Song Musings

Happy Wednesday and I’d like to welcome you to another installment of my recurring feature where I’m taking a deeper dive into a tune I’ve only briefly mentioned or not covered at all to date. Today, I decided to go ’70s classic rock, coz why not! If you celebrated the Fourth of July last evening and feel your morning coffee hasn’t quite done the trick to get you going at full throttle, I think I might have a good remedy: Back in the Saddle by Aerosmith!

Co-written by the Boston rockers’ Steven Tyler and Joe Perry, also lovingly known as The Toxic Twins, Back in the Saddle first appeared in May 1976 on the group’s fourth studio album aptly titled Rocks. The opener also became the LP’s third and final single in March 1977.

The tune that after a short guitar intro starts with Tyler screaming I’m baaaaack, I’m back in the saddle again, didn’t exactly refer to smashing chart success, something that’s also sadly true for many other great Aerosmith tunes. It climbed to no. 38 in the U.S. on the Billboard Hot 100 and a meager no. 68 in Canada.

Rocks, on the other hand, fared much better. How much? How about no. 3 on the Billboard 200, the group’s highest-charting album in the U.S. at the time, and no. 14 in Canada. That’s more like it! Rocks also charted in Australia (no. 45) and Sweden (no. 46). On the sales front, it reached 4X Platinum status (4 million certified copies) in the U.S. and Platinum certification in Canada (100,000 certified units) by July 1976 and November 1976, respectively.

Perry wrote the song’s main riff on a Fender Bass VI, creating the tune’s distinctive growl. The lead guitar part was performed by Brad Whitford who is otherwise mainly known as the band’s rhythm guitarist. Tom Hamilton delivered what is considered one of his heaviest and most noticeable bass lines, while Joey Kramer was manning the skins.

According to Wikipedia, Back in the Saddle features some interesting sound effects of a galloping horse and whips, and screams and even yodeling by Steven Tyler at the end of the song. Apparently, at first, they tried using a real bullwhip, but I guess drugs and bullwhips don’t mix too well, and after some self-inflected injuries, the boys ingeniously figured out to create the whip effects by “whirling a 30-foot cord from the studio, then by firing a cap gun to create the crack of the whip.” You just can’t make this stuff up!

While at the time Tyler wrote the lyrics he had cowboys and sex on his mind [sex and rock & roll? Unheard of! CMM], Back in the Saddle took on new meaning when Aerosmith named their 1984 reunion tour after it. Perry and Whitford had departed the band in 1979 and 1981, respectively, leaving Aerosmith on the rocks! It’s your typical rock & roll BS drama and, as such, not worthwhile getting into it any further.

BTW, speaking of tours, Aerosmith are set to embark on getting back in the saddle one last time in early September. In an over-the-top video clip teasing the Peace Out tour Tyler emphasizes, “And if you think we’re joking, dream on!” Clever! The Black Crowes will be part of the final hurray. Admittedly, my sweet emotions about the band I’ve never seen make me feel I don’t want to miss a thing. You see, I may not be a rock star, but I can do clever as well! Here’s the schedule.

Following are additional insights from Songfacts:

This song describes a cowboy going to a bar, picking up a girl and spending the night with her. There is lots of sexual innuendo in the lyrics among the Old West images (“I’m like a loaded gun,” “This snake is gonna rattle).

The prostitute in the song, Sukie Jones, was a creation of Steven Tyler and not a real person. One fan of the song is original Guns N’ Roses drummer Steven Adler, who in 2003 formed a band called Suki Jones, which he later renamed Adler’s Appetite.

“Back In The Saddle Again” was a song popularized by Gene Autry, who first recorded it in 1939. Autry was known as “The Singing Cowboy,” and his song played up the cowboy persona he portrayed in movies and TV specials. [Other than the title, the two tunes are unrelated – CMM]

Steven Tyler decided to use the cowboy theme for his lyrics after talking with producer Jack Douglas about using the “back in the saddle” line as a way of declaring that the band was back with a new album and ready to rock hard. Tyler always thought “back in saddle” meant having sex with your girlfriend more than once in a night, so he wrote the lyrics about a cowboy riding into town to satisfy his sexual urges. He wrote the lyrics in the stairwell of the Record Plant recording studio, where he would often write once the track was finished.

The main riff was composed by guitarist Joe Perry on a 6-string bass guitar he had recently purchased. Perry says he was “lying on the floor, stoned on heroin” when he came up with the riff. The song wasn’t recorded until almost a year later, when they used their rehearsal space – a warehouse in Waltham, Massachusetts they called “The Wherehouse” – as a recording studio by bringing in a mobile recording unit to record the Rocks album.

…After the band put the track together around Joe Perry’s guitar riff, they knew it would be a great opener for the album. Producer Jack Douglas said in the Aerosmith biography Walk This Way: “We recorded ‘Back In The Saddle’ to have this larger-than-life vibe, to bring the band right into the middle of the kid’s head when he put on his ‘phones in his bedroom late at night.”

For the bridge, lead singer Steven Tyler taped tambourines to his cowboy boots and stomped on a piece of plywood he laid down in the studio. For the crack of the whip, they bought a bullwhip, but nobody could use it. They ended up faking the whip sound by having Tyler swing a cord in a studio to make the whirling noise, then using a cap gun for the crack.

This is one of the first rock songs with a cowboy theme, complete with the sound of a horse. Other songs that take us back to the Old West include “Desperado” by the Eagles and “Wanted Dead Or Alive” by Bon Jovi [one of my favorite songs by the Jersey rockers who oftentimes draw mixed reactions among rock fans – CMM].

Sebastian Bach recorded this with Axl Rose for Bach’s 2007 album Angel Down, his first album since his 2001 release Bach 2: Basics. In an interview with the Hartford, Connecticut radio station WCCC, Bach explained that his producer Roy Z convinced him to record the song as a way to announce his return, since “Bach was Back In The Saddle.”

I guess Bach passed the audition.

Sources: Wikipedia; Songfacts; RIAA website; Music Canada website; YouTube

Keep On Rocking 40-Plus Years and Counting

The most famous line-up of my all-time favorite band The Beatles existed from August 1962 until September 1969 when they collectively recorded their last song appropriately titled The End, the final track of the Abbey Road album – not a bad duration for a band, given the music business oftentimes is dominated by larger-than-life egos. Yet as productive as The Fab Four were, these seven years look pretty moderate compared to the groups featured in this post, who have been rocking for more than 40 years – in one case even reaching 60 years!

Following are three criteria a band needed to satisfy to be considered for the post. They need to have at least one remaining original member. A group’s duration was measured in terms of active years, not how long they have been together on paper. For example, while Deep Purple were founded in 1968, they “only” have played together for 48 years, not 54 years, if you consider their break-up between 1976 and 1984. Last but not least, I solely included bands I like.

Following I’m highlighting six groups in chronological order of when they were founded with one tune from each. A Spotify playlist at the end of the post includes those tracks, plus songs from a few additional bands meeting the above criteria. Altogether, I decided to include 10 picks. Let’s get to it.

The Rolling Stones

The Rolling Stones, formed in 1962, have been active for an incredible 60 years, making them the longest-running band on this list. With Mick Jagger and Keith Richards, they still have two original members who have been key to the group. It’s also noteworthy that Ronnie Wood has been part of the line-up since 1975. Sadly, the Stones lost their long-time drummer Charlie Watts last August. He had joined them back in 1963. To date, the Stones have released 30 studio albums, 33 live records and 29 compilations, among others. On November 23, 2021, they finished their most recent tour (No Filter Tour) in Hollywood, Fla. Here’s Jumpin’ Jack Flash, which first appeared in May 1968 as a non-album single.

The Who

Approximately two years after the Stones, in 1964, another dynamite British rock band was formed: The Who. Like their compatriots, the group has two original and essential members to this day, guitarist Pete Townshend and lead vocalist Roger Daltrey. Counting various breaks along the way, The Who have been active for 50 years. Their catalog includes 12 studio albums, 16 live recordings and 32 compilations, among others. Just on Monday this week, The Who announced a 2022 North American tour, The Who Hits Back, scheduled to kick off on April 22 at Hardrock Live in Hollywood, Fla. – the very same venue where the Stones wrapped up their tour last year. Messrs. Daltrey and Townshend and their band are playing New York’s Madison Square Garden on May 26 – damn, this is tempting! Here’s Going Mobile from my favorite Who album Who’s Next.

Deep Purple

On to my favorite hard rock band of all time, Deep Purple, who were initially established in 1968. One of the founding members, drummer Ian Paice, remains part of the group’s current formation. Two additional present members, bassist Roger Glover and lead vocalist Ian Gillan joined in 1969, and as such were part of the group’s classic line-up that also included guitarist Ritchie Blackmore and organist Jon Lord. Deep Purple’s discography encompasses 22 studio albums, 45 live records and 28 compilations. The band is also touring this year starting in May, mostly in Europe. Here’s the epic Child in Time, a track from their fourth studio album Deep Purple in Rock released in June 1970 – the first to feature the classic line-up.

Aerosmith

The bad boys from Boston were formed in 1970. Remarkably, four of the group’s current five members are co-founders: Steven Tyler (lead vocals, harmonica, percussion), Joe Perry (guitar, backing vocals), Tom Hamilton (bass) and Joey Kramer (drums, percussion). Second guitarist Brad Whitford joined in 1971. While Perry and Whitford, respectively, had five and three-year interruptions in-between and missed the 1982 Rock in a Hard Place album, Tyler, Hamilton and Kramer have played on all of the band’s 15 studio records to date. Aerosmith’s catalog also includes six live records and 16 compilations. On January 31, the group announced the cancellation of their European tour that had been planned for June and July, citing uncertainty around the pandemic. Here’s Janie’s Got a Gun, one of my favorite Aerosmith tunes off their 10th studio album Pump, released in September 1989.

AC/DC

Australian rock and rollers AC/DC have been around since 1973. Not counting their hiatus between 2016 and 2020, this amounts to 45 years. Lead guitarist Angus Young remains as the only founding member. There are three other longtime members: Phil Rudd (drums), Cliff Williams (bass, backing vocals) and Brian Johnson (lead vocals), who first joined the band in 1975, 1977 and 1980, respectively. AC/DC’s catalog features 17 studio albums, three live records and two box sets, among others. Here’s Play Ball, a great track from the group’s 16th studio album Rock or Bust that appeared in November 2014, featuring all of the above members.

U2

The last group I’d like to highlight in this upfront section of the post are Irish rockers U2 who were formed in Dublin in 1976 under the name Feedback. It’s the only band on this list whose current members were all co-founders. That being said, their present line-up is not the group’s initial formation, which during their first year also included a second guitarist, Dik Evans, the older brother of David Evans known as The Edge. U2’s other members are Paul Hewson (Bono), Adam Clayton (bass) and Larry Mullen Jr. (drums). To date, the band’s discography consists of 14 studio albums, one live record and three compilations, among others. U2 were most recently on the road in 2019 for the second part of The Joshua Tree Tour. I caught one of the shows during the first part of that tour in 2017 – my only U2 concert so far, and a memorable experience! Here’s Red Hill Mining Town, a track from my favorite U2 album The Joshua Tree that came out in March 1987.

Following is the aforementioned Spotify list.

Sources: Wikipedia; The Who website; Deep Purple website; Aerosmith website; YouTube; Spotify

Rock the Farm Triumphantly Returns to Jersey Shore

After taking a break last year due to this seemingly never-ending pandemic, Rock the Farm 2021 had felt a long time coming – especially the weeks leading up to it! Yesterday (September 25), the wait was finally over. The annual event in Seaside Heights, N.J., organized by the CFC Loud n Clear Foundation, combines music performed by outstanding tribute bands with raising funds and awareness for programs that support individuals and families struggling with addiction. CFC’s efforts aim to fill the gap after clinical treatment, a period when staying sober and remaining on track can be particularly challenging. You can read more about this nonprofit organization and their important work here.

Rock the Farm 2021 marked the seventh time the festival took place. As in years past, the line-up of tribute acts was impressive: One Fine Tapestry (Carole King), Coo Coo Cachoo (Simon & Garfunkel), Walk This Way (Aerosmith), Decade (Neil Young), The Traveling Milburys (The Traveling Wilburys), Guns 4 Roses (Guns N’ Roses), TUSK (Fleetwood Mac) and Tramps Like Us (Bruce Springsteen).

Just imagine for a moment these would have been the real acts. Apart from being non-affordable for most music fans, obviously, it wouldn’t have been possible to have all these artists appear at the same festival. Creating a unique music experience is a key idea behind Rock the Farm! And it’s definitely part of what makes it so much fun to attend!

Following are some highlights from the 10-hour music marathon that took place on two stages next to each other. I’m going in chronological order, featuring one clip per tribute act that are all from New Jersey except when noted otherwise.

One Fine Tapestry/I Feel the Earth Move

As in years past, One Fine Tapestry, a tribute to Carole King, kicked off Rock the Farm. At the core of this act are Gerard Barros and Diane Barros, a versatile husband and wife duo performing a variety of different tribute shows. Yesterday, they were backed by a full band. Here’s I Feel the Earth Move, a tune from King’s Tapestry album that appeared in February 1971 – one of the many gems celebrating their 50th anniversary this year!

Coo Coo Cachoo/Mrs. Robinson

Coo Coo Cachoo are Thomas Johnston and Ed Jankiewicz, who have been performing Simon & Garfunkel songs since they met in high school close to 50 years ago – that’s just remarkable! Here’s their set opener Mrs. Robinson. Written by Paul Simon, the tune was included on Simon & Garfunkel’s fourth studio album Bookends from April 1968. It also became the record’s lead single and, of course, was part of the soundtrack for the romantic comedy drama The Graduate released in December 1967.

Walk This Way/Love in an Elevator

Walk This Way are a Dallas, Texas-based tribute to Aerosmith, featuring Ian Latimer as Steven Tyler (vocals), David Semans as Joe Perry (guitar, backing vocals), Chris Bender as Tom Hamilton (bass), Martin Turney as Joey Kramer (drums), Eamonn Gallagher as Brad Whitford (guitar) and Chris Loehrlein as Russ Irwin (keyboards). They opened their set with Love in an Elevator, a track co-written by Perry and Tyler, and included on Aerosmith’s 10th studio album Pump that appeared in September 1989. It also became the record’s second single.

Decade/Almost Cut My Hair

Decade are a band around Neil Young tribute artist John Hathaway (guitar, vocals), who has performed with different line-ups over the years. Yesterday’s backing band included Gordon Bunker Strout (guitar, backing vocals), Joseph Napolitano (pedal steel guitar), Billy Siegel (keyboards), John Perry (bass), Bob Giunco (drums) and Pam McCoy (backing vocals). In addition to Young songs, they also throw in a few tunes by Crosby, Stills, Nash & Young, such as this great rendition of Almost Cut My Hair featuring Pam McCoy on lead vocals. Penned by David Crosby, the song is from the Déjà Vu album, the first CSN record with Neil Young, released in March 1970.

The Traveling Milburys/Telephone Line

Traveling Wilburys tribute act The Traveling Milburys feature Nelson Milbury as George Harrison, Lefty Milbury as Roy Orbison, Charlie T. Milbury as Tom Petty, Otis Milbury as Jeff Lynne and Lucky Milbury as Bob Dylan. Also part of this Canadian band are Rick Hyatt (keyboards), Mike Berardelli (bass) and Danny Sandwell (drums). Apart from Wilburys songs, the group plays many tunes from the individual artists that made up the Wilburys. Here’s Telephone Line, a track written by Lynne from ELO’s sixth studio album A New World Record that came out in September 1976.

Guns 4 Roses/Sweet Child o’ Mine

Guns 4 Roses, another Dallas-based band, are a tribute to Guns N’ Roses. Their members are Laz as Axl Rose (lead vocals), Eamonn as Slash (guitar), Chris as Duff McKagan (bass), David as Dizzy Reed (keyboards), Martin as Steven Adler (drums) and Chris as Izzy Stradlin (guitar). Here’s Sweet Child o’ Mine from Guns N’ Roses’ debut album Appetite for Destruction released in July 1987. The tune, which also became the record’s third single, was credited to the entire band. These guys were truly rockin’ the farm!

TUSK/You Make Loving Fun

TUSK are a tribute band focused on the pop rock period of Fleetwood Mac. The group includes Kathy Phillips as Stevie Nicks (vocals), Kim Williams as  Christine McVie (keyboards, vocals), Scott McDonald as Lindsey Buckingham (guitar, vocals), Randy Artiglere as John McVie (bass) and Tom Nelson as Mick Fleetwood (drums). Their harmony singing is just incredible! Here’s You Make Loving Fun written by Christine McVie and from the Rumours album that appeared in February 1977. It also became the record’s fourth and final single.

Tramps Like Us/Tenth Avenue Freeze-Out

Closing out Rock the Farm 2021 was music by The Boss performed by longtime Bruce Springsteen tribute Tramps Like Us – great way to end a 10-hour music marathon! Formed in 1990, the band features front man Mark Salore as Bruce Springsteen (vocals, guitar), together with Jon Malatino (acoustic guitar, percussion, backing vocals), Ken Hope (piano, organ, keyboards, backing vocals), Tom LaRocca (saxophone, keyboards, guitar, backing vocals), Scott Bennert (bass, backing vocals) and Marty Matelli (drums, percussion). Here’s Tenth Avenue Freeze-Out, one of my favorite tunes from Born to Run, Springsteen’s third studio album from August 1975.

This was my fourth Rock the Farm in a row. While except for The Traveling Milburys I had seen all other tribute acts at previous Rock the Farm and/or other concerts, this event truly has been a gift that keeps on giving. Admittedly, my decision to attend this year did not come as easily as in the past, given COVID-19. After all, I had stayed away from most music events over the summer. Rock the Farm was the one I simply didn’t want to miss!

Sources: Wikipedia; CFC Loud n Clear Foundation website; One Fine Tapestry website; Coo Coo Cachoo Facebook page; Walk This Way website; Decade Facebook page; Traveling Milburys website; Guns 4 Roses website; TUSK website; Tramps Like Us website; YouTube

My Playlist: Aerosmith

While bands like Deep Purple and Led Zeppelin typically remain my first choice when I’m in the mood for more heavy-oriented rock, I’ve also come to appreciate Aerosmith over the decades. Like Zeppelin, “the Bad Boys from Boston” were an acquired taste. The song that started my Aerosmith journey was the power ballad Dream On, which I first heard on the radio in Germany sometime during the second half of the ’70s. I think it’s fair to say the tune has been burned a bit by overexposure, but I still dig it.

Before getting to some music by Aerosmith, here’s a bit of background on the band that was formed in Boston in 1970. This means they’ve been around for 50 years, which is remarkable; though not without drama, as you’d probably expect. Steven Tyler (lead vocals), who was in a band called Chain Reaction, and Joe Perry (guitar, vocals), Tom Hamilton (bass) and Joey Kramer (drums), who all were members of Jam Band, aka Joe Perry’s Jam Band, first met in 1970 when their respective bands performed at the same venue.

Tyler immediately was turned on by Jam Band’s sound and proposed to combine the two bands, insisting he’d front the combined group as their lead singer. The other guys agreed, and the members of the new band moved together to a place in Boston where they stared rehearsing and writing songs. Apparently, it was Kramer who came up with the name Aerosmith, after he had listened to Harry Nilssen album Aerial Ballet and recalled writing the word “areosmith” all over his notebooks when he was in school.

From left: Tom Hamilton, Joe Perry, Steven Tyler, Joey Kramer & Brad Whitford

Prior to playing their first gig as Aerosmith in Mendon, Mass. in November 1970, the band hired Ray Tabano, a childhood friend of Tyler, as rhythm guitarist. The following year, Tabano was replaced by Brad Whitford, completing the line-up that went on to sign a deal with Columbia Records in mid-1972 and that remains in place to this day. Soon thereafter, Aerosmith went into the studio to record their eponymous debut album that appeared in January 1973 – the first of 15 studio records to date. That’s no exactly an extensive catalogue, considering the band has been around for five decades. But, as hinted above, there has been good deal of drama throughout their history.

Even though it’s perhaps a bit lame to select the obvious tune, I’d like to kick off this playlist with Dream On, written by Tyler, which also became Aerosmith’s first single. It peaked at No. 59 on the Billboard Hot 100 and made it to No. 87 on the Canadian Singles Chart. While the album wasn’t a success initially, in addition to Dream On, it included tracks like Mama Kin and Walkin’ the Dog that became staples during Aerosmith’s live shows and on rock radio. Eventually, Aerosmith was certified 2x Platinum.

Following extensive touring, Aerosmith released their sophomore album Get Your Wings in March 1974. It was the first produced by Jack Douglas and the beginning of a long and successful studio collaboration that resulted in four additional albums. While contemporary reviews were mostly favorable, at first, the album didn’t do very well either. But similar to the debut, Get Your Wings eventually became a commercial success, securing 3x Platinum status. Here’s the band’s excellent cover of Train Kept A-Rollin’, a tune co-written by Tiny Bradshaw and Lois Mann, aka Syd Nathan, and first recorded by Bradshaw in 1951. In addition to Aerosmith, many other artists, such as Johnny Burnette, The Yardbirds and Led Zeppelin, have covered the song.

Toys in the Attic, Aerosmith’s third studio album from April 1975, catapulted them to international stardom. It reached No. 11 on the Billboard 200 and remains the band’s most commercially successful album in the U.S. to date, with more than 8 million copies sold. It was ranked at No. 229 on Rolling Stone’s 2012 version of 500 Greatest Albums of All Time, though it no longer made the cut for the list’s latest revision published in September this year. Here’s Sweet Emotion, co-written by Tyler and Hamilton, one of their best-known tunes that also became their second charting single in the U.S., reaching No. 36 on the Billboard Hot 100.

Aerosmith followed up Toys in the Attic with Rocks in May 1976, an instantly successful seller that also became their highest charting album of the ’70s in the U.S., reaching No. 3 on the Billboard Hot 100. It also made Rolling Stone’s 2012 list of 500 Greatest Albums of All Time (No. 176). Unlike Toys, it’s still included in the most recent revision, ranking at No. 366. By the time they recorded Rocks, Aerosmith were well into living the rock & roll lifestyle and heavy drug indulgence, but apparently this wasn’t hampering them yet. Here’s the hard hitting opener Back in the Saddle, co-written by Tyler and Perry.

In the late ’70s, the band’s drug use started to take its toll and tensions among the members rose. After a fight between Tyler and Perry following a gig in Cleveland in July 1979, Perry left and formed The Joe Perry Project shortly thereafter. Whitford and long-time writing partner Richie Supa took on some of Perry’s guitar parts on Aerosmith’s next album Night in the Ruts. Eventually, the band hired Jimmy Crespo as their new lead guitarist. In 1981, during the recording sessions for Rock in a Hard Place, Aerosmith’s seventh studio album, Whitford departed and was replaced by Rick Dufay. In 1984, Perry and Whitford were back in the fold. Following a reunion tour, Aerosmith recorded their next studio album Done With Mirrors. Here’s the opener Let the Music Do the Talking, a Perry tune he originally had recorded as the title track for the Joe Perry Project’s debut.

While Aerosmith were back with their original line-up, the band members’ drug addiction continued to pose challenges. In 1986, Tyler successfully completed drug rehab. The rest of the band also completed such efforts over the next few years. In August 1987, Aerosmith released Permanent Vacation, their ninth studio album, a comeback that became their best seller in over a decade with more than 5 million copies. It marked their first effort that brought in songwriters from outside the band. Here’s Dude (Look Like a Lady), co-written by Tyler, Perry and Desmond Child, their first charting single in the ’80s, climbing to No. 14 on the Billboard Hot 100.

One of my favorite Aerosmith tunes, Janie’s Got a Gun, appeared on the follow-on Pump from September 1989. It became the band’s highest-charting ’80s album in the U.S., reaching No. 3 on the Billboard 200. Co-written by Tyler and Hamilton, the Janie’s Got a Gun climbed to No. 4 on the Billboard Hot 100, making it their second most successful U.S. single of the decade. Here’s the official video.

The 1990s saw Aerosmith’s highest-charting U.S. albums with Get a Grip (April 1993) and Nine Lives (March 1997) topping the Billboard 200. Get a Grip also became the band’s best-selling studio album worldwide, with sales exceeding 20 million copies. Like on Permanent Vacation and Pump, the record featured numerous external song collaborators. Seven of the album’s tracks were released as singles, of which three made the U.S. charts: Cryin (No. 12), Amazing (No. 24) and Crazy (No. 17). The tune I’d like to highlight is Line Up, a co-write by Tyler, Perry and Lenny Kravitz who also provided backing vocals.

Let’s do two additional songs from the current century. Here’s the title track of Aerosmith’s 13th studio album Just Push Play, which came out in March 2001. The tune was co-written by Tyler, Mark Hudson and Steve Dudas. Though I feel like it got decent radio play, the song failed to chart on the Billboard Hot 100. It did climb to No. 10 on Billboard’s U.S. Rock Chart, which I find interesting since to me it’s more of a cross-over pop-rock song.

In November 2012, Aerosmith released their 15th and most recent studio album to date, Music from Another Dimension! While it climbed to No. 5 on the Billboard 200, I do seem to recall reading press accounts at the time, with Joe Perry saying this may be the band’s last album – possibly a sign of frustration over the long process it apparently took to make the record. Here’s lead single Legendary Child co-written by Tyler, Perry and Jim Vallence, which appeared in May 2012. Originally, the song had been written and recorded in 1991 during the sessions for the Get a Grip album but had never been released. Here’s the official video. The narrative in the beginning nicely sums up Aerosmith’s eventful history.

Between 2014 and 2018, Tyler and Perry largely focused on side projects. For much of last year, Aerosmith did a concert residency called Aerosmith: Deuces are Wild, mostly in Las Vegas. A European tour that had been planned for the summer of 2020 and a 50th anniversary show at Boston’s Fenway Park in September have all officially been rescheduled until next year.

The band’s current outlook does appear to be somewhat uncertain. Following some drama and lawsuits at the beginning of the year over the band’s refusal to allow drummer Joey Kramer to rejoin the line-up after his recovery from a shoulder injury, Brad Whitford during an interview on the Steve Gorman Rocks radio show in August 2020 expressed doubts over Aerosmith’s future. According to Wikipedia, citing ongoing dysfunction within the group, Whitford said, “I don’t really know what they want to do. And, I don’t really care because, um, truthfully, I’m not interested any more.”

It seems to me drama has been a near-constant during much of Aerosmith’s long history, and there’s a reason why Steven Tyler and Joe Perry have become known as the “Toxic Twins.” But while the band’s best days may be over, I think it’s safe to assume they still have a ton of fans out there who would love to see them once concert tours can resume. I could well see Aerosmith mirror Deep Purple and embark on a “never-ending” farewell tour.

Sources: Wikipedia; YouTube

Rock The Farm Returns To Jersey Shore

While there were no barns and cows, Rock the Farm 2018 didn’t need them. The fifth annual music tribute for a great cause that took place yesterday in Seaside Heights, N.J. rocked anyway and felt even better than last year when I attended the 11-hour marathon for the first time and wrote about it here.

Rock the Farm, a.k.a. Faux-Chella, is a pretty cool idea: Imagine an iconic music festival that could never happen in reality and bring it to life with compelling tribute acts and raise money for a great cause in the process. It sort of mirrors Live Aid on a mini scale, but instead of focusing on starvation in Africa, the fund-raising supports domestic addiction recovery programs. All of the performing bands donated their time to the cause, playing for free. That’s what I call greatness in America that actually deserves the expression!

With the U.S. being in the throes of an opioid crisis that according to a fact sheet from CNN claimed more than 63,600 overdose deaths or an average of 115 people a day in 2016, an event like Rock the Farm couldn’t be more timely. And while no amount of money is too small to help address this astonishing loss of human life in one of the richest countries in the world, a staggering $18 billion is spent in the U.S. each year as a result of the opioid crisis. And that’s just opioids, so it doesn’t include alcohol or other drugs!

Rock the Farm is the main annual fundraiser of the non-profit CFC Loud N Clear Foundation, which was established by the Regan family in 2015, after their son Daniel Regan had come out of a rehab center and with the help of his mother Lynn Regan developed a recovery system for himself. Other people noticed it was working for him and started asking how they did it. That’s when the Regan family realized everyone should have access to an aftercare program, sparking the idea of the CFC Loud N Clear Foundation.

According to their website, to date CFC has assisted more than 7,500 families to help overcome addiction by a loved one. Seeing founder Dan Regan and other CFC folks, and even more so, hearing from some other former addicts who had the courage to step on stage was inspiring to say the least. To me it’s the quintessential story of hope that has made America great and attracted immigrants like myself to its shores. I hope the country will never lose that!

All right, now that the “heavy stuff” is out of the way, it’s time for some great music. Since there was so much of it, I’m only going to highlight some of it.

Decade

Readers of the blog may recall I’ve covered this great Neil Young tribute band from New Jersey before. While they’ve only played together for a few years, all of the band’s members are seasoned musicians, and it shows. Decade are John Hathaway (lead vocals, guitar), Joey Herr (guitar, backing vocals), Lou Perillo (bass, backing vocals), Steve Cunniff (keyboards, backing vocals) and Johnny Burke (drums, percussion). Here’s the opener of their set: A cool rendition of Star Spangled Banner a la Jim Hendrix, and Mr. Soul by Buffalo Springfield, which Neil Young co-founded with Stephen Stills, Richie Furay, Ken Koblun and Dewey Martin in Los Angeles in 1966.

Walk This Way

This terrific tribute band to Aerosmith came all the way from Dallas to support the cause and they kicked ass. While Walk This Way mostly perform in their home state, the show history on the band’s website indicates they also travel nationally and occasionally even beyond. Walk This Way feature Ian Latimer (as Steven Tyler, lead vocals), David Semans (as Joe Perry, guitar & backing vocals), Chris Bender (as Tom Hamilton, bass), Martin Turney (Joey Kramer, drums), Eamonn Gallagher (as Brad Whitford (guitar) and Chris Loehrlein (as Russ Irvin, keyboards). I wasn’t going feature what perhaps is the expected Aerosmith tune, the epic Dream On, but when these guys combined it with Train Kept A-Rollin’, I just couldn’t resist. It was the perfect finish to their great set.

Guns 4 Roses

Walk This Way wasn’t the only band that came all the way from Dallas. They were joined by Guns N’ Roses tribute Guns 4 Roses. Unfortunately, their website and Facebook page only provides the first names of the members (what’s that all about?), and I still had to conduct a bit of research to figure things out: Laz (as Axl Rose, lead vocals), Eamonn (as Slash, guitar), Chris (as Duff McKagan, bass), David (as Dizzy Reed, keyboards), Martin (as Steven Adler, drums) and Chris (Izzy Stradlin, guitar). Hope I got it right. Here’s Sweet Child O’ Mine, one of my favorite Guns N’ Roses tunes.

TUSK

This outstanding tribute to Fleetwood Mac, which mirrors the Rumours lineup, is another band from New Jersey. Their members include Kathy Phillips (as Stevie Nicks, vocals), Kim Williams (as Christine McVie, keyboards & vocals), Scott McDonald (as Lindsey Buckingham, guitar & vocals), Tom Nelson (as Mick Fleetwood, drums) and Randy Artiglere (as John McVie, bass). Like Walk This Way, TUSK is a national band, as indicated by the tour schedule on their website. Here’s Dreams and Say You Love Me from the Rumours (1977) and Fleetwood Mac (1975) albums, respectively.

Free Fallin’

Another band that took a long trip for Rock The Farm was Free Fallin’, a Minneapolis-based tribute to Tom Petty. He is yet another longtime favorite artist of mine, and with their execution of the music and Petty’s distinct vocals, I think Free Fallin’ would have made him proud. The band are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). While I think looks are secondary when it comes to tribute acts, it doesn’t hurt when they have visual similarity with the artists they capture. I should add that’s also the case for at least one member of each of the other tribute bands I’ve highlighted in this post. I was tempted to feature Stop Draggin’ My Heart Around, for which Kathy Phillips of TUSK joined Free Fallin’, but I just couldn’t resist highlighting my favorite Petty tune instead: Refugee, from the excellent Damn The Torpedos album (1979). Just like Stop Draggin’ My Heart Around, it was spot on.

Live/Wire

What better way to close out a great all-day festival than with the hard charging rock & roll of AC/DC – and, boy, did Live/Wire kick ass! This band from New York, which has been around since 2000, includes Mike Hughes (as Angus Young, lead guitar), Bill Voccia (as Malcolm Young, rhythm guitar), Chris Antos (as Bon Scott and Brian Johnson, lead vocals), Bill ‘Daytona’ Bowden (as Cliff Williams, bass) and Billy Rauff (as Phil Rudd, drums). While most tribute acts like to call themselves the “ultimate experience” or variations of the claim, I could imagine that Live/Wire are indeed “the ultimate AC/DC experience.” Based on their current 2018 schedule, the band’s touring radius appears to span the eastern half of the U.S. Here’s It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll). While there were apparent problems with the microphone for the bagpipes, frankly, it didn’t matter much. Instructions for the clip: To be played on a decent sound system at maximum volume!😜

Yes, an 11-hour festival is a marathon, and I can’t deny by back and feet were aching when it was all over, but it was worth each and every moment. So guess what? Come next September, and if I’m still alive, I’ll be back!

Sources: Wikipedia; CNN opioid crisis fast facts (June 2018); CFC Loud N Clear Foundation website; Decade Facebook page;  Walk This Way Facebook page and website; Guns 4 Roses Facebook page and website; TUSK website; Free Fallin’ Facebook page; Live/Wire website; YouTube