dawned on me it’s Thanksgiving week, which means New York classic rock radio station Q104.3 once again is doing their annual countdown of the Top 1,043 Classic Rock Songs Of All Time. The countdown is based on submissions from listeners who each can select 10 songs. All picks are then tabulated to create the big list.
The countdown starts tomorrow morning at 9:00 am EST and stretches all the way to sometime this Sunday evening. That’s how long it takes to play all 1,043 songs. The only interruption of the countdown will happen at noon on Thanksgiving when Q104.3 plays Arlo Guthrie’sAlice’s Restaurant, all 18 and a half minutes of it – just wonderful!
While after 20 years in a row (yep, that’s how long they’ve done this!) it’s a forgone conclusion that Led Zeppelin’sStairway to Heaven once again will be no. 1 and the top 20 will be largely occupied by the same songs from previous years, listening to the countdown is still fun. Think about it, when can you ever hear 1,043 different songs in a row on the radio. Most stations have a much smaller set of songs in rotation.
Below is a screenshot of my selections for this year. Once again, I decided to come up with 1o previously unpicked songs. This time, I included two tunes from 2021: California Dreamin’ (Dirty Honey) and Side Street Shakedown (The Wild Feathers). Both are probably very long shots to make the list, as are I Don’t Understand (The Chesterfield Kings) and Cinderella (The Fuzztones), but that’s okay
Following are clips of my selections:
Dirty Honey/California Dreamin’ – Dirty Honey, April 2021
The Wild Feathers/Side Street Shakedown – Alvarado, October 2021
The Black Crowes/Twice As Hard – Shake Your Money Maker, February 1990
AC/DC/It’s a Long Way to the Top (If You Wanna Rock ‘N’ Roll) – High Voltage, April 1976
The Beatles/Helter Skelter – The Beatles, November 1968
David Bowie/Suffragette City – The Rise and Fall of Ziggy Stardust and the Spiders from Mars, June 1972
Queen/Tie Your Mother Down – A Day at the Races, December 1976
The Who/The Real Me – Quadrophenia, October 1973
The Chesterfield Kings/I Don’t Understand – The Mindbending Sounds Of…The Chesterfield Kings, August 2003
The Fuzztones/Cinderella – Lysergic Emanations, 1985
I’m sure I’ll be listening to Q104.3’s countdown at different times over the next five days. Though this year, there will be stiff competition from Peter Jackson’sGet BackBeatles three-part docu-series!
My paying closer attention to new releases by contemporary artists is starting to pay off nicely. The most recent albums by The Reverend Peyton’s Big Damn Band, Dirty Honey and Lord Huron are some that come to mind. My latest “discovery” I feel quite excited about is Alvarado, the new album by The Wild Feathers, a band I first introduced on my blog last December with a tune from predecessor Medium Rarities.
Released on October 8, Alvarado is the band’s fifth studio album. The Wild Feathers were formed in 2010 in Nashville, Tenn. by high school friends Taylor Burns (guitar, vocals) and Preston Wimberly (guitar, vocals), along with Ricky Young (guitar, vocals) and Joel King (bass, vocals). Ben Dumas joined on drums following the August 2013 release of the group’s eponymous debut album. Burns, Young, King and Dumas remain part of the current line-up, which also includes Brett Moore (guitar, mandolin). Wimberly left in late 2015.
The Wild Feathers combine elements of country rock, southern rock, classic rock, blues and folk with multi-part harmony singing. And I should add catchy melodies, a joy to my pop ear I can’t deny always lingers in the background, no matter what genre of music I listen to! The group has cited Tom Petty, Eagles, The Band and Otis Redding as some of their influences. A bio on AllMusic also notes The Black Crowes, Led Zeppelin and The Allman Brothers Band – all artists I love!
According to an exclusive preview by American Songwriter, The Wild Feathers wrote and recorded the new album in a small cabin located an hour northwest of Nashville, the same place in which they conceived Medium Rarities. “We made every previous studio album with Jay Joyce [a prominent Nashville producer – CMM] in these big magical studios which was awesome,” Young told the publication. “But over the years, we’ve listened back to old demos like ‘Man there was really nothing wrong with that.’ It’s kind of cool there are mistakes…those things make it unique and human.”
Let’s get to some music. Here’s the album’s opener and title track. American Songwriter noted this tune was originally written for the band’s eponymous debut album, making it the oldest track on the record. “Some songs just can’t find their way onto the actual album, but we always loved that one and wanted to record it someday,” explained Young who wrote the tune. Well, I’m glad they finally did!
Ain’t Lookin’ is a great rocker written by country singer-songwriter Jeffrey Steele together with the band’s King, Young and Burns. It’s got some nice guitar work, and that sound is just awesome!
Next up: Over the Edge, a tune written by King about some of the challenges in present day America, including violence and political division. We’ve gone too far to go back/We don’t know how to turn around/We’ve gone too far, I think that we’re/Going over the edge, going over the edge/Going over the edge, going over the edge…I can hear some Tom Petty in here.
Since I included the excellent Side Street Shakedown in my latest Best of What’s Newinstallment, I’m skipping this track and go to Out on the Road penned by Burns. While it’s certainly not the first tune that describes life as a touring musician and the challenges it can bring, it’s a nice rocker featuring some neat slide guitar action.
Off Your Shoulders, co-written by King and Young, has an Eagles vibe. I really love how this tune sounds. Once again, the guitar work is great and includes some nice harmony action. Check it out.
Let’s do one more, coz why not? Here’s Flashback, another tune solely written by King. In a flashback/Oh, we never knew how good we had it/Take me back/I wanna hold on to the memories as long as I can/Hold on to the memories as best as you can…The lyrics are on the sentimental side and perhaps a bit cliche, but I think it’s safe to assume many folks have thought about “the old times,” especially during this seemingly never-ending pandemic.
The final word shall belong to Ricky Young. Alvarado “is about us, taking the reins and being in control and doing exactly what we want to do, and taking it where we want to go—putting a blindfold on and hoping it works out,” he told American Songwriter. “By taking control musically, we can last a lot longer than just having a hit early on and trying to chase that for the rest of your career.” Well said – I certainly look forward to hearing more from The Wild Feathers.
Sources: Wikipedia; AllMusic; American Songwriter; YouTube
A selection of newly released music that caught my attention
Welcome to another Best of What’s New, my weekly revue of newly released music. This time, my picks include some alternative, rock, country and prog rock from a stalwart of the genre. All featured tunes except for the last one are on albums that came out yesterday (October 8).
Scott Hirsch/Big Passenger
Kicking off this week’s post is new music by Scott Hirsch, a producer and singer-songwriter I first featured in a Sunday Sixinstallment last month with a tune of his then-upcoming new album Windless Day. Borrowing again from his Facebookpage: You’ve heard the sound of Scott Hirsch. You might not know it, but his audio production has lurked deep in the cut of many admired recordings from the late 1990s to the present. A founding member of Hiss Golden Messenger, he was integral to the band’s formative years in the studio and on the road. His sonic imprint remains on their productions; most recently mixing the forthcoming album Quietly Blowing It. He recorded and mixed a Grammy nominated record by the legendary folk-singer Alice Gerrard and has produced and played on records by William Tyler, Mikael Jorgensen, Orpheo McCord and Daniel Rossen. Here’s Big Passenger, another track from Hirsch’s above noted new album. To me it’s got a J.J. Cale vibe with an updated contemporary sound. Check it out!
The Wild Feathers/Side Street Shakedown
Here’s another group I first encountered in the context of Best of What’s New: The Wild Feathers, which I first featured in this installment from last December. According to a bio on AllMusic, they prefer the term “American” over Americana when describing their sound, which falls somewhere between the earnest, neo-Southern rock of the Black Crowes, the bluesy swagger of the Black Keys, and the wide-open-road country-rock of the Eagles. Founded in 2010 in Nashville, Tenn., the band’s current lineup features founding members Ricky Young (guitar, vocals), Taylor Burns (guitar, vocals) and Joel King (bass, vocals), as well as Ben Dumas (drums). The Wild Feathers began touring frequently in 2013, playing with artists like Bob Dylan, Willie Nelson and ZZ Ward. Their eponymous debut album appeared in August 2013. Side Street Shakedown is a track from the band’s fifth and new album Alvarado. This nice rocker was co-written by King, Young and Burns.
Natalie Hemby/It Takes One To Know One
Natalie Hemby is a country singer-songwriter who is also based in Nashville. According to her Apple Music profile, she first gained notice as a hit songwriter for Miranda Lambert, Little Big Town, and Toby Keith, penning the hits “White Liar,” “Only Prettier,” and “Automatic” (all recorded by Lambert), “Pontoon” and “Tornado” (two hits by Little Big Town), and “Drinks After Work” (Keith). After establishing this résumé, Hemby struck out as a recording artist, releasing her debut, Puxico, early in 2017. She became a Billboard 200 Top Ten-charting artist as a member of the Highwomen (Hemby, Brandi Carlile, Maren Morris, and Amanda Shires), who topped the country chart with their self-titled debut in 2019. Here’s It Takes One To Know One, a tune from Hemby’s new sophomore album Pins and Needles.
Yes/Minus the Man
I’d like to conclude this post with new music by progressive rock stalwarts Yes, who I trust don’t need an introduction. They are among a handful of bands I warmed to in prog rock, a genre I haven’t fully embraced. Since they were formed in 1968 by Jon Anderson (vocals), Peter Banks (guitar), Tony Kaye (keyboards), Chris Squire (bass) and Bill Bruford (drums), Yes have seen numerous line-up changes. The group’s last original member Squire passed away in 2015. The current line-up includes Jon Davison (vocals), Steve Howe (guitar), Geoff Downes (keyboards), Billy Sherwood (bass) and Alan White (drums). Howe, White and Downes are longtime members who first joined in 1970, 1972 and 1980, respectively. Last Friday (October 1), Yes released their 22nd studio album The Quest, their first with new music in seven years. “Much of the music was written in late 2019 with the rest in 2020,” Howe who produced the album said in a statement. “We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.” Let’s check out Minus the Man, which was co-written by Davison and Sherwood. Davison’s vocals sound remarkably similar to Jon Anderson, even more so on some of the other tunes I’ve sampled thus far.
Sources: Wikipedia; Scott Hirsch Facebook page; Apple Music; Yes website; YouTube
Celebrating music with six random tracks at a time
It’s Sunday, which means the time has come again for going on another excursion to celebrate the beauty of music in different shapes from different decades, six tunes at a time. This latest installment of The Sunday Six touches the ’60s, ’70s, ’80s and the present, and includes jazz fusion, British invasion, Motown soul, alt. country and rock. Ready? Let’s do it!
Wayne Shorter/Beauty and the Beast
Kicking us off today is some beautiful saxophone-driven jazz fusion by Wayne Shorter, a co-founding member of Weather Report, which I featured in a recent Sunday Six installment. By the time he cofounded the jazz fusion band, Shorter already had enjoyed a 10-year-plus career that included playing with Art Blakey’s Jazz Messengers and Miles Davis’ Second Great Quintet. In addition to being a sideman, Shorter started his recording career as a bandleader in 1959 with Introducing Wayne Shorter – the first of more than 20 additional albums he has made in that role. One of these albums, his 15th, appeared in January 1975: Native Dancer, a collaboration with Brazilian jazz musician Milton Nascimento. Here’s a track from that record titled Beauty and the Beast. Composed by Shorter, the instrumental combines saxophone with some funky elements – very cool!
The Dave Clack Five/Glad All Over
Let’s jump back to November 1963 and a song by The Dave Clark Five I’ve loved from the very first time I heard it on the radio back in Germany during my early teenage years: Glad All Over. Co-written by DC5 drummer Dave Clark who also was the band’s producer, and lead vocalist and keyboarder Mike Smith, the tune first appeared as a single in the UK, followed by the U.S. in December of the same year. It also was the title track of the DC5’s U.S. debut album that appeared in March 1964. In January 1964, Glad All Over became the band’s first massive hit in the UK, knocking The Beatles’I Want to Hold Your Hand off the no. 1 spot on the singles chart. In the U.S., the tune climbed to no. 6 on the Billboard Hot 100. This is a hell of a catchy song with a driving drum beat and great vocals – frankly worthy of displacing a Beatles song, and I say this as a huge fan of the Fab Four.
Martha and the Vandellas/Dancing in the Street
I guess Glad All Over has put me in some sort of a party mood, so let’s throw in another great party song: Dancing in the Street by Motown vocal group Martha and the Vandellas, which were formed in Detroit in 1957. Co-written by Marvin Gaye, William “Mickey” Stevenson and Ivy Joe Hunter, the tune first appeared in July 1964 and became the group’s highest charting single on the U.S. Billboard Hot 100, peaking at no. 2. Dancing in the Street, one of Motown’s signature songs, also did well in the UK where it reached no. 4 on the singles chart. Subsequently, the song was included on the group’s third studio album Dance Party from April 1965. Martha and the Vandellas disbanded in December 1972. After leaving Motown, Martha Reeves started a solo career but wasn’t able to replicate the success she had enjoyed with the group during the ’60s. Reeves who in July turned 80 apparently is still active.
The J. Geils Band/Looking for a Love
Well, now that I mentioned the word ‘party,’ let’s keep it going by turning to a group that has been called rock & roll’s ultimate party band: The J. Geils Band. The group, which was formed in 1967 in Worcester, Mass., originally included J. Geils (lead guitar), Peter Wolf (lead vocals, percussion), Danny Klein (bass), Stephen Jo Bladd (drums, percussion, backing vocals), Magic Dick (harmonica, saxophone, trumpet) and Seth Justman (keyboards, backing vocals). That line-up lasted for a remarkable 15 years until Wolf’s departure in 1983. After the rest of the group called it quits in 1985, The J. Geils Band had various reunion appearances and tours with different formations until 2015. Following his departure from the band, Wolf launched a solo career, released various albums and remains pretty active as a touring artist to this day. Here’s a great track off the band’s sophomore album The Morning After from October 1972: Looking for a Love, a cover of a song co-written by J.W. Alexander and Zelda Samuels, and first released by The Valentinos in March 1962. The J. Geils Band also put this tune out as a single in November 1971. It climbed to no. 39 on the Billboard Hot 100, giving them their first charting song in the U.S. It would take 10 more years before they scored a no. 1 with the more commercial Centerfold.
The Jayhawks/Five Cups of Coffee
I first covered The Jayhawks in August 2020 when I included a tune from their then-new album XOXO in a Best of What’s Newpost. I quickly came to dig this American alt. country and country rock band, and have since featured two of their other songs in previous Sunday Six installments this February and July. Initially formed in Minneapolis in 1985, The Jayhawks originally featured Mark Olson (acoustic guitar, vocals), Gary Louris (electric guitar, vocals), Marc Perlman (bass) and Norm Rogers (drums). By the time their sophomore album Blue Earth appeared in 1989, Thad Spencer had replaced Rogers on drums. After five additional albums and further line-up changes, The Jayhawks went on hiatus in 2004, before reemerging with a new formation in 2019. Louris and Pearlman are the only remaining original members. Five Cups of Coffee is a great tune from the above mentioned Blue Earth album. It was co-written by Olson and Louris. The band’s great guitar sound and beautiful harmony singing are right up my alley!
For the sixth and final tune this week, let’s step on the gas with a great rocker by Dirty Honey. I first became aware of this rock band from Los Angeles in April this year when they released their self-titled first full-length album. At the time, I included one of the tracks in a Best of What’s Newinstallment. Apple Music has compared Dirty Honey’s sound to the likes of Aerosmith, Led Zeppelin and The Black Crowes. The band’s members include Marc Labelle (vocals), John Notto (guitar), Justin Smolian (bass) and Corey Coverstone (drums). I was drawn to Dirty Honey right away and covered them again in a Sunday Sixpost in May. Here’s yet another track from the above mentioned album: Gypsy. Labelle’s vocals very much remind me of Steven Tyler. Great to hear a young band other than Greta Van Fleet embrace a classic rock-oriented sound!
Celebrating music with six random tracks at a time
Welcome to another installment of The Sunday Six that celebrates music from the past 70 years or so in different flavors, six tunes at a time. This week’s zig-zag excursion features a tasty stew. The ingredients include jazz, early ’60s pop, contemporary blues, classic ’70s soul, contemporary indie rock and early ’90s southern and blues rock. I generally find diversity enriching, in music and otherwise. Let’s embark on our little journey.
The Charlie Watts Quintet/Relaxing at Camarillo
On August 24, the music world lost Charlie Watts who passed away at age 80 from an undisclosed cause. Undoubtedly, he will always best be remembered as the unassuming longtime drummer and reliable time-keeper of The Rolling Stones. But it was actually his life-long love for jazz, not rock and roll, that got Watts into music. In-between tours and recording sessions with the Stones, he frequently was involved in jazz projects and eventually formed his own groups, The Charlie Watts Orchestra and The Charlie Watts Quintet. I’d like to celebrate the late Charlie Watts with Relaxing at Camarillo, a composition by jazz saxophonist Charlie Parker. Watts recorded the tune with his jazz quintet for a 1991 Charlie Parker tribute album titled From One Charlie. According to the credits listed on Discogs, in addition to Watts, the group featured Peter King (alto saxophone), Gerard Presencer (trumpet), Brian Lemon (piano) and Dave Green (bass). I know, it’s only jazz but I like it, like it, yes, I do!
The Everly Brothers/When Will I Be Loved
For fans of artists who are in their ’70s and ’80s, these are tough times. On August 21, Don Everly, who together with his younger brother Phil Everly had performed as The Everly Brothers for nearly 45 years (not counting a 10-year hiatus between 1973 and 1983 when each of the brothers pursued solo careers), passed away in Nashville at the age of 84. No cause of death was provided. I loved The Everly Brothers from the very first moment I got a greatest hits compilation, which must have been in the early ’80s. What spoke to me in particular was their beautiful harmony singing. I also thought their acoustic guitar playing was cool, especially on Wake Up Little Susie, their massive hit from 1957. In addition to covering songs written by others, The Everly Brothers also recorded some originals. Here’s one written by Don Everly: When Will I Be Loved. The tune was released as a single in May 1960 and also included on the album The Fabulous Style of The Everly Brothers that came out in the same year as well. What a classic!
Taj Mahal and Keb Mo’/Ain’t Nobody Talkin’
Let’s jump forward 57 years to May 2017 for some sizzling blues delivered by two great artists, Taj Mahal and Keb’ Mo’. I was reminded about their fantastic collaboration album TajMo the other day when putting together a post about other artists covering songs by The Who. Apart from renditions like a Cajun swampy version of Squeeze Box, TajMo also includes original tunes. One of them is Ain’t Nobody Talkin’, co-written by Kevin Moore (Keb’ Mo’) and John Lewis Parker. I was happy to see that TajMo won the 2018 Grammy Award for Best Contemporary Blues Album. You can read more about it here. Meanwhile, here’s Ain’t Nobody Talkin’ – man, I love how Mahal and Mo’ sound together. And these horn fill-ins – so good!
Al Green/Let’s Stay Together
Next I’d like to turn to Al Green, one of the finest soul vocalists I can think of. Green, who became an ordained pastor in 1976 following the suicide of his girlfriend Mary Woodson in October 1974, is best known for a series of soul hits in the first half of the ’70s. In 1979, after he had gotten injured during a stage accident in Cincinnati, Green turned to gospel for nearly 10 years. In 1988, he came back to secular music, teaming up with Annie Lennox for a cover of Put a Little Love in Your Heart, yielding his first top 10 mainstream hit since 1974. It remains his last to date. Here’s Green’s first no. 1 from November 1971: Let’s Stay Together, his signature song. He co-wrote the smooth tune with Al Jackson Jr. (founding member of Booker T. & the M.G.’s) and producer Willie Mitchell. Let’s Stay Together also became the title track of his fourth studio album from January 1972. In 1983, Tina Turner brought the soul classic back into the top 10 charts in the UK, her comeback single from her comeback album Private Dancer that appeared in May 1984.
Lord Huron/Meet Me in the City
If you are a frequent reader of The Sunday Six, the name Lord Huron might ring a bell. Or perhaps you’ve been aware of this cool indie folk rock band all along, which initially was founded in Los Angeles in 2010 as a solo project of guitarist and vocalist Ben Schneider. In addition to him, the group’s current line-up includes Tom Renaud (guitar), Miguel Briseño (bass, keyboards) and Mark Barry (drums, percussion). In the June 20 installment, I featured the stunning Mine Forever, a track from the band’s most recent album Long Lost that came out on May 21. Here’s another great track from that album, Meet Me in the City, which further illustrates Lord Huron’s amazing moody and cinematic sound of layered voices, jangly guitars and expanded reverb.
The Black Crowes/Twice As Hard
This once again brings me to the sixth and final track. Let’s make it count with some crunchy rock by The Black Crowes. Initially founded as “Mr. Crowe’s Garden” in Marietta, Ga. in 1984, the band around Chris Robinson (lead vocals, harmonica, acoustic guitar, percussion) and his younger brother Rich Robinson (guitar, backing vocals) has a long history. It includes the type of drama with break-ups and reunions that’s all too common once rock egos become too big. The good news is since late 2019, The Black Crowes are flying again. Perhaps the band’s third reunion is the charm. Their tour to celebrate the 30th anniversary of their debut album Shake Your Money Maker from February 1990 had to be postponed because of you know what. It finally got underway on July 20 in Nashville, Tenn. and is scheduled to conclude in Bethel, N.Y. on September 25. In addition to the Robinson brothers, the group’s new line-up features Sven Pipien (bass, backing vocals), along with touring members Isaiah Mitchell (guitar, backing vocals), Joel Robinow (keyboards, backing vocals) and Brian Griffin (drums, percussion). Here’s Twice As Hard, the great opener of Shake Your Money Maker. Co-written by the Robinson brothers, the tune also became the album’s third single and their first no. 1 on Billboard’s Mainstream Rock chart.
Welcome to another Sunday Six. In case you’re a first time visitor of the blog, this recurring feature celebrates the beauty of music six random tunes at a time, meaning songs from different genres and different decades. Pretty much anything goes in the same post. A jazz instrumental from the ’50s could be followed by a ’70s hard rock tune. A blues track from the ’60s could appear together with a pop song from the ’80s. My only condition is I have to like the tracks and how they work together. With that being said, let’s get to it!
John Barry & Orchestra/James Bond Theme
“Bond, James Bond.” These words started to fascinate me when I was a young teenager back in Germany. I still like the James Bond movies, as ridiculously unrealistic as they are. Especially the older pictures with Sean Connery and Roger Moore are classics in my book. Of course, part of every Bond picture is the soundtrack, including the James Bond Theme, which has been featured in every 007 film since the first one, Dr. No, from 1962. The signature theme was written by English singer and film composer Monty Norman and arranged by John Barry, a composer and conductor of film music. Barry also wrote the scores for 11 Bond pictures between 1963 and 1987. I always loved the track’s distinct guitar part played by English session guitarist Vic Flick, using a Clifford Essex Paragon De Luxe electric/acoustic vintage guitar from 1939.
Al Jarreau/Take Five
I know of no other artist who had such an amazing ability to use his voice as an instrument like Al Jarreau. Perhaps the most compelling example is his rendition of jazz standard Take Five, which was included on a May 1977 live album titled Look to the Rainbow. I’ve always loved the original written by Paul Desmond and first recorded by the Dave Brubeck Quartet for the album Time Out from December 1959. But Al Jarreau took the track to a different level. I guess many folks at the time agreed. Look to the Rainbow became Jarreau’s breakthrough in Europe and the U.S. It won the 1978 Grammy Award for Best Vocal Jazz Performance. If you haven’t heard this, check it out. If you already know Jarreau’s rendition, listen to it again anyway! 🙂
Joe Jackson/Down to London
Let’s jump to the late ’80s with a great tune by Joe Jackson. The British singer-songwriter first entered my radar screen in 1980, when I received his excellent sophomore studio album I’m the Man for my 14th birthday. I still own that vinyl copy. I’ve since listened on and off to Jackson, a versatile artist who has played many genres over the decades, including punk, new wave, pop, rock, jazz and Latin. He’s also fun live. I saw him in May 2019 at a mid-size theater in New Jersey. You can read about it here and watch some clips I took. Down to London is one of my favorite tracks from Blaze of Glory, Jackson’s 10th studio album that came out in April 1989. Like all other tunes on the record, he wrote the song.
The Wallflowers/6th Avenue Heartache
Next we’re on to the ’90s. I guess, I’m going chronologically this time. When The Wallflowers released their sophomore album Bringing Down the Horse in May 1996, they were still a standing roots rock-oriented band. Their origins date back to 1989 when Jakob Dylan (lead vocals, guitar, piano) and his childhood friend Tobi Miller (lead guitar) began forming a band called The Apples. Jakob is a son of Bob Dylan and his first wife Sara Dylan (nee Noznisky). After Barrie Maguire (bass), Peter Yanowitz (drums) and Rami Yafee (keyboards) had joined the group, they changed their name to The Wallflowers. The band signed with Virgin Records in 1991 and released their eponymous debut album in August 1992. Five additional studio albums appeared thereafter until 2012. Since 2013, Dylan has been the only remaining original member, relying on touring musicians for shows. A new album titled Exit Wounds is slated for July 9, the first to appear under The Wallflowers name in nine years. Apparently, it will be supported by a tour. For now, here’s 6th Avenue Heartache, written by Dylan, one of the band’s best known tunes and certainly one of my favorites.
Alicia Keys is an interesting artist in my book. While much of her music falls outside my core wheelhouse, I still like her. Undoubtedly, Keys’ amazing voice has a lot to do with it, but it’s also her stage presence. There’s just something about Keys that draws me in. It’s like she’s radiating – I can’t quite explain it. Anway, Fallin’ is a breathtaking tune from Keys’ debut album Songs in A Minor, which came out in June 2001. The record had a long history, which I hadn’t known until I read about it in Wikipedia. Keys, a classically trained pianist, already began writing songs for the record as a 14-year-old in 1995. She recorded the album in 1998 for Columbia Records, but the label rejected it. Eventually, it appeared in June 2001 on J Records, a new label that had been formed by Clive Davis who had sensed Keys’ talent and bought her contract from Columbia. His instincts turned out to be right. Songs in A Minor topped the Billboard 200 and won five Grammy Awards in 2002. As of 2015, the album had sold 7.5 million copies in the U.S. and more than 12 million worldwide. Fallin’ was solely written by Keys. That tune still gives me goosebumps.
Dirty Honey/Tied Up
I guess this already brings me to the last track of this Sunday Six installment. It’s time for some kickass rock and one of my new “discoveries,” Dirty Honey. I first featured this great rock band from Los Angeles a week ago in this Best of What’s Newinstallment. The band, which has been around since 2017, features Marc Labelle (vocals), John Notto (guitar), Justin Smolian (bass) and Corey Coverstone (drums). Their classic rock-oriented sound is reminiscent of groups like Led Zeppelin, Aerosmith and The Black Crowes. Here’s Tied Up, credited to the entire band, from their eponymous studio debut album released on April 23. This is a fun tune that nicely rocks!