As noted in a previous post, seeing Ann Wilson, Jeff Beck and Paul Rodgers as part of their Stars Align Tour at PNC Bank Arts Center in Holmdel, N.J., was a spontaneous decision, based on promising reviews and YouTube clips. Another reason was my previous disappointment that Bad Company wasn’t among the special guests during Lynyrd Skynyrd’s farewell concert there in June. While Sunday night’s event wasn’t the best show I’ve ever seen, I came away a happy camper after three and a half hours of solid rock at a very reasonable cost.
As anticipated, Ann Wilson opened the night; what I didn’t expect was that she started at 7:00 p.m. on the dot, literally as printed on the ticket. I had just taken my seat – good thing I had decided against food and drink, which are completed overpriced to begin with. I can’t recall a rock & roll show I’ve been to that got underway on time!
Except for Heart’s Barracuda, Wilson presented covers, mostly from her upcoming solo album that is set to arrive September 14. Called Immortal, it honors artists who have passed away, such as David Bowie, Tom Petty and Glenn Frey.
Here’s Barracuda, one of Heart’s best known songs credited to Ann Wilson and other members of the band, including her sister and lead guitarist Nancy Wilson, guitarist Roger Fisher and drummer Michael Derosier. The tune was the lead single from Heart’s second studio album Little Queen that appeared in May 1977.
Wilson opened and closed her set with tunes by The Who, The Real Me and Won’t Get Fooled Again, respectively. Below is a clip of the latter. Written by Pete Townshend, the song is the closer of Who’s Next, the band’s fifth studio album from August 1971. It also was released separately as the record’s lead single in June that year.
Next up was Jeff Beck, which came a bit as a surprise to me. Since I think it’s fair to say he’s the heavy weight among the three, I thought he’d close out the night. This was my second time seeing Beck, so I knew that much of his set would be instrumental. While his guitar-playing and sound are mind-blowing, I generally prefer his songs with vocals, especially with Rod Stewart on Beck-Ola. I realize true Beck fans may not be with me here.
Having said the above, the first tune I’d like to highlight here is an instrumental, a smoking hot cover of You Know You Know. Originally, the John McLaughlin tune appeared on The Inner Mounting Flame, the 1971 debut album by jazz-rock fusion band Mahavishnu Orchestra. Part of the reason I chose this track is the cool extended solo by ace bassist Rhonda Smith. When I saw Beck for the first time in July 2016, his backing band also included a killer female bassist: Tal Wilkenfeld. Speaking of Beck’s excellent band, the other members were cellist Vanessa Freebairn-Smith, drummer Vinnie Colaiuta and vocalist Jimmy Hall. Since I missed recording it myself, I’m relying on a clip from another recent gig.
Among the songs featuring Hall on vocals was the Jimi Hendrix tune Little Wing. It was included on the second studio album by The Jimi Hendrix Experience, Axis: Bold As Love, which came out in December 1967. While Hall is a solid vocalist, I felt by comparison he wasn’t as top-notch as the other members of the band.
The second to last song of the regular set was a great cover of Superstition, one of my favorite Stevie Wonder tunes. Wonder included it on his 15th studio album Talking Book from October 1972. It also was released separately as the lead single that appeared a few days prior to the album.
After a two-song encore by Beck, it was on to Paul Rodgers. Of the three artists I’m most familiar with his music, so it’s perhaps not a big surprise that he was the most accessible performer to me. Except for two covers, Rodgers’ set was evenly divided between Bad Company and Free songs. I thought he was in great shape, as was his backing band featuring Pete Bullick (guitar), Ian Rowley (bass), Rich Newman (drums) and Gerard Louis (keyboards).
The first tune I’d like to call out is Feel Like Makin’ Love. Co-written by Rodgers and Bad Company guitarist and co-founder Mick Ralphs, the song appeared on the band’s second studio album Straight Shooter from April 1975. It was also released separately as the record’s second single in November that year.
One the Free tunes Rodgers played was Mr. Big. Credited to all members of the band that in addition to Rodgers included Andy Fraser, Paul Kossoff and Simon Kirke, the song appeared on their third studio album Fire And Water. Among others, Rowley shines with a solo, the second extended bass solo for the night.
The last song of Rodgers’ regular set was another Bad Company classic, Rock & Roll Fantasy. Penned by him, the tune was included on the band’s fifth studio album Desolation Angels, which came out in March 1979. It also became the record’s lead single and the band’s best-selling single in the U.S. About 1:40 minutes into the song, somebody wearing a hat and playing a tambourine walked on stage, who turned out to be Steven Van Zandt. As if to prove it, he briefly took off his hat to reveal his signature bandana.
Rodgers saved Free’s signature tune All Right Now until the very end of the night as his second encore. Co-written by him and Fraser, the song was also included on the Fire And Water album and became Free’s most successful single.
Last night, The Stars Align Tour played Jones Beach Theatre in Wantagh on New York’s Long Island. The remaining four dates are Nashville, Tenn. (Aug 17), Charlotte, N.C. (Aug 19), West Palm Beach, Fla. (Aug 25) and Tampa, Fla. (Aug 26).
Sources: Wikipedia, Setlist.fm, Paul Rodgers website, YouTube
So cool that Little Steven made an appearance. And in NJ where the audience had more of a chance to know him. He’s got a new live album out from his most recent tour that we might review at some point.
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Little Steven is a cool dude. I dig the Soulfire album, on which the live album is based and went to one of the gigs of the supporting tour.
The concert was almost like a live presentation of Little Steven’s Underground Garage where he commented on different songs and periods in music. The Disciples Of Soul were an amazing backing band. It was definitely a very memorable show!
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Yes I loved him since Men without Women. Saw him in Philly in this tour at a places called Electric Factory. Agreed it was awesome show!
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Great review, Thanks. Re: Superstition…(wiki)Jeff Beck was an admirer of Wonder’s music, and Wonder was informed of this prior to the Talking Book album sessions. Though at this point he was virtually playing all of the instruments on his songs by himself, Wonder still preferred to let other guitarists play on his records, and he liked the idea of a collaboration with Beck, a star-in-the-making guitarist. An agreement was quickly made for Beck to become involved in the sessions that became the Talking Book album, in return for Wonder writing him a song.
In between the album sessions, Beck came up with the opening drum beat. When Wonder heard the beat being played, he told Beck to keep playing while he improvised over the top of it. Wonder ended up improvising most of the song, including the riff, on the spot. In addition to the opening drum beat, Beck, together with Wonder, created the first rough demo for the song later that same day.[5][6]
After finishing the lyrics, arrangement, production and recording of the song, Wonder decided that he would allow Beck to record “Superstition” as part of their agreement. Originally, the plan was for Beck to release his version of the song first, with his newly formed power trio Beck, Bogert & Appice. However, due to the combination of the trio’s debut album getting delayed and Motown CEO Berry Gordy’s prediction that “Superstition” would be a huge hit and greatly increase the sales of Talking Book, Wonder ended up releasing the song as the Talking Book lead single months ahead of Beck’s version.[7]
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Thanks and also appreciate the background on Superstition!
As I was reading, I remembered having heard about Beck’s involvement in this gem before, possibly also through Wikipedia.
I dig both Wonder’s version and Beck’s take.
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Cool show plus Van Zandt, eh? In my wildest dreams, I would never have thought, gee, Paul Rodgers, Ann Wilson and Jeff Beck should tour! I thought about going to this one but boy, I’m tiring of big rock shows. Just watching these videos makes me feel like I’m there. Maybe I’m just getting old, cranky, and claustrophobic.
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It was pretty much what I expected. I know you prefer small venues and definitely get your point about large-scale shows being tiresome. I guess my desire to see certain artists is still bigger than my aversion to big crowds.😜
I also would consider PNC Bank Arts Center midsize, so to me it offers a reasonable option between a large-scale venue like MetLife Stadium where I saw U2 and Bruce Springsteen and a small music club.
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Right. And all that said, would I go back to a big arena for the right band? Hell, yeah. I just saw Skynyrd at one. I’d very much like to see Chicago. So, like you, my desire to see certain artists is bigger than aversion to crowds. But the number of big artists I want to see is dwindling anyway so it’s probably a moot point. Eventually it’ll all be small clubs with perhaps the occasional Springsteen extravaganza.
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