Smokey Shines at Philly Met

Motown legend takes audience on a miraculous journey with music and memories

Shop Around by The Miracles must have been among the very first Motown songs I heard many moons ago. Motown and the infectious groove of the tunes that came out of the Detroit label started my lifelong love of soul music. When I coincidentally saw a couple of months ago that Motown legend Smokey Robinson was touring and scheduled to play the Met in Philadelphia, I immediately got tickets – yes, it totally was an impulse purchase. Saturday night, the time had finally come, and ooo, baby baby, what a miraculous show it was!

Smokey Robinson. Where do you even start? Now 82 years young, the man has enjoyed a 67-year career and counting – 67 years! It all started in 1955 when he formed the first lineup of the Five Chimes, the group that a couple of years later would become The Miracles. In August 1957, Robinson and his band met Berry Gordy Jr., who in 1959 with Robinson’s encouragement borrowed $800 from his family to create Tamla Motown and changed music history.

In September 1960, Smokey Robinson and The Miracles became Motown’s first stars with Shop Around. Credited to Robinson and Gordy, the tune topped Billboard’s R&B Chart and became a no. 2 on the mainstream Billboard Hot 100. In the following years, Robinson continued to write hits for the group, including You’ve Really Got a Hold on Me, The Tears of a Clown (a co-write with Stevie Wonder) and I Second That Emotion, to name a few.

In the mid-’60s, Robinson also became Vice President of Motown Records, serving as in-house producer, talent scout and songwriter. Apart from The Miracles, he penned and produced hits for other Motown acts, such as The Temptations, Mary Wells and Marvin Gaye. Robinson also became a successful solo artist with hits like Quiet Storm (1976), Cruisin’ (1979), Being with You (1981) and Just to See Her (1987). According to his online bio, he has amassed writing credits for more than 4,000 songs.

Smokey Robinson (front, right) with The Miracles: Claudette Robison (front left), as well as (back left to right) Bobby Rogers, Marv Taplin and Ronald White

Robinson has won numerous accolades, including the Grammy Living Legend Award, NARAS Lifetime Achievement Award, Honorary Doctorate (Howard University), Kennedy Center Honors and the National Medal of Arts Award from the President of the United States. He’s also in the Rock ‘n’ Roll Hall of Fame and the Songwriters’ Hall of Fame.

While it is impossible to do Robinson’s impressive career justice with a brief summary, I’d like to mention two additional things. Bob Dylan once called him America’s “greatest living poet.” Among the bands who covered Robinson’s songs are two of the greatest of all time: The Beatles (You’ve Really Got a Hold On Me – 1963) and The Rolling Stones (Going to a Go-Go – 1982).

Smokey Robinson, Met gig shots and yours truly with the real star of the show

Let’s get to some music! Robinson’s set featured a nice mix of songs spanning five decades, including some of the big ’60s hits by The Miracles, a medley of mid-’60s Temptations tunes he co-wrote, as well as select solo tunes from the ’70s, ’80s, ’90s and 2018. He also included a rendition of Fly Me to the Moon, which he covered on his 2006 standards album Timeless Love. Not only did Robinson still hit extremely high notes with his falsetto, but the man’s physical flexibility was astonishing and frankly age-defying!

I Second That Emotion, co-written by Robinson and Motown songwriter Al Cleveland, first appeared as a single by Smokey Robinson & The Miracles in October 1967. It was their third no. 1 in the U.S. on the Billboard Hot R&B Singles chart and peaked at no. 4 on the Billboard Hot 100, becoming their second-highest charting single there since Shop Around in 1960, which had made it to no. 2. The tune was later also recorded by Diana Ross & the Supremes and separately by Diana Ross & the Supremes with The Temptations.

On Ooo Baby Baby, Smokey slowed it down and went very high – the ladies loved it! And, yes, yours truly was impressed as well. Ooo Baby Baby, co-written by Robinson and Pete Moore, the bass singer of The Miracles, was released as a single by The Miracles in March 1965. It reached no. 2 on the Hot R&B Singles chart and no. 16 on the mainstream Billboard Hot 100. The tune has been covered by numerous other artists over the years, such as Ella Fitzgerald, Todd Rundgren and Linda Ronstadt.

With The Tears of a Clown, Robinson presented yet another hit billed as Smokey Robinson & The Miracles, though with the distinction that it was the group’s only ’70s single in his set. Co-written by Robinson, Hank Cosby and Stevie Wonder in 1967, The Tears of a Clown wasn’t released as a single until July 1970 when it first appeared in the UK. In September of the same year, it also became a U.S. single. The tune ended up topping the Hot R&B Singles and Billboard Hot 100 charts in the U.S., as well as the UK Official Singles Chart, making it the group’s biggest hit. The Tears of a Clown had first been included on the group’s August 1967 album Make It Happen.

The last two songs I’d like to highlight are both from Smokey Robinson’s solo career. Just to See Her, co-written by Jimmy George and Lou Pardini, was first recorded by Robinson and released as the lead single of his popular 1987 studio album One Heartbeat in March of that year. The tune is his last big U.S. hit to date, peaking at no. 8 and no. 2 on the Billboard Hot 100 and Hot R&B Singles charts, respectively, and topping the Adult Contemporary chart. In the UK, it reached no. 52.

And then the time had come for the final song of the night and Smokey to take us on a cruise by car – a long cruise! Cruisin’, one of his best-known solo songs, first appeared on his studio album Where There’s Smoke…, which came out in May 1979. Penned by Robinson, the tune was also released separately as a single in August of the same year. It climbed to no. 4 on both the Billboard Hot 100 and Hot R&B Singles charts, as well as no. 34 on the Adult Contemporary chart. Personally, I would have been okay with a shorter cruise and instead a couple of additional tunes, such as my beloved Shop Around. At the same time, it was heart-warming to see Smokey evidently having a ball and engaging with the audience, including two ladies he asked to come up on stage.

Following is Saturday night’s setlist:

Intro – Overture
Being With You (1981)
I Second That Emotion (Smokey Robinson & The Miracles cover – 1967)
You’ve Really Got a Hold on Me (The Miracles cover – 1962)
Quiet Storm (1975)
Ooo Baby Baby (The Miracles song – 1965)
The Way You Do the Things You Do / Get Ready / My Girl (The Temptations covers – 1964, 1966 & 1964)
The Tears of a Clown (Smokey Robinson & The Miracles cover – 1967)
I Love Your Face (1992)
Fly Me to the Moon (In Other Words) (Kaye Ballard cover – 1954)
La Mirada (2018)
Just to See Her (1987)
The Tracks of My Tears (The Miracles cover – 1965)
Cruisin’ (1979)

Last but not least, here’s a Spotify playlist that captures all songs of the above setlist sans La Mirada, the most recent solo tune Robinson performed, which I couldn’t find in Spotify. Robinson joked it hasn’t come out yet. By that, he meant the tune hasn’t been included on an album. It did appear digitally as a single in June 2018.

Sources: Wikipedia; Smokey Robinson website; Setlist.fm; YouTube; Spotify

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20 thoughts on “Smokey Shines at Philly Met”

    1. It was an impulse purchase, which I’m glad I made.

      Motown really started my longtime love of soul music. Even though the classic Motown sound was formulaic, these songs had great melodies and an infectious groove.

      Smokey Robinson is still in amazing shape. It was also nice I could share this beautiful moment with my wife. Oftentimes, our music tastes don’t overlap.

      Liked by 1 person

  1. Smokey Robinson, huh? Boy, *that* came out of left field. A true living legend. Who knew he was still even performing? While I greatly admire the guy, I doubt if I’d go see him and my wife would be indifferent. But I’ll enjoy the Spotify list. Do you recall that Huey Lewis and Gwyneth Paltrow covered ‘Cruisin’? Pretty good too.

    Liked by 1 person

    1. It was a pretty spontaneous decision to get tickets when I saw Robinson would come to Philly a couple of months ago. While nowadays I tend to prefer Stax over Motown, it was the Detroit label that got me into soul. Obviously, Robinson was a central figure. Given his advanced age, which you really didn’t notice, I figured I may not get another chance to see him.

      I still would also love to see Stevie Wonder, but unlike for Smokey, last time I checked, ticket prices were far beyond the level I’m willing to spend.

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      1. I can only tell you we saw Stevie’s ‘Songs in the key of life’ tour and it was a joy from beginning to end. I’m less put off by the listed prices than I am by TicketBastard’s monopolistic bullshit that has us all competing like it was The Hunger Games.

        Liked by 1 person

      2. PS. We saw the Four Tops back when it was the original band, sometime in the Seventies. That was kind of a lark too. They happened to be at a club we frequented. It was way outside our concert-going wheelhouse because for me it was all rock, blues, jazz. Saw the Fifth Dimension too just a few years ago. They eventually wound up on Motown. That was fun.

        Liked by 1 person

    2. Sorry, I just realized I completely forgot to acknowledge that nice cover of Cruisin’. Until that time I had no idea Gwyneth Paltrow could sing. While I doubt the integrity of her Goop venture, she seems to be a lady of many talents!

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      1. That was the first version I ever heard. It was used on some not-well-received flick about karaoke singers called ‘Duets.’ As to Paltrow, she seems a bit odd to me, even by Hollywood standards.

        Liked by 1 person

    1. “Mickey’s Monkey” wasn’t part of the set!😀 Frankly, the title didn’t even ring a bell, but when I pulled up the song, I immediately recognized it – yeah, I can see how frequently playing it can quickly lead to exhaustion!😆

      The only time Robinson started to test my patience a bit was when he just kept “Cruisin’” going and going and going. When everything was said and done, it was 20 minutes!

      At the same time, he “skipped” one of my favorite early Motown tunes: “Shop Around”. Oh, well, a small wrinkle to an otherwise great night!😀

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    1. Thanks, Max. Definitely glad I took the opportunity. Robinson’s falsetto still sounded pretty sweet. At one point, he went into a downhill skiing-like position and remained in that position for quite some time like it was nothing – damn, I couldn’t do that!

      Liked by 1 person

  2. Really a living legend, and still a good performer at his age. That’s something. I knew he was prolific but had no idea he had 4000 songwriting credits. Wow. Never realized ‘Going to a go-go’ was one of his for just one example. sounds like a good night out for you!

    Liked by 1 person

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