The Black Keys Broaden Sound On Upbeat “Ohio Players”

Last Friday, April 5, The Black Keys released their latest studio album Ohio Players. While the pop and rap influences evidently didn’t only surprise me and have led to mixed reviews, overall, I’m intrigued with what Dan Auerbach and his collaborator for 20-plus years Patrick Carney have delivered.

Based on the hill country blues covers album Delta Kream, which brought The Black Keys on my radar screen in 2021, and a handful of other songs, I had associated the duo with a fuzzy DIY style sound, drawing from garage, blues and psychedelic rock. On Ohio Players, their traditional raw sound has evolved, thanks to prominent guests, mostly notably the genre defying Beck, Brit pop stalwart Noel Gallagher, as well as rap artists Juicy J. and Lil Noid.

The album title is a play on Auerbach’s and Carney’s Akron, Ohio roots and ’70s funk and R&B band Ohio Players. “We’ve been doing these record hangs, where we play 45s at pop-up parties and invite friends to join us, so one of the guest DJs threw on an Ohio Players 45 and it was like, ‘ahhh’,” explained Carney in a recent interview with USA Today.

Dan Auerbach (right) and Patrick Carney met in high school, began jamming together in 1986, and eventually formed The Black Keys in 2001

Ohio Players, the 12th studio album by The Black Keys, follows May 2022’s Dropout Boogie, which in turn came after the aforementioned Delta Kream. That album was preceded by Let’s Rock, their first after a four-year hiatus, during which Auerbach and Carney pursued other projects. Let’s take a closer look at the music on Ohio Players.

Since I featured the pop rock opener This Is Nowhere in my most recent weekly new music review, I’m skipping it here and go directly the second track Don’t Let Me Go. Like This Is Nowhere, it is part of the seven songs Beck co-wrote with Auerbach and Carney. The Black Keys’ relationship with him dates back to 2003 when they opened for him during his Sea Change Tour. Don’t Let Me Go is also credited to Gary Crockett, Dominic Glover and Daniel Nakamura, aka. Dan the Automator – yes, definitely more pop-oriented than previous Black Keys songs but heck, it’s bloody catchy!

On the Game is one of three songs Auerbach and Carney co-wrote with Noel Gallagher. Additionally, the track’s credits include songwriter, producer and record executive Leon Michels. Gallagher also played guitar and sang backing vocals, while Michels contributed guitar and organ. “Dan wanted to work with Noel and we’re both fans, so we kept reaching out and hearing he doesn’t have time,” Carney told USA Today. “My neighbor I golf with used to be Oasis’ booking agent for 20 years, so I asked him, “Maybe Noel will be interested?” That’s when Noel got back to us and gave us a window of four days in January (2023) in London.” Sometimes, persistence pays off!

Candy and Her Friends, co-written by Auerbach and Carney, features Lil Noid. “I was getting into underground Memphis rap from the 1990s and early 2000s, cassette tape stuff really only available on YouTube and like Three Six Mafia and Juicy J,” Auerbach explained to USA Today. “There was the “Paranoid Funk” album Lil Noid made and even being a lifelong rap fan, I’d never heard this stuff. Every time we got in the car after a record hang we’d put on his “Riding in the Chevy” and be like man, it would be fun to work with Lil Noid. He came up to Nashville and he was really cool, a total character.”

The soulful ballad I Forgot to Be Your Lover is the only cover on the album. Co-written by William Bell and Booker T. Jones, it originally appeared in 1968 as a single by Bell. A remake by Billy Idol, which he titled To Be a Lover and included on his 1986 studio album Whiplash Smile, became an international hit. The Black Keys stay close to the original.

The final track I’d like to call out is the closer Every Time You Leave, another song Auerbach and Carney wrote with Beck, as well as Greg Kurstin. The multi-instrumentalist and award-winning producer also provided backing vocals, guitar, keyboards, percussion and synthesizer. Again, Beck’s pop influence shines through. At the same time, the song includes elements of The Black Keys’ traditional sound.

“No matter who we work with, it never feels like we’re sacrificing who we are,” Auerbach said in a press statement. “It only feels like it adds some special flavor. We just expanded that palette with people we wanted to work with. We were there to support them and their ideas, to do whatever we could to see that moment flourish. But when it came time to finish the album, it was just Pat and me.”

Added Carney: “What we wanted to accomplish with this record was make something that was fun. And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”

Ohio Players appears on Auerbach’s label Easy Eye Sound and is distributed by Nonesuch Records. Last week, The Black Keys announced a North American headline tour to support the album. The 31-date International Players Tour will kick off in Tulsa on September 17 and also include other cities across the U.S., such as Austin, New York, Los Angeles and Chicago, as well as Toronto, Canada. The full schedule is here.

Sources: Wikipedia; USA Today; Nonesuch Records website; YouTube; Spotify

New Music Musings

It’s Saturday, which means time to take another look at the latest developments on the new music front. All picks are on albums that were released yesterday (April 5).

Cuffed Up/Meet the End

Starting us off today are Cuffed Up, a Los Angeles band playing melodic post punk. The were formed in 2018 by Ralph Torrefranca (vocals/guitar) and Joe Liptock (drums), who were joined by Christina Apostolopoulos (vocals, guitar) in 2022. Their website notes they share a love of stirring rock music, from the urgent tension of the U.K. post-punk revival to the tender, ornate compositions of Death Cab for Cutie. The group debuted in February 2020 with an eponymous EP. Off their first full-length album All You Got, here’s Meet the End. I like it!

X Ambassadors/Half-Life

X Ambassadors are a pop rock band from Ithaca, N.Y. They have been around since 2009 and include Sam Harris (lead vocals), Casey Harris (keyboards) and Adam Levin (drums). During tours they are supported by Russ Flynn (bass, guitar). AllMusic characterizes the group’s music as passionate, electronic-tinged pop centered around the throaty, soulful vocals of Sam Harris. Including their June 2015 debut VHS, they have released four albums to date. Their latest is called Townie. Here’s Half-Life, a pleasant ballad.

Dana Gavanski/Song For Rachel

Dana Gavanski is a Canadian indie folk singer-songwriter of Serbian descent who is based in London, England. In 2017, she released her debut EP Spring Demos. Her first full-length album Yesterday Is Gone appeared in March 2020. Gavanski is now out with her third album Late Slap. “This album is my take on the tension between cynicism/despair and openness/trust,” she explains on her Bandcamp. “It’s about tenderness in a world that’s constantly trying to desensitize us.” Here’s Song For Rachel. The song’s neat sound and Gavanski’s ethereal vocals, which remind me a bit of Sarah McLachlan, drew me in.

Pernice Brothers/I Don’t Need That Anymore (feat. Neko Case)

Pernice Brothers are an indie rock band formed by Joe Pernice in 1998 after his old group Scud Mountain Boys had broken up. Pernice Brothers who also include Joe’s brother Bob Pernice released their first album Overcome by Happiness in May 1998. Their eighth and new album is titled Who Will You Believe. Here’s the gorgeous I Don’t Need That Anymore featuring singer-songwriter Neko Case on vocals. She’s also a member of Canadian indie rock group The New Pornographers.

Dustin Kensrue/High Scalers

Singer-songwriter Dustin Kensrue is best known as lead vocalist and rhythm guitarist of California post-hardcore group Thrice who he co-founded in 1998. After releasing three albums with Thrice, Kensrue began working on solo acoustic material and eventually released Please Come Home in January 2007, the first album under his name. The country-tinged High Scalers is from Desert Dreaming, Kensrue’s new solo album. I really dig the pedal steel on this song, which gives it a beautiful, warm sound.

The Black Keys/This Is Nowhere

Wrapping up this review are The Black Keys. The rock duo formed in Akron, Ohio by high school friends Dan Auerbach (lead vocals, guitar, bass guitar, keyboards) and Patrick Carney (drums, percussion) has been releasing music since 2002. A few years later, Auerbach also started recording, engineering and producing for other artists, which I recently covered here. After a 4-year hiatus, The Black Keys have put out new albums at a steady pace since 2019. Off their 12th and latest, Ohio Players, here’s the opener This Is Nowhere. The pop-flavored song with a garage vibe was co-written by Auerbach, Carney and Beck who also provides backing vocals.

Sources: Wikipedia; AllMusic; Cuffed Up website; Dana Gavanski Bandcamp page; YouTube; Spotify

The Wizards of Vision and Sound

Dan Auerbach first entered my radar screen in April 2020 when I reviewed southern guitarist Marcus King’s soulful debut album El Dorado, which was produced by Auerbach. At the time, I didn’t realize yet how prolific the now 44-year-old musician, singer-songwriter and producer is. Between two solo albums, his involvement in The Black Keys and various side projects, as well as his record engineering and production work, Auerbach has had his fingerprints on more than 90 albums to date! In this post, I’d like to primarily focus on his activity as a producer.

Dan Auerbach (born Daniel Quine Auerbach, May 14, 1979) was born in Ohio and grew up in a family who exposed him to a variety of music during his childhood. Reportedly, his first concert experience was a Whitney Houston show where his mother took him; his second a Grateful Dead concert, thanks to his dad who also got the boy hooked to the blues via his vinyl collection. Auerbach’s uncles liked bluegrass.

Dan Auerbach (left) and Patrick Carney ca. 2005

Around the age of 9, Auerbach started playing guitar. While attending high school in Akron, Ohio, he became friends with his future Black Keys partner and drummer Patrick Carney. The two had first met when there were 8 or 9 and lived in the same neighborhood. In 1986, they began jamming together. Eventually, this led to the formation of The Black Keys after both had dropped out of college.

During college, Auerbach was heavily influenced by blues guitarist Junior Kimbrough, leading him to drop out, so he could focus on his guitar-playing. Other major influences include the likes of Robert Johnson, R.L. Burnside and Hound Dog Taylor, as well as artists outside the blues, such as bluegrass and country singer Clarence White and rapper RZA.

The Black Keys released their debut album The Big Come Up in 2002, but it wasn’t until 2004 and their third album Rubber Factory that they were started to get noticed. A couple of years later, Auerbach began recording, engineering and producing for other artists, using downtime from The Black Keys. He also opened his own recording studio in Akron.

By the time The Black Keys hit their commercial breakthrough in 2010 with their sixth album Brothers, Auerbach had already worked on more than 15 albums for other artists. Some of his projects during this period included garage punk band SSM, blues rock musician Patrick Sweany and garage rock revival band The Ettes. In 2009, Auerbach also launched The Fast Five, a side project with Carney and members from the bands Hacienda and My Morning Jacket. Somehow, Auerbach also managed to release his debut album Keep It Hid in February 2009!

Dan Auerbach (second from left) with The Arcs in 2015

After Auerbach moved to Nashville in 2010, he established Easy Eye Sound studio there. In 2015, he launched garage rock band The Arcs, another side project. They released their debut album Yours, Dreamily in September of the same year. And, he also co-produced it, together with band member and multi-instrumentalist Leon Michels. Two years later, Auerbach founded his own label in Nashville, naming it after his recording studio. The first album that appeared on Easy Eye Sound was Auerbach’s second solo effort, Waiting On a Song, in June 2017.

This may be hard to believe. I’m in the eighth paragraph of this post, and I feel I’ve only provided a topline summary of Auerbach’s extensive bio. I wonder whether he ever sleeps or takes any other breaks! Let’s take a closer look at some of his work as a producer.

Black Diamond Heavies, a blues rock band from Nashville, turned to Auerbach for their sophomore album A Touch of Someone Else’s Class, released in June 2008. It was recorded at his studio in Akron, and he also served as producer. Here’s Bidin’ My Time featuring Auerbach’s Black Keys partner Patrick Carney on drums.

In April 2012, New Orleans R&B artist Dr. John released Locked Down, a well received studio album produced by Auerbach, which won the 2013 Grammy Award for Best Blues Album. It was mixed by him and recorded at Easy Eye Sound studio. Auerbach also co-wrote the songs and played guitar. Here’s Getaway.

In May 2014, outlaw country singer-songwriter Nikki Lane released her sophomore album All or Nothin’. It was recorded at Easy Eye Sound and produced by Auerbach who also co-wrote five of the 12 tracks, and shared vocals with Lane on one of them. “Working with Dan and his professionalism on top of his creative capabilities is so great,” Lane told Billboard in July 2014. “To watch him bring together such a wide variety of artists – legends like Kenny Vaughan, who is such a guitar bad ass, and Russ Pahl [pedal steel guitar – CMM]. Just watching him work with all those people, is such an inspirational experience.” Here’s the opener Right Time.

In 2016, Auerbach worked with Chrissie Hynde on what became the 10th studio album by Pretenders. At that time, the English-American rock group had become a project of Hynde with her as the sole member. Appropriately titled Alone, the album was recorded at Easy Eye Sound and produced by Auerbach. The session musicians, among others, included Arcs members Leon Michels (keyboards) and Richard Swift (drums). Auerbach also co-wrote two songs and provided guitar, keyboards and backing vocals. Hynde was very complimentary about Auerbach, telling the Akron Beacon Journal, “He’s very involved and dedicated to it, and he has just stellar ideas and his instincts are good.” Here’s the title track.

Next I’d like to turn to British singer-songwriter Yola, who blends vintage country, soul and R&B with contemporary pop, and her compelling debut album Walk Through Fire, which I reviewed here. It was recorded at Easy Eye Sound, produced by Auerbach and released on his label (with distribution by Nonsuch Records). He was also involved in the writing of most songs and assembled an impressive cast of session musicians and guests. The latter included Vince Gill and Molly Tuttle who contributed vocals. Here’s the tasty Love All Night (Work All Day).

I’d like to wrap it up with Black Bayou, the fourth full-length album by blues and soul singer-songwriter and guitarist Robert Finley, released in October 2023 on Auerbach’s label and produced by him. Finley and Auerbach had first met in 2017 when they worked together and released an original soundtrack for the graphic novel Murder Ballads. Auerbach had also produced Finley’s two albums that preceded Black Bayou. Once again, Auerbach played a key role in the songwriting on Finley’s latest album, which was well received by critics. Let’s listen to What Goes Around (Comes Around).

To date, Easy Eye Sound has released more than 20 albums that have received 16 Grammy nominations, according to a short profile on the website of Concord Records, which entered into a joint venture with Auerbach’s label in 2021. The profile also quotes Auerbach: “Because I’ve lived many aspects of a musician’s life, I have a unique connection to my artists, and I channel that into this label and studio to record and share with musicians that inspire me. I look for honest and overlooked voices and stories and try to shine some light on them.”

Well, Auerbach certainly has a long and impressive track record, especially when considering he’s only 44 years! Following is a Spotify playlist that features the above songs and others produced by Auerbach except for music he produced for himself, The Black Keys or any of his side projects.

Sources: Wikipedia; AllMusic; Billboard; Akron Beacon Journal; Concord Records website; YouTube; Spotify

The Rolling Stones’ Latest Live Release Is GRRReat!

Following 10-plus official live albums and multiple concert releases from their vault, it’s fair to ask whether the world really needs another live collection by The Rolling Stones. After all, what could possibly trump gems like 1970’s Get Yer Ya-Ya’s Out! or 2017’s Sticky Fingers: Live At The Fonda Theater 2015, to name two of my all-time favorites. Well, GRRR Live!, which was released last Friday (February 10), may be no Ya-Ya’s, but it sure as heck is a great and surprisingly fresh-sounding collection!

The album and concert film mainly captures the Stones’ December 15, 2012 gig at Prudential Center in Newark, N.J., which was part of the 50 & Counting Tour to celebrate their 50th anniversary. The tour featured guest appearances from The Black Keys, Gary Clark Jr., Lady Gaga, John Mayer, Bruce Springsteen and Mick Taylor. Since its original airing on pay-per-view in 2012, the show hasn’t been available. The concert has been re-edited and the audio has been remixed.

I’d say, let’s check out some of the goodies! And what could be better than starting us up with a great motto: It’s Only Rock ‘n’ Roll (But I Like It). Yes, I do! Man, it’s so nice to see Charlie Watts! Mick Jagger once again proves he’s one of the most compelling frontmen in rock & roll. Both Keef and Ronnie Wood evidently had a great night as well! Simply put: The Stones were on fire!

Next up is Gimme Shelter feat. Lady Gaga. Let’s be honest here. Sometimes, guest appearances can be a bit awkward. But holy cow, Gaga surely made Merry Clayton proud! Since I couldn’t find a clip from GRRR Live! that included video (grrr!), I grabbed footage from somebody who was in the audience that night. Unfortunately, it’s cut off at the 5-minute mark and misses the last 2 minutes, but I still thought it’s pretty good!

After that scorching Gaga performance let’s slow it down and set those horses free. Here’s Wild Horses!

Are we ready for another guest appearance? Here are John Mayer and Gary Clark Jr. Ironically, the song is titled Going Down, but I can promise you there was none of that! Both guitarists demonstrated impressive guitar chops. So did Ronnie Wood and Keith Richards. This is solo guitar porn! Again, I’m relying on a clip that’s not from GRRR Live! Best of all, this one isn’t cut off!

Even Doom and Gloom, a Jagger-Richards cowrite I wouldn’t consider ranking among their best tunes, sounds pretty compelling here. The Stones included it on their greatest hits compilation GRRR!, which came out in November 2012.

How ’bout Midnight Rambler featuring Mick Taylor? Ask and you really receive! Yeah, it may not be quite up there with Ya-Yah’s, but it sure as heck nicely shuffles!

Let’s throw in one Keef sang. And, yep, he looked pretty content. Also, check out Ronnie Wood on lap steel – damn! How does all of this make me feel? Happy!

Time to wrap things up. Did somebody say Bruuuuuuuce? Tumbling Dice! The Boss visibly seems to have a ball. I mean, he’s rockin’ with the f…ing Rolling Stones and even throwing in a guitar solo!

Last but not least, here’s a Spotify link to the entire album.

Sources: Wikipedia; YouTube; Spotify

Best of What’s New

Welcome to another Saturday and my latest revue of newly released music. All picks this week are from albums that appeared yesterday (January 27).

White Reaper/Fog Machine

Kicking off this post are American garage rock band White Reaper. According to their profile on Apple Music, they are making retro style bubblegum punk mixed with some arena rock. Formed by childhood friends in Louisville, Kentucky, the group named themselves after a spooky decoration they came across in a Halloween story. They released a critically acclaimed EP in 2014, followed by their 2015 debut album, White Reaper Does It Again. Pitchfork named their sophomore LP, The World’s Best American Band, one of the 20 Best Rock Albums of 2017. White Reaper’s lineup includes Tony Esposito (guitar, vocals), Hunter Thompson (guitar), Ryan Hater (keyboards), Sam Wilkerson (bass) and Nick Wilkerson (drums, percussion). Fog Machine, credited to the entire band, is a tune from their fourth and latest studio album Asking for a Ride. It rocks and is pretty melodic!

H.C. McEntire/Turpentine (feat. Amy Ray)

H.C. McEntire is a singer-songwriter from Durham, N.C. From her AllMusic bio: Blessed with a perfect country voice and the uncompromising determination of a punk rocker, H.C. McEntire (also known as Heather McEntire) is best known as a member of the bands Mount Moriah and Bellafea, as well as for her work as a solo artist. With Mount Moriah, McEntire began exploring the atmospheric side of Southern roots music, and in her solo work, she dug deeper into this territory, mixing the artful side of indie rock with melodies and vocal lines that harken back to traditional country and folk. Her solo debut, 2018’s Lionheart, introduced her new variations on her style, and 2020’s Eno Axis upped the indie rock side of the formula. Now McEntire is out with her third album Every Acre, and I love what I’ve heard thus far. Here’s Turpentine, co-written by McEntire, Luke Norton, Daniel Faust and Casey Toll, the bassist of Mount Moriah, and featuring Amy Ray of contemporary folk duo Indigo Girls – a beautiful tune with a great roots rock sound!

The Arcs/Behind the Eyes

The Arcs are a garage rock band formed in 2015 by singer-songwriter and record producer Dan Auerbach as a side project to The Black Keys, his blues rock band together with drummer Patrick Carney. Apart from Auerbach (lead vocals, guitar), The Arcs currently also include Leon Michels (keyboards, guitar), Nick Movshon (bass) and Homer Steinweiss (drums, percussion). Richard Swift, another member who was featured on the group’s 2015 debut album Yours, Dreamily, passed away in July 2018 at the age of 41 due to complications from hepatitis, as well as liver and kidney distress. This brings me to Behind the Eyes from The Arcs’ sophomore album Electrophonic Chronic, a track credited to all members of the group and Russ Pahl who also provides steel guitar.

Vusi Mahlasela, Norman Zulu & Jive Connection/Prodigal Son

My last pick for this week is South African singer-songwriter Vusi Mahlasela, who according to a bio on his website is simply known as ‘The Voice’ in his home-country, South Africa, celebrated for his distinct, powerful voice and his poetic, optimistic lyrics. His songs of hope connect Apartheid-scarred South Africa with its promise for a better future. Raised in the Mamelodi Township, where he still resides, Vusi became a singer-songwriter and poet-activist at an early age teaching himself how to play guitar and later joining the Congress of South African Writers. After his popular debut on BMG Africa, “When You Come Back,” Vusi was asked to perform at Nelson Mandela’s inauguration in 1994. Vusi has toured globally and shared the stage with Dave Matthews Band, Sting, Paul Simon, Josh Groban, Ray LaMontagne, Natalie Merchant, Taj Mahal, among many others. A news announcement describes his latest release, Face to Face, as a lost recording from the archives in January with a 2002 collaboration between…Vusi…, singer-songwriter Norman Zulu and Swedish jazz/soul collective Jive Connection. Check out the amazing opener Prodigal Son, which drew me in right away!

Here’s a Spotify playlist of the above tunes and some additional tracks from the four featured albums and artists.

Sources: Wikipedia; Apple Music; AllMusic; Vusi Mahlasela website; YouTube; Spotify

Best of What’s New

It’s Saturday again, and welcome to another installment of my weekly new music revue. All featured tunes came out yesterday (December 2). Without further ado, let’s get to it.

NOFX/Darby Crashing Your Party

Kicking off this post are punk rock band NOFX who were founded in Los Angeles in 1983. Following numerous personnel changes in the group’s early days, their current line-up has been in place since 1991 and includes founding members Fat Mike (vocals, bass), Eric Melvin (guitar) and Erik Sandin (drums), along with El Hefe (lead guitar, trumpet). After a demo, Thalidomide Child, in 1984, NOFX released a self-titled EP in 1985. Their first full-length studio album Liberal Animation came out in 1988. This brings me to Double Album, the band’s 15th and latest album and the opener Darby Crashing Your Party. Unlike other punk I’ve heard, NOFX’s music is pretty easy on the ears. Lyrically, these guys don’t seem to take themselves too seriously.

Brendan Benson/I Missed the Plane

Next up is new music by American singer-songwriter Brendan Benson. From his AllMusic bio: A Michigan-bred singer, songwriter, and multi-instrumentalist who occupies the more rock-driven end of the power pop spectrum, Brendan Benson earned critical acclaim during the front half of the 2000s with albums like Lapalco and The Alternative to Love. Benson’s profile was significantly raised when he and fellow Michigander Jack White formed the rock & roll supergroup the Raconteurs, cracking the Top Ten in the U.K. and America with a pair of highly regarded albums in 2006’s Broken Boy Soldiers and 2008’s Consolers of the Lonely. Benson remains a member of The Raconteurs and has also continued to release solo albums, including Low Key, his eighth and latest one. Let’s check out I Missed the Plane, written by Benson. I really like this!

White Lung/Mountain

I believe this is the first Best of What’s New installment featuring two punk bands. I also don’t recall having had a punk group from Canada. White Lung were formed in Vancouver in 2006. From their Apple Music profile: White Lung coalesce influence of riot grrrl, post-punk, and hardcore punk into their own dynamic, take-no-prisoners sound. They first grabbed audiences’ attention as part of the Vancouver Emergency Room art space scene of the 2000s with albums like 2010’s It’s the Evil and 2012’s Sorry. While the raw intensity of punk remains a core aesthetic, they’ve honed their approach, tackling issues of feminism, body dysmorphioa, and sexual assault – issues that drove 2014’s Deep Fantasy and 2016’s Paradise. White Lung – Mish Barber-Way (vocals), Kenneth William (guitar) and Anne-Marie Vassiliou (drums) – are now out with Premonition, their first album in more than five years. The band’s website describes it as chaotic, bold, and hook-driven,…a whirlwind of driving drums, intricate guitar work, and no-holds-barred lyrics about motherhood, pregnancy, and growth – couldn’t have said it any better! Here’s Mountain credited to all three members of the group, as well as producer Jesse Gandner. Similar to NOFX, my pop ear is receptive to this melodic type of punk.

Adeem the Artist/Redneck, Unread Hicks

Adeem the Artist (born Adem Bingham), aka Adeem Maria, is a country singer-songwriter. The non-binary and pansexual artist began performing on cruise ships in their 20s. After moving to Knoxville, Tenn., they began to record music. In 2021, following several independent albums put out via Bandcamp, they released Cast-Iron Pansexual, an album largely funded through Patreon. Now they’re back with White Trash Revelry. Here’s Redneck, Unread Hicks, which Adeem told Apple Music they wrote to draw a more refined picture of the South. “It becomes really easy to, I don’t know, kind of view the South through a very myopic lens,” he said. Pointing to Martin Luther, Jr., a local founder of Black Lives Matters and “a lot of queer folks who have fought hard”, he added, “There’s a lot more diversity here and a lot more nuance than people want to give it credit for.” I feel stereotypes about folks from the South are quite common, even in music (think of Neil Young’s Southern Man). Adeem is to be commended for addressing this topic.

The Rolling Stones/Happy (Live)

My last pick for this week are The Rolling Stones with Happy. ‘Wait a moment,’ you may think, ‘that song is 50 years old, how can it be new?’ Well, yeah, but it’s my friggin’ blog, isn’t it? On a more serious note, yes, the Stones first included the tune on their May 1972 gem Exile on Main St. It also appeared separately as a single in July of the same year. But they also just newly released a live version as the first track of their upcoming album and concert film GRRR Live!, and that’s good enough for me. Slated for February 10, 2023, it comes less than one year after El Mocambo 1977, which appeared in May this year and was just covered by fellow blogger Jim, aka. the Music Enthusiast. GRRR Live! includes 24 tracks captured in December 2012 at Prudential Center in Newark, N.J. during the Stones’ 50th-anniversary tour. It features guest appearances by The Black Keys (Who Do You Love?), Gary Clark Jr. & John Mayer (Going Down), Lady Gaga (Gimme Shelter), Mick Taylor (Midnight Rambler) and Bruce Springsteen (Tumbling Dice). While I don’t know yet whether it will be as great as El Mocambo 1977, it certainly looks like fun and the version of Happy makes this Stones fan, well, pretty happy. Here’s a teaser clip about the album and film the Stones tweeted out. BTW, we’re now 10 years down the road from that gig, which means the Stones have now been together for 60 years – mind-boggling!

Of course, this post wouldn’t be complete without a Spotify playlist of the above and a few additional tunes!

Sources: Wikipedia; AllMusic; Apple Music; White Lung website; YouTube; Spotify

The Sunday Six

Welcome to another installment of The Sunday Six! Hope you join me on my first musical excursion in September 2022.

Delicate Steve/Looking Glass

Usually, I like to kick off this recurring feature with jazz, which for some reason seems to be a natural fit for a Sunday, especially during the morning. But it’s also good to shake up things every now and then. So here’s my first proposition for today: Delicate Steve, the stage name of American multi-instrumentalist Steve Marion, who has been active since 2010. His sound has blended elements of progressive rock, folksy twang, African rhythms, surf rock and 1970s pop. Marion is a sought after artist, having collaborated with the likes of The Black Keys, Paul Simon and Tame Impala. Looking Glass is a great-sounding track from Marion’s latest album After Hours released July 8. According to his website, it was “written and recorded on a 1966 Fender Stratocaster that reignited his love for the instrument.”

The Kinks/Living On a Thin Line

After a cool guitar instrumental, the next stop on our trip are the ’80s. If you’re well familiar with my music taste, you may be a bit surprised I picked a tune by The Kinks. After all, I’ve said more than once that while they are among my favorite British bands, I particularly dig their ’60s output. That’s still the case, but there are exceptions. One is Living On a Thin Line. Written by Dave Davies, the tune is from The Kinks’ 21st studio album Word of Mouth, which appeared in November 1984. Man, I love it! Are we going to see a reunion of The Kinks? “We’ve been talking about it,” Ray Davies told The Washington Post in January 2021. “I mean there’s a lot of material and, you know, it could still happen.” Now, you really got me!

Bob Dylan/Rainy Day Women #12 & 35

How do you move from ’80s Kinks to ’60s Bob Dylan? To borrow from a famous ad for sneakers, ‘just do it!’ The year is 1966. In May of that year, Dylan released his seventh studio album Blonde on Blonde, which I think is fair to say is widely considered to be among his best records. His accolades include the induction into the Grammy Hall of Fame in 1999 and a no. 38 ranking in the most recent 2020 update of Rolling Stone’s list of 500 Greatest Albums of All Time. Here’s the terrific opener Rainy Day Women #12 & 35. I just love the sound of the raucous brass band, which is a perfect match to the line, Everybody must get stoned!

Dolly Parton, Emmylou Harris & Linda Ronstadt/After the Gold Rush

Dolly Parton, Emmylou Harris and Linda Ronstadt are three artists I’ve really come to appreciate over the past five years or so. Bringing big acts together for an album doesn’t guarantee a successful outcome, but I feel in this case it worked – for the second time! The case is Trio II, the second collaboration album by these dynamite ladies, which came out in February 1999. While the songs had been recorded in 1994, seven years after the appearance of Trio, it actually took 12 years for these renditions to be released. Why? Label disputes and conflicting schedules. Whatever the reason, this record was worth the wait. Here’s one of my all-time favorites: After the Gold Rush, a tune written by Neil Young who first recorded it as the title track of his third studio album from September 1970. The angelic harmony singing gives me goosebumps every time I listen to the tune. This is so beautiful that it can make me well up!

The Doors/Roadhouse Blues

Okay, it’s time to shake off the goosebumps and kick it up a few notches with a great blues rocker by The Doors. Roadhouse Blues, written by Jim Morrison with the music credited to the band, is the opener of their fifth studio album Morrison Hotel released in February 1970. In case you’d like to read more about the record, fellow blogger Music Enthusiast recently covered it. Songfacts notes, When Jim Morrison got drunk, he liked to sing blues numbers at The Doors jam sessions. This [is] one of the songs he came up with at one of those inebriated sessions. Interestingly, Road House Blues also appeared separately as the B-side to the album’s only single You Make Me Real. Don’t get me wrong: I dig you You Make Me Real. I just find it surprising Road House Blues was a B-side. In my humble opinion, it would have deserved release as its own A-side single. Ladies and gentlemen, from Los Angeles, California, The Doors!

Roger Daltrey/As Long As I Have You

Once again, the time has come to wrap up another Sunday musical excursion. For this last tune, we return to the current century and Roger Daltrey. I trust the longtime lead vocalist of The Who needs no further introduction. What perhaps you may be less aware of is Daltrey’s tenth solo album As Long As I Have You, which came out in June 2018. The soulful record was Daltrey’s first solo effort in 26 years. In September 2015, Daltrey was diagnosed with viral meningitis during The Who Hits 50! North American tour, forcing the band to reschedule the remaining dates until 2016. This almost led Daltrey to scrap his solo album, for which he already had eight tracks. When his longtime partner in crime Pete Townshend heard the songs, he encouraged Daltrey to finish the project. Townshend also offered to play guitar on it. For more information, you can check my review I published at the time. I’ll leave you with the title track, a cover of a tune first released by American soul singer Garnet Mimms in 1964. It was co-written by Bob Elgin and Jerry Ragovoy. Check out Daltrey’s killer voice!

Last but not least, here’s a Spotify playlist featuring all of the above tunes. Hope you find something you dig!

Sources: Wikipedia; Delicate Steve website; The Washington Post; Songfacts; YouTube; Spotify

Best of What’s New

All tunes appear on albums that were released yesterday (May 13).

The Black Keys/Good Love

My first pick this week is new music by The Black Keys. While I had been aware of their name, I only started paying attention a year ago when the rock duo of high school friends Dan Auerbach (vocals, guitar) and Patrick Carney (drums) released their then-latest album Delta Kream. Now, they are back with Dropout Boogie, their 11th studio release. When they started work on the album in the summer of 2021, Auerbach and Carney first envisaged recording it as a duo but subsequently decided to collaborate with other artists. One includes Billy Gibbons, a longtime friend of the duo from Akron, Ohio. Here’s Good Love, co-written by Auerbach, Carney and Gibbons and featuring the ZZ Top guitarist. Like on predecessor Delta Kream, I dig the rawness of The Black Keys’ sound. Gibbons is a great match!

49 Winchester/All I Need

49 Winchester are a Russell County, Va.-based group who on their website describe their music as “tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.” Following is a bit more from their website: Formed eight years ago on Winchester Street in the small mountain town of Castlewood, Virginia (population: 2,045), the band started as a rag tag bunch of neighborhood teenagers who just wanted to get together for the sake of playing together. Aside from Gibson [Isaac Gibson, singer/guitarist – CMM], there’s also his childhood friend, bassist Chase Chafin, alongside other Castlewood cronies — guitarist Bus Shelton, and Noah Patrick on pedal steel. Here’s All I Need, a track from the group’s fourth and latest studio album Fortune Favors The Bold. The country rocker, credited to Blaine Gibson, reminds me a bit of Lynyrd Skynyrd. Good stuff!

State Champs/Here to Stay

Next up are Albany, N.Y.-based pop-punk band State Champs, who according to Apple Music are known for their vocal harmonies and layered guitar riffs. Here’s more from their Apple Music profile: The group’s first album, 2013’s The Finer Things, reached No. 2 on Billboard’s Heatseekers Albums chart. They won two Alternative Press Music Awards, including Best Breakthrough Band in 2016 and Music Video of the Year in 2017, for “Losing Myself.” Both 2015’s Around the World and Back and 2018’s Living Proof include two songs cowritten with All Time Low’s Alex Gaskarth. “Time Machine,” from 2018’s Living Proof, featured a guest vocal appearance from blink-182’s Mark Hoppus. This brings me to the group’s new album Kings of the New Age and the opener Here to Stay. Much of contemporary pop isn’t my cup of tea, but in this case, the combination with rock works for me.

Say Sue Me/Still Here

I’m pleased to wrap up this week’s music revue with indie rock from South Korea, Say Sue Me, the first time I feature a band from that country. From their website: Cited as one of 2018’s ‘break-out bands‘, Say Sue Me are a Surf Rock inspired indie band from Busan, South Korea. Members consist of Byungkyu Kim on lead guitar, Sumi Choi on vocals and rhythm guitar, Jaeyoung Kim on Bass and Sungwan Lim on Drums. Releasing their first album “We’ve Sobered Up” in 2014, and EP “Big Summer Night” in 2015, on Korean label Electric Muse, UK label Damnably Records released a self-titled compilation that paired their first record and EP in 2017, marking the band’s first release outside of Korea, which served as their introduction to International audiences. Fast forward five years to The Last Thing Left, which appears to be their third full-length album. Here’s Still Here written by Choi, a tune with a pleasant laidback sound. Also, check out her vocals – cool!

Last but not least, here’s a Spotify playlist featuring all of the above tracks and a few others.

Sources: Wikipedia; 49 Winchester website; Apple Music; Say Sue Me website; YouTube; Spotify

Planes, Trains and Automobiles – Part I

The other day, the 1987 American comedy picture Planes, Trains and Automobiles randomly came to my mind. It’s about a marketing executive (Steve Martin) and a sweet but annoying traveling sales guy (John Candy) ending up together as they are trying to get from New York home to Chicago for Thanksgiving. Their plane’s diversion to Wichita due to bad weather in Chicago starts a three-day odyssey and one misadventure after the other, while the two, seemingly incompatible men use different modes of transportation to get to their destination.

What does this movie have to do with music? Nothing, except it gave me the idea to put together lists of songs that are related to – you guessed it – planes, trains and automobiles. To be fully transparent, in mid-2017, I published tw0 posts with songs for the road and songs for the train. As such, the theme isn’t really new but, hey, it’s been almost four years. Plus, I feel it’s okay to repeat fun ideas every now and then.

In order to avoid creating what would be a rather lengthy post, I decided to make it a mini series and break things up in three parts, with each featuring five tracks listed in chronological order. Here’s part I: Songs related to planes, an entirely new idea! 🙂

Jefferson Airplane/Blues From an Airplane

Blues From an Airplane is the opener of Jefferson Airplane’s debut album Jefferson Airplane Takes Off from August 1966. The psychedelic rock tune was co-written by Marty Balin and Skip Spence, Airplane’s lead vocalist/rhythm guitarist and drummer, respectively. The tune also became the b-side of the band’s second single Come Up the Years, which was released ahead of the album in May 1966. Airplane’s actual was take-off, Surrealistic Pillow, was still six months away. The record only reached no. 128 on the Billboard 200, while the single failed to chart altogether.

The Beatles/Back in the U.S.S.R.

Why Back in the U.S.S.R., given the tune doesn’t have “plane” or a related word in the title? Since it’s my bloody list, and it cannot be without my favorite band of all time. Plus, there’s a sound of a jet engine in the beginning and at the very end of the tune, and the first verse prominently includes a rough flight. Written by Paul McCartney and credited to John Lennon and him as usual, is actually a parody to Back in the U.S.A. and California Girls by Chuck Berry and The Beach Boys, respectively, poking fun at their patriotic sentiments about the U.S. The song, included on The White Album from November 1968, was recorded without Ringo Starr who temporarily had left the group after McCartney had criticized his drumming. Instead John, Paul and George Harrison created a composite drum track from numerous takes.

Steve Miller Band/Jet Airliner

Jet Airliner was one of the first tunes that came to my mind when thinking about plane songs. The other two were Jet by Paul McCartney and Wings and John Denver’s Leaving on a Jet Plane. Since I decided to include Back in the U.S.S.R., I skipped Jet. While Leaving on a Jet Plane is a lovely tune, it would have been another pick from the ’60s. Written by Paul Penna in 1973, Jet Airliner was popularized by Steve Miller Band when they released it in April 1977 as the lead single of their 10th studio album Book of Dreams that appeared the following month. It yielded their fourth and last ’70s top 10 hit on the U.S. mainstream chart.

Indigo Girls/Airplane

After three rockers I thought it was time to include something that’s a bit lighter, so I’m glad I found this lovely acoustic, folk-oriented tune by Indigo Girls. Written by Emily Saliers, who together with Amy Ray makes up the duo, Airplane is from their fourth studio album Rites of Passage that appeared in May 1992. I really dig the vocals and the harmony singing on this song.

The Black Keys/Aeroplane Blues

There they are again, The Black Keys. The rock duo of Dan Auerbach and Patrick Carney entered my radar screen recently when I included a tune from their new album Crawling Kingsnake in a Best of What’s New feature. Aeroplane Blues is another edgy blues rock tune, which shall wrap up this first installment. Written by Auerbach and Carney, it appeared on their third studio album Rubber Factory released in September 2004.

Sources: Wikipedia; YouTube

Best of What’s New

As a busy week is nearing its end, admittedly, the thought of skipping Best of What’s New this time crossed my mind. But the release of new music doesn’t stop, so the show must go on. I’m also quite happy with my latest findings – quite a bit of rock in different flavors in this installment. Each of these tracks is on albums that appeared yesterday (May 14). Let’s get it to it!

The Steel Woods/Out of the Blue

Kicking things off are The Steel Woods, a band from Nashville, Tenn., blending country, southern rock and blues rock. According to their artist profile on Apple Music, they lay claim to the sound pioneered by Lynyrd Skynyrd. Like Skynyrd, the Steel Woods balance heavy blues-rock with Southern poetry, and they add a bit of plainspoken outlaw country to the mix, as evidenced on their 2017 debut Straw in the Wind. The band was co-founded in 2015 by vocalist and multi-instrumentalist Wes Bayliss and lead guitarist Jason “Rowdy” Cope. Johnny Stanton (bass) and Isaac Senty (drums) completed the line-up. A more recent permanent member is guitarist Tyler Power, who had supported the band during tours. Tragically, Cope passed away in January this year just after The Steel Woods had completed their new album All of Your Stones, due to severe complications from diabetes. Here’s Out of the Blue, which like most other tracks was co-written by Cope. For this tune he teamed up with Aaron Raitiere, a singer-songwriter from Kentucky. There’s definitely a dose of Skynyrd here.

Babe Rainbow/California

Babe Rainbow are a band from Byron Bay, Australia. Formed in 2014, they initially became known for playing ’60s style psychedelic rock. They have also ventured into soft rock with influences from Latin music. Their bassist Lu-Lu-Felix Domingo originally hails from Venezuela. The other members are Angus Dowling (vocals, drums), Jack “Cool-Breeze” Crowther (guitar) and Elliot O’Reilly (guitar). After an eponymous EP from 2015, Babe Rainbow released their first full-length album in 2017, which was also self-titled. California, co-written by Dowling, Crowther and O’Reilly is a nice laid back track from their fourth and new album Changing Colours.

The Black Keys/Crawling Kingsnake

The Black Keys are a rock band from Akron, Ohio, co-founded in 2001 as a duo by high school friends Dan Auerbach (vocals, guitar) and Patrick Carney (drums). After recording a demo and sending it to a dozen of record labels, they got a deal in 2002 with small Los Angeles indie label Alive. Their debut album The Big Come Up, which was recorded in Carney’s basement on an 8-track tape recorder in lo-fi, appeared in March 2002. While it didn’t chart or sell well, the record got them a new deal with Fat Possum Records. Their third album Rubber Factory, issued by that label, was their first to chart in the U.S. on the Billboard 200. Commercial breakthrough came with the sixth studio album Brothers, fueled by the singles Tighten Up and Howlin’ for You. The Black Keys have since released four additional albums including their latest Delta Kream, a cover album of hill country blues songs. Between August 2015 and March 2019, the duo was on hiatus, with Auerbach and Carney each working on their own projects. Here’s Crawling King Snake, the opener of Delta Kream. The tune was first recorded under that title by delta blues artist Big Joe Williams in March 1941. John Lee Hooker, one of the many other artists who recorded Crawling King Snake, turned the song into one of his most successful singles in 1949.

Myles Kennedy/In Stride

Let’s wrap up this installment of Best of What’s New with rock from Myles Kennedy. The singer-songwriter and guitarist is best known as lead vocalist and rhythm guitarist of rock band Alter Bridge, and lead vocalist of Myles Kennedy and the Conspirators, the backing band of Slash. Kennedy has also worked as a session musician and songwriter. In March 2018, he released his solo debut album Year of the Tiger. His new album The Idles of March is his sophomore release. Here’s In Stride, a blues-oriented rocker with nice slide guitar action written by Kennedy.

Sources: Wikipedia; Apple Music; YouTube