Best of What’s New

A selection of newly released music that caught my attention

It’s that time of the week again to take another look at newly released music. This latest Best of What’s New installment turned out to be pretty rock-oriented. All songs are on albums that came out yesterday (April 16).

Greta Van Fleet/Built By Nations

Kicking things off is some great blistering rock by Greta Van Fleet, a rock band from Frankenmuth, Mich. They were formed in 2012 by twin brothers Josh Kiszka (vocals) and Jake Kiszka (guitar) and their younger brother Sam Kiszka (bass), along with Kyle Hauck (drums). Hauck left in 2013 and was replaced by Danny Wagner who remains the band’s drummer to this day. Greta Van Fleet have attracted plenty of attention for embracing ’70s classic rock and some criticism from certain music reviewers who accused them of ripping off early Led Zeppelin. While there’s no denying some of the Michigan rockers’ early tunes have a Led Zeppelin I vibe, I always found the criticism overblown. Plus, I dig Zep, so selfishly I didn’t mind in the first place. Greta Van Fleet have since evolved their sound, as illustrated by their latest album The Battle at Garden’s Gate. Some tracks had been released as singles ahead of what is the band’s second full-length studio album, including My Way, Soon and Age of Machine. I previously featured them here and here. Following is Built By Nations. Like all other tracks on the album, it is credited to the entire band.

Eric Church/Heart on Fire

Eric Church is a country singer-songwriter from Nashville, Tenn. According to his artist profile on Apple Music, Church is a gifted storyteller, delivering relatable, regular-guy sing-alongs with a warm, reedy drawl. The North Carolina native started early—he was writing songs at 13 and taught himself to play guitar soon after, eventually getting a taste of touring with his college band, Mountain Boys. But his sharp lyrical observations and sly humor helped him find footing in Nashville’s songwriter circuit and land a solo record deal. His debut album Sinners Like Me appeared in July 2006. The third album Chief from July 2011 brought the big breakthrough, topping both the Billboard Top Country Albums and the Billboard 200 mainstream charts. Heart on Fire, written by Church, is the opener of Heart, the first part of an ambitious triple album titled Heart & Soul that features 25 tracks. Parts 2 and 3, & and Soul, are slated to be released on April 20 and April 23, respectively.

The Offspring/Let the Bad Times Roll

The Offspring were formed in 1984 as Manic Subsidal in Garden Grove, Calif. The band, which changed their name to The Offspring in 1986, has been credited for reviving mainstream interest in punk rock, together with fellow Californian outfits Green Day and Rancid. The current line-up includes founding member Bryan “Dexter” Holland (lead vocals, guitar), along with Kevin “Noodles” Wasserman (guitar), Todd Morse (bass) and Pete Parada (drums). The band released their eponymous debut album in June 1989. Their international breakthrough, appropriately titled Smash, appeared in April 1994. Fueled by hit singles Come Out and Play, Self Esteem and Gotta Get Away, the album surged to no. 4 in the U.S. on the Billboard 200, peaked at no. 3 in Canada, topped the charts in Australia, and reached the top 5 in various European countries. Altogether, The Offspring have released 10 studio albums, 4 EPs, two compilations and multiple singles over their now 37-year career. Let the Bad Times Roll, written by Holland, is the catchy title track of their new album.

Paul McCartney & Joshua Homme/Lavatory Lil

Wrapping up this Best of What’s New installment is Paul McCartney who has been on a remarkable roll. Following the release of his 18th solo album McCartney III last December, which I reviewed here, he is back with an encore titled McCartney III Imagined. According to an announcement on his website, the album features an A-List assortment of friends, fans and brand new  acquaintances, each covering and/or reimagining their favorite  McCartney III  moments in their own signature stylesMcCartney III Imagined continues the tradition of the biggest and most diverse names in music covering Paul’s songs — an ever-expanding  lineup that ranges from more recent versions by Billie Eilish, Harry Styles, Dave  Grohl, Coldplay and The Cure, to interpretations over the years from the likes of U2, Guns N’ Roses, Earth Wind & Fire, Siouxsie and the Banshees, Marvin Gaye, Bill Withers, Joe Cocker, Stevie Wonder, Frank Sinatra, Elvis Presley, Ray Charles and so many more.  McCartney III Imagined is a testament of Paul’s enduring and unmatched influence, a legacy that stretches from “Yesterday” being the most covered song in contemporary musical history to the inspiration his current work continues to hold for generations of artists and fans. What I find remarkable is the apparent open-mindedness of McCartney who is turning 79 in June to work with a broad group of contemporary artists, such as Dominic Fike, Khruangbin, Blood Orange, St. Vincent, Phoebe Bridgers and Beck. Frankly, except for the last two, these are all new names to me! Here’s Lavatory Lil, imagined together with Joshua Homme who is best known as the main songwriter, lead vocalist and guitarist of American rock band Queens of the Stone Age.

Sources: Wikipedia; Apple Music; Paul McCartney website; YouTube

Masters of the High Register

A selection of great falsetto vocalists

In late December, I did a four-part series on the Bee Gees here (part 1), here (part 2), here (part 3) and here (part 4). One of the group’s distinct features was the frequent use of falsetto singing, starting with their 1975 studio album Main Course. My most recent Best of What’s New installment included Aaron Frazer, a young vocalist from Brooklyn, N.Y., who also happens to be a falsetto singer. In fact, while I’m not a voice expert, I think he’s incredible! These posts triggered the idea to write about music artists I like, who are masters of the falsetto.

Before getting to some great music and singing, I’d like to provide a little bit of background. I’ll keep it light! According to Wikipedia, falsetto “is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave.” Essentially, modal voice generates the richest tone that unlike falsetto isn’t breathy. It’s the most frequently used vocal register in speech and singing in most languages.

I always thought falsetto and head voice are the same – not so! As this post on Ramsey Voice explains, “While falsetto and head voice have been used interchangeably in the past, falsetto is understood to be a breathy version of high notes and head voice produces a richer and more balanced tone on the high pitches in a singer’s voice. Falsetto and head voice are two different modes for singing the same notes in the upper registers of the voice.” Didn’t you always want to know that? 🙂

If you’re curious to learn more about different voice registers and singing modes, the above Ramsey Voice post goes into all the gory details, illustrated with video clips. The only thing I’d like to add is that females have falsetto as well, though I think it’s fair to say this singing mode is primarily associated with male singers, and the examples in this post are all male artists. But as Ramsey Voice notes, “plenty of studies have…shown that everyone’s vocal cords work in basically the same way, and everyone is capable of falsetto singing.” Time for some falsetto action!

Philip Bailey, of Earth, Wind & Fire/September

September, one of my favorite Earth, Wind & Fire songs, initially appeared as a single in November 1978. Co-written by Maurice White, Al McKay and Allee Willis, it became one of the group’s biggest hits. The song was also included on the compilation The Best of Earth, Wind & Fire, Vol. 1, which came out a few days after the single. The tune, on which Bailey shared lead vocals with White, is a great example of Bailey’s amazing falsetto.

Smokey Robinson, of The Miracles/OOO Baby Baby

OOO Baby Baby is one of the most beautiful examples of falsetto I can think of. Smokey Robinson’s voice sounds so sweet and gentle that it almost makes me want to cry! Robinson was also a co-writer of the ballad, together with Miracles bass vocalist Pete Moore. OOO Baby Baby became the lead singles of The Miracles’ studio album Going to a Go-Go in March 1965. The album came out in November that year.

Curtis Mayfield/Move On Up

When thinking of great falsetto vocalists, one of the first artists who came to my mind was Curtis Mayfield. While there are other tunes where his falsetto is more dominant, Move On Up is one of my absolute favorites, so I simply couldn’t skip it. Written by Mayfield, the song was first recorded for his debut solo album Curtis from September 1970. It also appeared separately as the record’s second single in June 1971. I just love that tune – the infectious groove, Mayfield’s singing and his effortless switching between modal voice and falsetto – it’s just perfect!

Marvin Gaye/Inner City Blues (Makes Me Wanna Holler)

Marvin Gaye is another exceptional vocalist, no matter what singing mode you’re talking about. On Inner City Blues (Makes Me Wanna Holler), co-written by Gaye and James Nyx, Jr., the boundaries between Gaye’s head voice and falsetto are so fluid that to me it’s hard to tell, which is which. The tune was first recorded for his 11th studio album What’s Going On, a true gem released in May 1971. In September of the same year, it became the album’s third single.

Prince/Kiss

No post about falsetto vocalists would be complete without Prince. The funky Kiss was one of his biggest hits. Written by Prince, it became the lead single to his eighth studio album Parade, released in February 1986, just ahead of the album that followed in March. Frankly, the tune wasn’t love at first sight for me, but I’ve come to dig it.

The last two tracks shall belong to the artists who inspired the post. Here’s Nights on Broadway, the tune that started the frequent use of falsetto for the Bee Gees.

Co-written by Barry Gibb, Robin Gibb and Maurice Gibb, Nights on Broadway was recorded for the Bee Gees’ 13th studio album Main Course released in June 1975 in the U.S. and the following month in the U.K. The groovy track also became the album’s second single in September of the same year.

Aaron Frazer/Bad News

Bad News is another great tune from Aaron Frazer’s impressive debut album  Introducing…. The song was co-written by Frazer and producer Dan Auerbach. It actually reminds me a bit of Gaye’s Inner City Blues.

Sources: Wikipedia; Ramsey Voice; YouTube

Best of What’s New

A selection of new music that caught my attention

My exploration of new music continues with the latest installment in the new recurring feature.

Larkin Poe/Holy Ghost Fire

Holy Ghost Fire is the second single from Larkin Poe’s upcoming fifth full-length studio album Self Made Man, slated for June 12. Previously, I covered this band here, which have been called the “little sisters of The Allman Brothers,” given the southern flair of their blues and roots rock. Larkin Poe are 29-year-old Rebecca Lovell (vocals, guitars, keyboards, drums) and her one year and four months older sister Megan Lovell (vocals, lap steel, slide guitar, keyboards), who have performed under that name since January 2010. With kickass guitar playing and great harmony vocals, these two young ladies are just amazing, in my opinion. Apart from recorded music, they have a very active YouTube channel that among others includes their Tip o’ the Hat fun video series featuring stripped-back covers of many well-known rock and blues tunes.

Daniel Merriweather/Rain

This 38-year-old R&B artist, who hails from Melbourne, Australia, has been active professionally since 2002. He has worked with UK songwriter and record producer Mark Ronson, who also produced Merriweather’s solo debut album Love & War from June 2009. It peaked at no. 2 on the UK charts. His catalog to date also includes two EPs and various singles, the most recent of which is this tune, Rain, which was released last Friday, April 3. What caught my attention here are the vocals and the groove, which remind me a bit of Earth, Wind & Fire.

Jack Savoretti/Andrà Tutto Bene

I used to listen to Italian music much more often in my teenage years than I do nowadays. So I’m particularly happy I came across this ballad by Jack Savoretti, who Wikipedia describes as an English acoustic solo singer of Italian descent. Since 2007, he has released six English language studio albums. His most recent one, Singing to Strangers from March 2019, became a chart-topper in the UK. Among others, it includes a co-write with Bob Dylan, Touchy Situation. Released last Friday, April 3, Andrà Tutto Bene (everything will be fine) not only is Savoretti’s first song in Italian but also a tune to raise money for Policlinico San Martino Hospital in Genoa, Italy to support the town’s fight against the coronavirus. As NME recently reported, Savoretti penned the beautiful tune together with Italian fans during a writing session he recently broadcast on Instagram Live. I love the idea to combine music with a cause, especially one we can all well relate to.

Danielle Cormier/Berlin

Danielle Cormier is a Nashville-based singer-songwriter. According to her website, the 23-year-old is a pure and powerful voice for the new age…she credits her love for the arts to seeing her first Broadway show at five years old. From there Cormier learned to play the piano, guitar, performed in many school plays and regional theatre productions. Then, she began to write. In 2017, Cormier released her debut album Fire & Ice, for which she wrote nine of the ten original tracks. Thanks to producer Adam Lester, who also plays guitar in the band backing Peter Frampton during his current farewell tour, Frampton contributed lead guitar on one of the tunes. Berlin, a lovely folk-oriented song, is Cormier’s most recent single released on February 28.

Sources: Wikipedia; NME; Danielle Cormier website; YouTube

My Playlist: Fab Four Covers

What do you do in music when you run out of ideas? Get “inspired” by the work of others and claim it as your own ingenious creation. And get good legal representation. Just ask Led Zeppelin!

For any first time visitors, I totally dig Zep and Stairway To Heaven. I’m glad they recorded that song, which probably is my most favorite rock tune. Messrs. Page and Plant just should have given credit where credit was due, even if ripping off Taurus by Spirit was a subconscious act. Okay, ’nuff going on a tangent, this is supposed to be a happy post. And guess what? It totally was my idea! 🙂

This morning, I watched a clip of a Paul McCartney appearance on The Late Show with Stephen Colbert. At some point, Colbert noted many other artists had done covers of Beatles songs, adding he believed Yesterday was the most covered tune. He then asked McCartney about his favorite version. Thinking about Yesterday, McCartney mentioned Elvis Presley, Frank Sinatra and his favorite, Marvin Gaye. Then I completely erased the clip from my memory.

Fast-forward 30 minutes. I’m sitting at my computer, and suddenly out of nowhere, a flash of ingenuity hit me. What if I did a playlist of Beatles songs covered by other artists? What a brilliant and original idea, I thought, so here it is!

Got To Get You Into My Life (Earth, Wind & Fire)

Essentially, this was an homage to Motown, which The Beatles recorded in 1966 for the Revolver album. In July 1978, Earth, Wind & Fire released a fantastic cover of the tune as a single. It also was part of the less than stellar feature film Sgt. Pepper’s Lonely Hearts Club Band. Feel free to snip along!

Yesterday (Marvin Gaye)

I trust this song needs no further introduction. What you may not have known is that none other than the fabulous Marvin Gaye recorded a take of the timeless ballad. And when Marvin sang, magic happened most of the time. He included his version of Yesterday on his tenth studio album That’s The Way Love Is from January 1970. Just listen to this – makes me feel like floating in space!

We Can Work It Out (Stevie Wonder)

We Can Work It Out is a non-album single The Beatles issued in December 1965 as a double A-side with Day Tripper. Stevie Wonder liked the song and decided to record a take for his August 1970 studio album Signed, Sealed & Delivered. Who can blame him? According to Wikipedia, Wonder performed the tune for McCartney on various occasions. Even if you’re Paul McCartney, it’s gotta be cool to witness Stevie Wonder playing one of your songs!

Eleanor Rigby (Ray Charles)

This is one of my all-time favorite Beatles tunes and another track from the Revolver album. I also dig this cover by Ray Charles, which he recorded as a single in 1968.

In My Life (Johnny Cash)

In My Life is one of the most beautiful and moving songs John Lennon has written and a standout on the Rubber Soul album, in my opinion. Gosh, I can’t deny this tune gets me every time! At first, I wanted to feature the cover by Bette Midler, a fantastic vocalist. Then I came across this take by Johnny Cash, which blew me away. There’s perhaps nobody better than the Man in Black when it comes to conveying raw emotion and vulnerability, especially during the later stages of his career. This take is from American IV: The Man Comes Around, a studio album released in November 2002, about 10 months before he passed away.

She’s A Woman (José Feliciano)

José Feliciano is an artist I’ve admired for many years, not only because of his outstanding guitar-playing, but also because of great covers he has done and how he has made them his own. Check out this amazing version of She’s A Woman, which The Beatles initially released as the B-side to their I Feel Fine single in November 1964. Feliciano’s take also first appeared as a single, in 1969. I love how he gave it a Latin jazz type groove.

If I Needed Someone (Roger McGuinn)

If I Needed Someone has become one of my favorite Beatles and George Harrison tunes. And who better to cover it than Roger McGuinn, the man who after seeing George playing a Rickenbacker guitar on TV knew that jingle-jangle sound was made for him and The Byrds. If I Needed Someone is another gem on Rubber Soul. McGuinn recorded his version for his seventh solo album Limited Edition that came out in April 2004. Every time I hear that distinct Rickenbacker sound, I’m getting the same sentiment than listening to a Hammond B3 – I want one. So badly!

I’m leaving you with one more cover, which perhaps is the ultimate rock remake of all time: With A Little Help From My Friends by Joe Cocker. Cocker has recorded strong versions of various Beatles tunes, but this one from Sgt. Pepper’s Lonely Hearts Club Band is the crown jewel. It became the title track of his debut album from May 1969.

Sources: Wikipedia; YouTube