Today, Mick Jagger turned 79 years. Admittedly, I almost missed it. To celebrate the happy occasion and hopefully many returns, I’m republishing a post I did for Jagger’s 75th birthday. I feel everything I said four years ago still applies!
No matter whether you like him or not (and I love him!!!), I think there’s no question Mick Jagger has to be one of the coolest rock artists on the planet. To me, he’s the embodiment of rock & roll in all of its crazy shapes. Unlike the other members of The Rolling Stones, Jagger doesn’t show many signs of aging. He still has the energy and swagger he did when the Stones started out in the early ’60s.
I also don’t believe I know of any other rock artist who studied at the London School of Economics, though evidently, Jagger figured out pretty quickly that Adam Smith and John Maynard Keynes weren’t as sexy as rock & roll. And, dare I say it, there are many economists but there’s only one Mick Jagger!
Jagger’s biography has been told a million times, so I’m not going to write yet another iteration. Instead, I’d like to celebrate Sir Michael Philip Jagger’s 79th birthday, which is today, with what he’s all about: rock & roll.
Let’s kick it off with the first officially recorded song Jagger co-wrote with his longtime partner in crime Keith Richards: Tell Me (You’re Coming Back), the only original track on the Stones’ eponymous U.K. album released in April 1964. While the tune’s early ’60s pop vibe doesn’t sound much like The Rolling Stones, I still find it charming.
Yes, it’s probably the most over-played song The Rolling Stones have ever released, but since it’s such a signature tune, how could I not include (I Can’t Get No) Satisfaction in this post? Plus, the song from the Stones’ third British studio album Out Of Our Heads really seems to be a perfect fit for Jagger.
She’s A Rainbow from 1967’s Their Satanic Majesties Request may be an uncharacteristic tune by The Glimmer Twins, but I’ve always loved it.
I know many Stones fans consider Exile On Main Street or Some Girls as the band’s best studio album. If I would have to select one, I think it would be Sticky Fingers. Here’s Dead Flowers.
The song’s title sums it up perfectly: It’s Only Rock ‘N Roll (But I Like It). It was the lead single to the Stones’ 1974 studio album It’s Only Rock ‘N Roll, their 12th and 14th in the U.K. and U.S., respectively.
Here’s When The Whip Comes Down. According to Wikipedia, Jagger wrote the lyrics to the song, which first appeared on the Some Girls album from 1978, though it is credited to Jagger/Richards.
Tattoo You is considered by many folks to be the last decent album the Stones released in August 1981. The lead single was Start Me Up, which remains one of the band’s most recognizable tunes and a staple during their live concerts where they often play it as the opener. It’s a great tune and with its simple riff yet another example that less is oftentimes more in rock & roll.
I’ve always liked Steel Wheels, which the Stones released in August 1989. By that time Jagger and Richards had patched up their fragile relationship and wrote a great set of songs that are reminiscent of the Stones’ classic sound. Here’s Mixed Emotions.
To date, A Bigger Bang from September 2005 is the Stones’ most recent full studio album featuring original music. Here’s the opener Rough Justice.
I’d like to conclude this celebratory playlist with an amazing live clip: Can’t You Hear Me Knocking, from the Stones’ Sticky Fingers show on May 20, 2015 at the Fonda Theatre in Los Angeles. It was captured in a great live album released last September as part of the band’s From The Vault series. To me, the Stones rarely sounded as fresh as they did that night!
Do Mick and the boys have enough gas for another album? In April, NMEreported that Jagger was working on new material ahead of the Stones’ U.K. tour. He’s quoted as saying, “I’m just writing. It is mostly for the Stones at the moment.” Well, I guess we’ll have to wait and see. Meanwhile, happy birthday!
A playlist of country-influenced songs by The Rolling Stones
With the recent passing of Charlie Watts, The Rolling Stones have been on my mind lately. When my streaming music provider served up Far Away Eyes the other day, the seed for this post was planted. In addition to rock & roll and blues, the “greatest rock & roll band in the world” has always had a thing for country, so I thought it would be fun to put together a list of country-influenced Stones songs.
“As far as country music was concerned, we used to play country songs, but we’d never record them – or we recorded them but never released them,” Mick Jagger is quoted on Songfacts. “Keith and I had been playing Johnny Cash records and listening to the Everly Brothers – who were SO country – since we were kids. I used to love country music even before I met Keith. I loved George Jones and really fast, s–t-kicking country music, though I didn’t really like the maudlin songs too much.” For all of those among us who aren’t native English speakers like myself, maudlin means “drunk enough to be emotionally silly” and “weakly and effusively sentimental,” as defined by the Merriam-Webster dictionary.
All featured tracks in this list were credited to Jagger and Keith Richards, as usual. One could argue most picks aren’t “pure” country and mix in elements from blues and other genres. While I suppose there isn’t much debate that a tune like I’m So Lonesome I Could Cry qualifies as maudlin, it’s really hard to define what is a pure country song in the first place. After all, with all the crossover action that has been going on in country for many years, I would argue the genre has become one of the broadest in music. Should we be shattered? Does it matter?
Dear Doctor – Beggars Banquet (1968)
Let’s kick off this list with Dear Doctor from Beggars Banquet. The tune featured Brian Jones on harmonica and slide guitar. Sadly, Beggars Banquet was the last Stones album that appeared during his lifetime. “The country songs, like “Factory Girl” or “Dear Doctor” on Beggars Banquet were really pastiche,” Jagger said. “There’s a sense of humor in country music, anyway, a way of looking at life in a humorous kind of way – and I think we were just acknowledging that element of the music.” The Stones clearly seemed to have fun with Dear Doctor.
Country Honk – Let It Bleed (1969)
Country Honk is the country version of Honky Tonk Women. “On Let It Bleed, we put that other version of ‘Honky Tonk Women’ on because that’s how the song was originally written, as a real Hank Williams/Jimmie Rodgers, ’30s country song,” Richards explained, as captured by Songfacts. “And it got turned around to this other song by Mick Taylor, who got into a completely different feel, throwing it off the wall completely.” Wikipedia notes the fiddle was played by Byron Berline in a park, who by his own account had been recommended for the part by Gram Parsons.
Dead Flowers – Sticky Fingers (1971)
Dead Flowers, the tune every bar band must know how to play, perhaps is the most famous country-influenced song by the Stones. I’ve really come to love it over the years. The guitar fill-ins by Richards and Taylor are among the very best the Stones have ever played, in my humble opinion. Here’s another quote from Jagger Songfacts provides in connection with this tune: “I love country music, but I find it very hard to take it seriously. I also think a lot of country music is sung with the tongue in cheek, so I do it tongue-in-cheek. The harmonic thing is very different from the blues. It doesn’t bend notes in the same way, so I suppose it’s very English, really. Even though it’s been very Americanized, it feels very close to me, to my roots, so to speak.”
Sweet Virginia – Exile on Main St. (1972)
Another country-influenced Stones gem is Sweet Virginia, off what many fans regard as the band’s best album, Exile on Main St. Among others, the track features great harmonica and saxophone parts by Jagger and Bobby Keys, respectively. The backing vocalists include Dr. John. “‘Sweet Virginia’ – were held over from Sticky Fingers,” Richards said in 2003, per Songfacts. “It was the same lineup and I’ve always felt those two albums kind of fold into each other… there was not much time between them and I think it was all flying out of the same kind of energy.” Okay, let’s scrape that s–t right off our shoes! 🙂
Far Away Eyes – Some Girls (1978)
Obviously, I can’t skip the tune that triggered the brilliant idea for this post. In addition to being included on Some Girls, Far Away Eyes became the B-side to the album’s lead single Miss You. Referring to a 1978 interview with Rolling Stone, Songfactsincludes the following quote by Jagger: “You know, when you drive through Bakersfield [Calif. – CMM] on a Sunday morning or Sunday evening, all the country music radio stations start broadcasting black gospel services live from LA. And that’s what the song refers to.” During that same interview, Jagger also confirmed that the girl in the song was “a real girl.” Well, that’s a shocker!
The Worst – Voodoo Lounge (1994)
Let’s finish this post with The Worst, one of two tunes from Voodoo LoungeKeith Richards sang. Among others, the track features Chuck Leavell on piano and fiddle and flute player Frankie Gavin, a member of De Danaan, a traditional folk group from Ireland where the Stones recorded the album. “It’s funny, but a lot of these songs were written in kitchens,” said Richards in 1994, according to Songfacts. “That one I wrote in the kitchen in Barbados, and I thought, That’s a pretty melody, but what to do with it, I really didn’t know. I guess that’s where Ireland comes in, because Ireland has its own traditional music, and it’s not country music as such, but it’s the roots of it, you know? It’s that Irish feel.” Pirate laughter – okay, I made that up, but I could just picture him do it!
Celebrating the 50th anniversary of Sticky Fingers
While fans of The Rolling Stones may have different opinions which is the best album by the ‘Greatest Rock and Roll Band in the World’, I think most agree Sticky Fingers ranks among their top records. If I would have to pick one, it would be this gem that was released on April 23, 1971. This Friday marks the 50th anniversary of the record by a band that has existed for some 59 years and whose key songwriters became childhood friends in 1950. It’s just mind-boggling!
Sticky Fingers, the ninth British and the eleventh American studio album by the Stones, was the first they released under Rolling Stones Records. Mick Jagger, Keith Richards, Mick Taylor, Bill Wyman and Charlie Watts decided to form their own label in 1970 after the band’s recording contract with Decca Records had expired. Ten additional Stones albums appeared on that label until its discontinuation in 1992 when the Stones signed to Virgin Records.
Sticky Fingers also had a few other firsts. It became the Stones’ first studio album without any contribution from founding member Brian Jones who had been fired in June 1969 over his increasingly erratic behavior due to drug use. As we know, the story didn’t end well. Less than one month thereafter, Jones was found dead in his swimming pool – yet another great music talent tragically lost to drugs! Moreover, Sticky Fingers introduced the iconic tongue and lips logo of Rolling Stones Records, which has appeared on all Stones albums ever since.
The album’s original cover art work depicting a close up of a jeans-clad male crotch with a visible outline of a penis was conceived by none other than Andy Warhol. Unlike many fans assumed, it wasn’t Jagger’s crotch. Instead, Warhol “superstar” Joe Dallesandro claims to have been the model, though apparently this hasn’t been confirmed. Initial editions of the cover had a working zipper and perforations around the belt buckle that opened to reveal a sub-cover image of cotton briefs. Following complaints from retailers that the zipper damaged the actual vinyl records during shipping, the zipper was slightly pulled down toward the middle of the record to minimize the problem. Later reissues eliminated the working zipper and simply showed the outer photograph of the jeans.
In terms of the music, Sticky Fingers marked a return to a more basic and traditional Stones sound that mostly relied on guitar, bass, drums and percussion provided by the band’s key members: Mick Jagger (lead vocals, percussion, rhythm guitar), Keith Richards (guitar, backing vocals), Mick Taylor (guitar), Bill Wyman (bass) and Charlie Watts (drums). Long-time collaborators included Bobby Keys (saxophone) and keyboarders Billy Preston, Jack Nitzsche, Ian Stewart and Nicky Hopkins. The album was produced by Jimmy Miller, who had started to work with the Stones for Beggars Banquet from December 1968 and produced all of their albums until Goats Head Soup released in August 1973.
Time for some music. Unless otherwise noted, all tracks are credited to Jagger and Richards. Here’s the opener Brown Sugar. Songfactsnotes that while the tune comes across as “a fun rocker about a guy having sex with the black girl,” the lyrics written by Jagger are actually “about slaves from Africa who were sold in New Orleans and raped by their white masters.” The Stones recorded the tune in Sheffield, Ala. in early December 1969 and performed it for the first time live during the fateful Altamont Speedway concert on December 6 that same year. Brown Sugar backed by Bitch also became Sticky Finger’s lead single on April 16, 1971.
Wild Horses is one of my long-time favorite tunes by the Stones. Referencing the liner notes from their 1993 compilation Jump Back, Wikipedia quotes Jagger: “I remember we sat around originally doing this with Gram Parsons, and I think his version came out slightly before ours. [It did, in April 1970 on The Flying Burrito Brothers’ sophomore album Burrito Deluxe – CMM] Everyone always says this was written about Marianne [Faithfull – CMM] but I don’t think it was; that was all well over by then. But I was definitely very inside this piece emotionally.” Added Richards: “If there is a classic way of Mick and me working together this is it. I had the riff and chorus line, Mick got stuck into the verses. Just like “Satisfaction”, “Wild Horses” was about the usual thing of not wanting to be on the road, being a million miles from where you want to be.” Wild Horses, with Sway as the B-side, was also released separately as the album’s second single on June 12, 1971.
Another highlight on Side One of Sticky Fingers is Can’t You Hear Me Knocking. At 7 minutes-plus, this is an unusually long track for the Stones. One of the song’s distinct features is a lengthy saxophone solo by Bobby Keys. Rocky Dijon and Billy Preston contribute percussion and organ, respectively. “Can’t You Hear Me Knocking” came out flying,” Richards said, as quoted by Rolling Stones fan site Time Is On Our Side. “I just found the tuning and the riff and started to swing it and Charlie picked up on it just like that, and we’re thinking, hey, this is some groove. So it was smiles all around. For a guitar player it’s no big deal to play, the chopping, staccato bursts of chords, very direct and spare.”
This brings me to Side Two of the album. The first track I’d like to highlight here is Bitch, a tune with a great guitar riff and horn line. Like many other songs on the album, the Stones recorded it at the Stargroves estate in Hampshire, England, using their mobile recording unit. Songfactspoints outMick Jagger had multiple relationships, so the tune is not about Marianne Faithfull or any other specific woman for that matter. It’s safe to assume the song’s lyrics could not be written today without triggering a political fire storm. “When we were doing Bitch, Keith was very late,” recalled recording engineer Andy Jones, according to Time Is On Our Side. “Jagger and Mick Taylor had been playing the song without him and it didn’t sound very good. I walked out of the kitchen and he was sitting on the floor with no shoes, eating a bowl of cereal. Suddenly he said, Oi, Andy! Give me that guitar. I handed him his clear Dan Armstrong Plexiglass guitar, he put it on, kicked the song up in tempo, and just put the vibe right on it. Instantly, it went from being this laconic mess into a real groove. And I thought, Wow. THAT’S what he does.”
Next up is a track I’ve come to increasingly love over the years, even though it’s not a traditional Stones rocker: Dead Flowers. Nowadays, I would go as far as calling this must-play tune for every bar band my favorite Stones song – so much for a guy who used to dismiss country as hillbilly music for the longest time! Recorded at Olympic Studios in London in April 1970, Dead Flowers was written during a time when the Stones were embracing country and Richards’ writing was influenced by his friendship with Gram Parsons. “The ‘Country’ songs we recorded later, like “Dead Flowers” on Sticky Fingers or “Far Away Eyes” on Some Girls are slightly different (than our earlier ones),” Jagger observed, per Rocks Off: 50 Tracks That Tell the Story of The Rolling Stones, a 2013 book by Bill Janovitz. “The actual music is played completely straight, but it’s me who’s not going legit with the whole thing, because I think I’m a blues singer not a country singer – I think it’s more suited to Keith’s voice than mine.” Be that as it may be. What I particularly love about Dead Flowers are the great guitar fill-ins by Richards and Taylor throughout the song.
Let’s wrap things with one more tune: Moonlight Mile, the album’s excellent closer! Another track recorded at Stargroves at the end of October 1970, Moonlight Mile came out of an all-night session involving Jagger and Taylor. Notably, Richards was absent for the recording of this tune, so Taylor handled all guitar work. Songfacts also calls out contributions from Jim Price (piano) and Paul Buckmaster (string arrangements). “That’s a dream song,” Jagger reportedly said in 1978. “Those kinds of songs with kinds of dreamy sounds are fun to do, but not all the time – it’s nice to come back to reality.” BTW, even though Richards was nowhere to been when the tune was recorded, it still was credited to Jagger and him.
Sticky Fingers became the first Stones album to top both the U.S. and the UK albums charts. Based on a January 2020 article by news and entertainment outlet The Talko, it is the band’s best-selling record with about 21.7 million units sold, followed by Let It Bleed (21.3 million) and Aftermath (19.6 million). Sticky Fingers was ranked at no. 63 in Rolling Stone’s 2003 list of The 500 Greatest Albums of All Time. While it lost some ground in the most recent revised list from September 2020, it still came in at a respectable no. 104. Sticky Fingers was also inducted into the Grammy Hall of Fame in 1999.
Given the album’s significance, you might think the Stones are celebrating the 50th anniversary with a major reissue. Not so. Instead, in early December, the band announced on Twitter a Red Limited Edition LP: Introducing… the Sticky Fingers Stones Red Limited Edition LP. 500 will be available in the Stones Carnaby Street store from Thursday Dec 3rd & 500 available online later that day at 8pm GMT / 12pm PST.Sign up for reminders: https://the-rolling-stones.lnk.to/StonesSignUpSo. More Stones Red to come! While at first sight, this may be a bit disappointing, it’s important to remember that Sticky Fingers already saw a reissue in 2015. Plus, there’s Sticky Fingers Live At The Fonda Theatre 2015, a great 2017 release the Stones put out as part of their From the Vault series.
How about a little encore? Ask and you shall receive, and it’s a true gem: a killer rendition of Can’t You Hear Me Knocking from the aforementioned Sticky Fingers Live At The Fonda Theatre 2015, which captures a gig before a relatively tiny audience of 1,200 people. It marked the opening of the Stones’ two-month Zip Code Tour in 2015 and also celebrated the above noted Sticky Fingers reissue. The band was truly on fire that night. I would argue that performance reaches the level of the legendary Get Yer Ya-Ya’s Out. If you haven’t seen this clip before and dig the Stones, I’d highly encourage you to watch it. This is rock & roll at its best!
Sources: Wikipedia; Songfacts; Time Is On Our Side; The Talko; Rolling Stones Twitter feed; YouTube
Recently, I remembered a post from July 2017, which featured some of my favorite cover versions of songs I dig. This triggered the idea to put together a second part. Rather than focusing on covers I already knew, this time, I decided to take a slightly different approach. Except for one instance, I picked some of my all-time favorite songs and checked whether they have been covered and, if yes, by whom. Not only did I find some intriguing renditions, but there were also a couple of real surprises.
Ella Fitzgerald/Sunshine of Your Love
Did you know that one of the greatest voices in jazz, Ella Fitzgerald, covered Cream? I had absolutely no idea! Not only did she do so, but she even named a live album after the tune: Sunshine of Your Love, released in 1969. Composed by Jack Bruce and Eric Clapton with lyrics by Pete Brown, the original was included on Cream’s sophomore album Disraeli Gears from November 1967. Fitzgerald’s orchestral version is really cool. Obviously her singing is amazing. Check it out!
Richie Havens/Won’t Get Fooled Again
Richie Havens performing The Who’sWon’t Get Fooled Again was another unexpected find. He recorded the tune for his final studio album Nobody Left to Crown that appeared in March 2008. The original, written by Pete Townshend, was included on my favorite album by The Who, Who’s Next, their fifth studio release from August 1971. Haven’s acoustic guitar-driven taken is great. I also like the violin. He really made the epic rocker his own.
Townes Van Zandt/Dead Flowers
Townes Van Zandt wrote almost all tunes that are on his 10 studio albums, and many of them have been recorded by the likes of Bob Dylan, Willie Nelson, Emmylou Harris, Steve Earle and Gillian Welch. One exception is the live album Roadsongs, a collection of live covers from the mid-’70s through the early ’80s, which was released in 1994. It includes a fantastic take of Dead Flowers, which has become my favorite song by The Rolling Stones, at least on most days! Co-written by Mick Jagger and Keith Richards, Dead Flowers was included on Sticky Fingers, which also happens to believe is the best Stones album that appeared in April 1971. It’s almost a bit painful to listen to Van Zandt’s version, considering he had struggled with drug addiction for most of his short life.
Noah Guthrie/Whipping Post
Noah Guthrie is a 27-year-old South Carolina-based singer-songwriter. According to his website, he taught himself to play guitar and began writing songs at 14. Here’s a “quarantine” cover version of Whipping Post Guthrie recorded with his band Good Trouble in April 2020. Written by Gregg Allman, Whipping Post appeared on the eponymous debut album of The Allman Brothers Band from November 1969. While this cover stays close to the original, these guys are doing a great job, giving this classic a nice build.
Heart/Stairway to Heaven
This cover of the Led Zeppelin gem is the exception I noted above. In other words, I had known about it. Just the other day, I watched this footage again from the 2012 Kennedy Center Honors, during which Heart with Jon Bonham’s son Jason Bonham on drums honored the surviving members of Led Zeppelin. This is one of the most amazing renditions of Stairway to Heaven, co-written by Jimmy Page, Robert Plant (and Randy California of Spirit!), and included on Led Zeppelin IV from November 1971. Messrs. Page, John Paul Jones and Plant were visibly touched. Yes, it’s a bit bombastic but still so good!
Kenny Lattimore/While My Guitar Gently Weeps
Here’s a great soulful version of While My Guitar Gently Weeps by Kenny Lattimore, an R&B and gospel singer-songwriter who has released seven studio albums to date. This cover of the George Harrison tune – one of his best during his period with The Beatles, IMO – is included on his sophomore album From the Soul of Man that came out in October 1998. While My Guitar Gently Weeps was first recorded for the White Album from November 1968. Thank goodness John Lennon and Paul McCartney didn’t reject all of Harrison’s songs!
Green Day/Like a Rolling Stone
In case you’ve ever asked yourself how Bob Dylan would sound grunge style, here’s one possible answer. Green Day’s eighth studio album 21st Century Breakdown from May 2009 includes this version of Like a Rolling Stone as a bonus track. The maestro first recorded the tune for his sixth studio album Highway 61 Revisited released in August 1965.
Willie Nelson/Have You Ever Seen the Rain (feat. Paula Nelson)
The last cover I’d like to call out is a breathtakingly beautiful rendition of my favorite Creedence Clearwater Revival song: Have You Ever Seen the Rain, written by John Fogerty and included on CCR’s sixth studio album Pendulum from December 1970. Willie Nelson recorded this rendition with his daughter Paula Nelson for his 62nd studio album To All the Girls…, which appeared in October 2013. Nelson, who at age 87 remains active, has a new album coming out on February 26, his 71st! In April 2019, Nelson toldRolling Stone weed had “saved his life,” adding, “I wouldn’t have lived 85 years if I’d have kept drinking and smoking like I was when I was 30, 40 years old.”
Sources: Wikipedia; Noah Guthrie website; Rolling Stone; YouTube
Inspired by Hans Postcard’s fun 2020 album draft, where 10 participants pick albums in 10 rounds for a total of 100, I decided to put together my list of 10 albums I would take on a desert island. Essentially, I already came up with such a collection in May 2018, but some things have changed in the meantime and this list features five new picks, including three different artists.
While each of the albums are longtime favorites, I still can’t exclude the possibility that my picks might be different in a month or two. Since I couldn’t figure out how to rank my selections, I ingeniously decided to put them in chronological order. Conveniently, this means kicking things off with my favorite band of all time.
The Beatles/Sgt. Pepper’s Lonely Hearts Club Band (May 1967)
While I dig all albums by the Fab Four, on most days, Sgt. Pepper’s Lonely Hearts Club Band is my favorite. The innovative use of recording technology, the cover art and the combination of different music styles like vaudeville, circus, music hall, avant-garde and traditional Indian music with pop and rock make Sgt. Pepper a true masterpiece. The first album after The Beatles had stopped touring was influenced by The Beach Boys’Pet Sounds, which Brian Wilson had created in response to Revolver, as well as Freak Out! by the Mothers of Invention. Had it not been because of silly pressure from EMI to issue Strawberry Fields Forever and Penny Lane as a single, Sgt. Pepper hands-down would have been the strongest Beatles album. Still, with tunes like the title track, Lucy in the Sky With Diamonds, Within You Without You and the magnificent A Day in the Life, there’s lots of great music.
Carole King/Tapestry (February 1971)
Carole King’sTapestry perhaps is the ultimate singer-songwriter album. Her sophomore release from 1971 featured 10 new tunes and two reinterpretations of songs King had written together with her former husband and lyricist Jerry Goffin in the ’60s. Like many of their other songs, Will You Still Love Me Tomorrow? and (You Make Me Feel Like) A Natural Woman became hits, in these cases by The Shirelles and Aretha Franklin, respectively. There’s really no weak tune on Tapestry and I could have selected any. It’s Too Late has always been one of my favorites.
The Rolling Stones/Sticky Fingers (April 1971)
I know many fans of The Rolling Stones consider Exile on Main St. or Some Girls as their best albums. While I can’t claim to know all of their records in detail, my favorite is Sticky Fingers. This was the second full-length record with Mick Taylor who had replaced Brian Jones in June 1969. Between Brown Sugar, Wild Horses, Can’t You Hear Me Knocking, Bitch, Sister Morphine and Dead Flowers, there are so many classics on this album. I just think the Stones never sounded better. And interestingly, it’s the country-influenced Dead Flowers that has become one of my favorite Stones tunes. I just love the guitar work!
Marvin Gaye/What’s Going On (May 1971)
I think Marvin Gaye had one of the most beautiful soulful voices I know. This artist was a smooth operator, even when he sang about serious issues like on this album. …(Oh, crime is increasin’) Oh, woo/Trigger happy policin’/panic is spreadin’/God knows where we’re headin’/Oh baby/Make me wanna holler/They don’t understand/Make me wanna holler/They don’t understand…It’s remarkable these lyrics were written almost 50 years, yet they sound frighteningly relevant in America in the year 2020.
Neil Young/Harvest (February 1972)
I dig a good number of Neil Young songs and feel his first compilation Decade is one of the best greatest hits collections I can think of. When it comes to his albums, my favorites are Harvest from 1972 and Harvest Moon from 1992. While I think the title track of the latter is among Young’s best tunes, I have a slight preference for Harvest from an overall album perspective. Featuring David Crosby, Graham Nash, Stephen Stills, James Taylor and Linda Ronstadt as guests, it became Young’s most successful record and the best-selling album in the U.S. in 1972 – in part thanks to Heart of Gold, which remains Young’s only no. 1 song on the U.S. Billboard Hot 100 to this day. There are many other gems on the record, including The Needle and the Damage Done.
Deep Purple/Machine Head (March 1972)
I don’t listen to hard rock a lot these days, but when I do, Deep Purple remain my favorite choice, especially their sixth studio album Machine Head from March 1972. I’ve always thought one of the cool things about this band are the equal roles the guitar and the keyboards play as solo instruments. Jon Lord was a true master of the Hammond organ who skillfully blended blues, hard rock and jazz with elements of classical music. Lazy is one of the tracks on which Lord shines in particular.
Pink Floyd/The Dark Side of the Moon (March 1973)
First, I was going to pick Meddle, Pink Floyd’s sixth studio album from October 1971. With the great Echoes, it foreshadowed the band’s classic mid-’70s sound on The Dark Side of the Moon and Wish You Were Here. All three albums are among my favorite Floyd records. Eventually, I settled on The Dark Side of the Moon. It’s a perfect album for headphones, and I’ve listened to it countless times at night in bed. The sound is just phenomenal. One of the standout tracks is The Great Gig In the Sky and the amazing vocal performance by British singer Clare Torry.
Bruce Springsteen/Born to Run (August 1975)
Bruce Springsteen entered my radar screen in 1984 with the Born in the U.S.A. album. While I’m still fond of that record, I subsequently explored and came to appreciate his earlier work. To me, Born to Run turned out to be Springsteen’s Mount Rushmore. After two albums that were critically acclaimed but not successful from a commercial perspective, he really needed a hit. Born to Run would turn out to be exactly that and catapult Springsteen to fame beyond the U.S. Apart from the title song, my favorite tracks on the album include Thunder Road, Backstreets, Jungleland and the beautiful soul-oriented Tenth Avenue Freeze-Out.
Stevie Wonder/Songs in the Key of Life (September 1976)
Stevie Wonder has been one of my favorite artists for 40 years. I dig many of his songs starting from when he was known as Little Stevie Wonder. But it’s his classic period in the ’70s I like the most, especially the albums Talking Book (October 1972), Innervisions (August 1973) and Songs in the Key of Life (September 1976). The latter became the best-selling and most critically acclaimed album of Wonder’s long career. Here’s his beautiful tribute to jazz legend Duke Ellington who had passed away in May 1974.
Steely Dan/Aja (September 1977)
I’m wrapping up this list with Steely Dan. Walter Becker and Donald Fagen made many great records, but it’s this gem from September 1977 that’s my favorite: Aja. As usual, Becker and Fagen assembled top-notch session musicians to record the album. There were also prominent guests, including Michael McDonald and Timothy B. Schmit. All of the tracks on this album are great. Deacon Blues is my favorite Steely Dan song, but since I previously featured it more than once, I’m going with the closer Josie.
I’m not much of a radio guy, not even in the car, where despite having access to Sirius XM, I prefer listening to music from my streaming provider most of the time. An exception for the past few years has been a massive four and a half-day countdown of songs New York classic radio station Q104.3 does around each Thanksgiving. Ingeniously, they call it the Top 1043 Classic Rock Songs of All Time.
To come up with the list, the station asks listeners to submit their top 10 songs in no particular order, which each counting as one vote. They then tally the submissions, determine the 1043 songs with the most votes, and play all of them in one shot, starting with the tune that got the least votes. The only interruption happens at noon on Thanksgiving, when they play Arlo Guthrie classic Alice’s Restaurant in its entire 18 minutes plus. The whole thing lasts from 1:00 pm ET on Wednesday prior to Thanksgiving until sometime on Sunday evening after the holiday!
This year marks the 19th annual annual countdown. Wow, that’s what I call devotion – and smart marketing/audience engagement! Remarkably, each year Led Zeppelin’sStairway to Heaven has been the most popular song. And while the station does not reveal actual vote totals, the hosts have said in the past the tune has always won by many votes.
Don’t get me wrong, I dig Stairway – big time. In fact, if I could only choose one rock song, it probably would be that Zep classic, even though The Beatles generally remain my all-time favorite band. There are other tunes that usually make the top 10, such as Hey Jude and Queen’sBohemian Rhapsody. Again, there’s nothing wrong with these songs and I like them as well.
But the recurrence of the above tracks makes the countdown predictable. To me this means it’s not as much fun as it could be. As I noted before, I think it’s time to shake things up a bit. Following is the set of tunes I submitted. I almost would have forgotten about it and literally did so at 3:00 am this morning when I went to the bathroom and remembered – okay, call me a loony! Here are my choices in no particular order.
Of course, it’s unlikely my selections will change much if anything. On the other hand it’s like elections. If everybody thought they couldn’t impact the outcome, nobody would vote. And that would indeed guarantee that nothing would ever change! So here’s to hoping for a new number one this year. How about Hey Jude?😆
‘Greatest rock & roll band in the world’ delivers powerful performance at New Jersey’s MetLife Stadium
Whether you agree or not with the label “greatest rock & roll band in the world” (I dig the Stones big time but still would choose The Beatles, if could only select one band), I believe it is safe to say The Rolling Stones are a unique phenomenon. For now more than 55 years, they have brought energetic blues-oriented rock to audiences around the world. And they did so again last night at MetLife Stadium in East Rutherford, N.J., during the first of two dates at that venue, as part of the previously postponed North American leg of their No Filter Tour.
At age 76, Mick Jagger remains one of the most compelling front men in rock. His voice still is in fairly decent shape. What’s even more remarkable is that he doesn’t appear to have lost any of his swagger. He is still a born show guy. He also continues to have the energy of a young man, allowing him to, well, move like Jagger. And let’s not forgot his heart valve replacement surgery only happened a few months ago. Frankly, all of this is friggin’ unreal to me. I will say that age hasn’t been as kind to other core members of the band, but together they still sounded great.
I agree with everything Music Enthusiast recently noted during his review of the Stones’ gig at Gillette Stadium in Foxborough, Mass. These shows ain’t cheap, but when a band puts on that kind of performance, spending big bucks is worth it, especially if you dig their music. And like Music Enthusiast, I was also surprised how fresh and dynamic Miss You sounded, certainly not my favorite Stones tune, and what a killer performance they put on for Midnight Rambler. Last but not least, I also love Brown Sugar, actually more so than Midnight Rambler, and Jagger and co delivered on this one as well. Hell, even the overplayed second and last encore (I Can’t Get No) Satisfaction sounded cool.
Since most if not all more frequent visitors of my blog also follow Music Enthusiast, I’m going to deliberately highlight other tunes. Let’s kick it off with the opener last night: Street Fighting Man. As usually credited to Mick Jagger and Keith Richards, the tune was first released as a U.S. single in August 1968. It was also included on the Beggars Banquet album from that same year.
Next up: Tumbling Dice from Exile On Main Street, a favorite among Stones fans. Even many critics who initially were lukewarm about it changed their opinions later and concluded it’s one of the band’s best records – I guess being a critic and saying something clever is hard, and I’m definitely happy I’m not one of ’em! Co-written by Jagger and Richards, Tumbling Dice also appeared as the album’s lead single in April 1972, one month ahead of the record’s release.
Are you ready for something acoustic? Well, ready or not, here’s the second and last tune the Stones performed on the so-called B-stage. And even though as a country-oriented song it’s less typical for the band, Dead Flowers off Sticky Fingers from April 1971 is one of my favorite tracks from what has become my favorite Stones record. Again, it’s a Jagger/Richards co-write. Take me down little Susie!
The last tune I’d like to highlight is one of my other favorites from the Stones: Jumpin’ Jack Flash. Recorded during the Beggars Banquet sessions, the track was released as a single in May 1968. While officially it is only credited to Jagger and Richards, according to Wikipedia, then-bassist Bill Wyman in his autobiography Stone Alone wrote that he came up with the tune’s signature guitar riff on a piano but wasn’t acknowledged by the Glimmer Twins – that doesn’t sound nice!
Here’s the setlist from last night.
Street Fighting Man
Let’s Spend the Night Together
She’s a Rainbow (audience request)
You Can’t Always Get What You Want
B-Stage / Acoustic:
Sympathy for the Devil
Honky Tonk Women
Slipping Away (Keith Richards on lead vocals)
Before They Make Me Run (Keith Richards on lead vocals)
Paint It Black
Start Me Up
Jumpin’ Jack Flash
(I Can’t Get No) Satisfaction
Core members Mick Jagger (lead vocals, harmonica, guitar, percussion), Keith Richards (guitars, vocals), Ronnie Wood (guitars, backing vocals) and Charlie Watts (drums, percussion) were backed by Darryl Jones (bass), Chuck Leavell (keyboards, backing vocals), Matt Clifford (keyboards, percussion, French horn), Karl Denson (saxophone), Tim Ries (saxophone, keyboards), Sasha Allen (backing vocals) and Bernard Fowler (backing vocals, percussion). In addition to Jagger, Wood stood out to me with excellent guitar work among the Stones’ core members. And while all supporting musicians were top-notch, I’d like to call out Jones for his killer bass solo in Miss You and Denson for his strong sax work, which was on display during Miss You and other tunes.
Three fun facts I learned: Jagger said last night was the first time for The Rolling Stones to play at MetLife Stadium. During band introductions, he called Charlie WattsFrank Sinatra’s favorite drummer – an allusion to Watts’ age who turned 78 in June? No idea, but I found it funny. Watts didn’t look bothered by it. Opening act The Wombats, an indie rock and power pop band from Liverpool, England, during their set mentioned that it was one of their songs, Techno Fan, to which Jagger danced during his post-heart surgery practice video that went viral on the internet. It sounded like that song choice led to outreach to the Stones and to The Wombats opening up for them last night – cool story.
The Stones are playing MetLife Stadium again on Monday, August 5. Then it’s on to Denver (Aug 10) and Seattle (Aug 14). The last North American date and I assume the end of the tour is in Miami on August 31. The No Filter Tour kicked off on September 9, 2017 in Hamburg, Germany. There were a few bigger breaks throughout the two-year span. The schedule for the remaining shows is here.
Sources: Wikipedia, Rolling Stones website, YouTube
If you frequently visit my blog, you may have seen I just posted on The Rolling Stones and their new live concert film/album release Bridges To Bremen. Fast forward some 21 years from that 1998 gig in Germany to last night at Chicago’s Soldier Field where the Stones finally opened their North American No Filter Tour. If you watch the enclosed clips and didn’t keep up with the news, you’d never guess anything much had changed. But apart from 21 years of water under the bridge, 75-year-old Mick Jagger underwent heart valve replacement surgery only a few months ago, so it’s fair to say last night was no ordinary kick-off date.
I don’t know how you felt, but when I first learned about Jagger’s heart issues and his then-upcoming procedure, my first thought was how crazy it is that the fittest guy in the band was ‘knocked out.’ My second thought was that if anybody from The Rolling Stones could pull off bouncing back from heart surgery, it would be Jagger. As such, with a Stones ticket in hand I had bought early this year, I selfishly was ‘glad’ the gig was postponed because of him. Coz’ let’s be honest here, had it been Charlie Watts, who earlier this month turned 78, who knows what would have happened. And while 75-year-old Keith Richards has survived many things, I’m not sure how he would have come out of heart surgery.
“This was certainly a swerve, a left-hand ball for us,” Ronnie Wood recently told U.K. tabloid Daily Mirror, commenting on Jagger’s heart surgery. “We knew it was something serious. I think he needed a bit of support, which we gave him. We thank our lucky stars.” So should the fans! While heart valve replacement is a so-called minimally invasive procedure that is not uncommon, especially in older men, I suppose there’s nothing routine about it when it affects the front man of the band you’ve been playing with for more than four decades!
Said Jagger last week: “I’m feeling pretty good. Been rehearsing a lot lately in the last few weeks. This morning a bit of gym. Nothing crazy. Then I go into rehearsal with the band.” Well, ‘nothing crazy’ may be a bit of an understatement when you watch this video of Jagger, which was posted about a month ago, only four weeks after his heart surgery. He is one beast of a guy! Anyway, let’s go back to last night and take a look at some YouTube footage.
Here’s Street Fighting Man. First released as a single in August 1968 and also appearing on the Beggars Banquet album from December that year, perhaps the Stones couldn’t have picked a more appropriate opener.
I was glad to see Dead Flowers is part of the set. I just love that tune off the Sticky Fingers album from April 1971. It’s also great to watch Jagger energetically strumming that guitar in adding to singing. What a triumphant return to the stage!
There are songs you immediately recognize after just a couple of bars, and Jumpin’ Jack Flash is one of them. If I could only pick one of Richards’ guitar riffs, this would be it, baby. The Stones first released the track as a single in May 1968. Okay, it may not be quite as compelling as the version on Get Yer Ya-Ya’s Out, but it still sounds fucking awesome to me!
How about wrapping things up with one additional tune from Sticky Fingers? Here’s Brown Sugar, which was the final tune of the regular set. It was the album’s lead single released on April 16, 1971, just a few days ahead of the record.
Here’s the full set list:
1. “Street Fighting Man”
2. “Let’s Spend the Night Together”
3. “Tumbling Dice”
4. “Sad Sad Sad”
5. “You Got Me Rocking”
6. “You Can’t Always Get What You Want”
8. “Dead Flowers”
9. “Sympathy for the Devil”
10. “Honky Tonk Women”
11. “You Got the Silver”
12. “Before They Make Me Run”
13. “Miss You”
14. “Paint It Black”
15. “Midnight Rambler”
16. “Start Me Up”
17. “Jumpin’ Jack Flash”
18. “Brown Sugar”
19. “Gimme Shelter”
Am I ready for “my” August 1st gig at MetLife Stadium in New Jersey? How many days?
Sources: Wikipedia, Daily Mirror, Ultimate Classic Rock, YouTube
An edited take of the above recording of Dead Flowers appears on the bonus version of Honk, the new greatest hits collection released today by The Rolling Stones. It was captured in Philly in June 2013 and features country artist Brad Paisley, who shares vocals with Mick Jagger and puts on a nice guitar solo. Co-written by Jagger and Keith Richards, the tune first appeared on Sticky Fingers, my favorite Stones album from April 1971.
Based on Wikipedia, Honk is the Stones’ 26th compilation album. According to their website, it features “the biggest hits and classic cuts from every Rolling Stones studio album from 1971’s Sticky Fingers to 2016’s Blue & Lonesome” and “is the most up to date collection of essential Stones’ tracks, including 36 fan favourites and rarities, with the bonus version including 10 additional live songs, presenting collaborations with some of the biggest names in music, such as Dave Grohl, Florence Welch, Brad Paisley and more.”
Initially timed to their now postponed U.S. tour due to Mick Jagger’s heart valve surgery, folks could be forgiven to be a bit cynical about Honk. But as a long-time and probably somewhat biased listener of the Rolling Stones, the new collection doesn’t bother me. While I’m generally more fond of the Stones’ 60s and early ’70s period, apart from Dead Flowers, Honk features great other tunes like Brown Sugar, Start Me Up and It’s Only Rock ‘n’ Roll But I Like It – yes I do! The other live tracks are fun to listen to as well.
Sources: Wikipedia, Rolling Stones website, YouTube
Will Stairway To Heaven finally be toppled from the no. 1 spot it has held for 17 straight years on Q104.3’s Top 1,043 Classic Rock Songs Of All Time?
When hearing Thanksgiving, it’s safe to assume most folks think of family, friends, turkey and other feasts. To many it also involves travel to spend time together with their loved ones. While there’s nothing wrong with all of that, to me the upcoming holiday first and foremost means it’s time again for classic rock radio station Q104.3’s annual tradition to play the Top 1,043 Classic Rock Songs Of All Time, as voted by listeners. I suppose the fact that I care of much about this rock & roll marathon indicates I can be quite nerdy. But when it comes to music, that’s just fine with me!
Playing 1,043 rock songs means many hours of great rock music. And, yes, each is fully played, even Pink Floyd’s epic 23-minute Echoes! In order to accommodate all that music, Q104.3 needs to start the countdown the day before Thanksgiving at 1:00 pm ET and go all the way to Sunday evening – a fantastic listening experience for any rock fan! It’s also a nice break from the 50 or so songs they tend to play all the time – just like most other radio stations do!
One of the things I find remarkable about the list, which is compiled for the 18th time this year and presented in a countdown from no. 1,043 to no. 1, is that for the past 17 years, Stairway to Heaven has consistently captured the no. 1 spot. While I dig Led Zeppelin and, if given only one choice, may even select the tune myself as the greatest rock song ever, the reality is there are so many other outstanding classic rock tunes. As such, I feel it’s time to shake up the list! While I doubt there will be many changes in the top 10, following are my selections I submitted earlier this morning.
1. Sunshine Of Your Love – Cream (78)
2. Purple Haze – Jimi Hendrix Experience (80)
3. Layla – Derek & The Dominoes (4)
4. Tush – ZZ Top (865)
5. Stairway To Heaven – Led Zeppelin (1)
6. While My Guitar Gently Weeps – The Beatles (29)
7. Refugee – Tom Petty and the Heartbreakers (110)
8. Dead Flowers – The Rolling Stones (547)
9. Soulshine – The Allman Brothers Band (-)
10. Echoes – Pink Floyd (311)
The numbers in parentheses indicate the ranks of the songs in last year’s countdown. One, Soulshine by The Allman Brothers Band, didn’t make the cut – I told ya, I’m a music nerd! In case you’d like to join the fun, you can enter your submissions here. Happy voting and happy listening!