Lately, it’s starting to feel classic rock is making a comeback, at least in my music world. I first noticed the trend in 2017 when I listened to Michigan rockers Greta Van Fleet. Last year, one of my favorite new records was California Dreamin’, the first full-length studio release by Dirty Honey. In February this year, another band called Goodbye June released their latest excellent album See Where the Night Goes. And now there’s Fortune Child and their impressive debut Close to the Sun.
I first came across the four-piece from Jacksonville, Fla. in February, after they had issued their latest single Tie the Line from the then-forthcoming album. Close to the Sun was since released on March 1. How I missed it at the time remains a bit of a mystery. Fortunately, my latest Sunday Six installment, which included a tune from Goodbye June, reminded me of Fortune Child.
Deprive a person of something, and they will surely go out and find it. In an age where Rock N’ Roll has fallen by the wayside, few have heeded the call to preserve its integrity and importance in most of the music we hear today. It’s time to put the question to rest: Rock N’ Roll is here to stay, and Fortune Child will be commanding the ship.
Founded in Jacksonville, Florida in 2021, it is no secret that these lovers of good ol’ fashioned Rock were inspired by the likes of Led Zeppelin, Lynyrd Skynyrd, Alice in Chains, The Black Crowes and so many more. The four-piece band plans to take the Rock N’ Roll scene by storm, and to remind the people of what truly matters: the music itself.
The band (Christian Powers/ vocals, Buddy Crump/ lead guitar, Melanie Jo/ drums, and Jon Ward/bass) has quickly garnered significant support from the Southeast US Rock N’ Roll scene opening for national touring acts such as Blacktop Mojo and will continue to do so as they leave crowds wanting more and more after each show. It’s loud, it’s dirty, and it’s down-right badass…For 2022, the band has partnered with legendary rock producer Kevin Elson of Journey, Mr. Big, Europe, and Lynyrd Skynyrd to produce their full length debut album “Close to the Sun”…
Let’s take a closer look at some of the goodies. Here’s the opener The Way, which pretty much sets the tone for the album. Like all other tunes except for the last track, it’s credited to the entire band. Hearing a group embracing 70s style classic rock makes me happy. I find it even more remarkable when it’s a new band. Perhaps, there’s still some life left in rock after all!
Here’s Don’t Shoot Me Down and the official video, another great rocker! These guys are having fun and they’re kicking butt – love it! It’s also cool to see a female rock drummer. While being a bit more common nowadays, it still is something you don’t encounter every day.
Next up is the title track. Perhaps the one thing I will say is there isn’t much variety in the band’s tunes. But since I dig their sound, it’s a minor wrinkle in my book.
The last track I’d like to highlight is the closer Conscious. Its acoustic sound and slower tempo provide a nice contrast to the other songs. It’s also the album’s sole tune credited to Powers and Crump only. I think Closer to the Sun would have benefitted from another song like Conscious to mix things up a little more.
Following is a Spotify link to the entire album:
Fortune Child are off to a great start. I certainly look forward to hearing more from them.
Celebrating music with six random tracks at a time
Is it really Sunday again? Yep, the calendar doesn’t lie. I hope everybody is spending a peaceful morning, afternoon, evening – wherever you are when reading this. The six picks in this installment of The Sunday Six include jazz fusion, classic style rock, psychedelic garage rock, folk, pop rock and pop, touching the ’60s, ’70s, ’80s, ’90s and the present. Hope you’ll find something you like.
Let’s start today’s music time travel to the year 1975 with music by German jazz fusion band Passport. I’d like to thank Bruce from Vinyl Connection for the inspiration. He included the group’s sophomore release Second Passport in a recent installment of his ongoing countdown of 1972 albums. Passport were formed by German saxophonist Klaus Doldinger in 1971. Doldinger who is also a known film music composer has had an amazing 70-year career and at age 85 doesn’t think of retirement. Passport, aka Klaus Doldinger’s Passport, are still active as well. Their most recent studio album of original music, Motherhood, appeared in 2020. Homunculus, composed by Doldinger, is a track from Cross Collateral, the second of two albums Passport released in 1975. In addition to Doldinger (saxophones, Moog synthesizer, electric piano, Mellotron), their line-up at the time included Wolfgang Schmid (bass, guitar), Kristian Schultze (keyboards) and Curt Cress (drums).
Fortune Child/Tie the Line
Let’s jump to the present and Tie the Line, the new single by Fortune Child, a cool-sounding classic rock style band founded last year in Jacksonville, Fla. From their website: …it is no secret that these lovers of good ol’ fashioned Rock were inspired by the likes of Led Zeppelin, Lynyrd Skynyrd, Alice in Chains, The Black Crowes and so many more. The four-piece band plans to take the Rock N’ Roll scene by storm, and to remind the people of what truly matters: the music itself. The band (Christian Powers/ vocals, Buddy Crump/ lead guitar, Melanie Jo/ drums, and Jon Ward/bass) has quickly garnered significant support from the Southeast US Rock N’ Roll scene opening for national touring acts such as Blacktop Mojo…It’s loud, it’s dirty, and it’s down-right badass…For 2022, the band has partnered with legendary rock producer Kevin Elson of Journey, Mr. Big, Europe, and Lynyrd Skynyrd to produce their full length debut album “Close to the Sun,” due out in early March. “Old-fashioned” kickass rock sounds like a great proposition to me in an era where rock often is called “dead.” Released on February 18, Tie the Line is the third single appearing ahead of Fortune Child’s above noted upcoming record.
Count Five/Psychotic Reaction
After some kickass rock from the present, how about jumping back 50-plus years for a dose of ’60s rock? Count Five were an American garage rock band formed in San Jose, Calif. in 1964. Initially known as The Squires, the group’s original formation included John Byrne (lead vocals, rhythm guitar), John “Mouse” Michalski (lead guitar), Kenn Ellner (backing and lead vocals, tambourine, harmonica), Roy Chaney (bass) and Craig “Butch” Atkinson (drums). The Count Five who during live performances were wearing Count Dracula-style capes only made one album, Psychotic Reaction, which appeared in October 1966. The title track, written by Byrne and subsequently refined by the band (hence credited to all members), was released as a single ahead of the record in June 1966. Climbing to no. 5 in the U.S. on the Billboard Hot 100 and no. 3 in Canada, the tune became the band’s only hit. It was included in the Rock and Roll Hall of Fame’s list of the 500 Songs That Shaped Rock and Roll. Wikipedia notes the song was among the first successful psychedelic rock tunes, containing the characteristics that would come to define acid rock: the use of feedback and distortion replacing early rock music’s more melodic electric guitars. Neither the album nor any other songs by The Count Five came anywhere near to replicating the success of Psychotic Reaction, and the band broke up in 1969.
More recently, a few of my fellow bloggers like Jim from Music Enthusiast and Lisa from Tao Talk have covered Gordon Lightfoot, which inspired my next pick. I best know the Canadian singer-songwriter and guitarist because of gems like If You Could Read My Mind, Sundown and The Wreck of the Edmund Fitzgerald, which were all chart-toppers in Canada during the first half of the ’70s. Now 83 years old, Lightfoot who has been called Canada’s greatest songwriter remains active. His impressive catalog to date includes 20 studio albums, a similar amount of compilations and three live records, among others. In May 2020, I included a song from Lightfoot’s most recent album Solo in a Best of What’s Newinstallment. Beautiful, written by Lightfoot, is from his eighth studio record Don Quixote that came out in February 1972. The nice love song was also released as a single in May of the same year. It reached no. 13 and no. 58 on the Canadian and U.S. mainstream charts, respectively. The tune topped Canada’s adult alternative chart and climbed to no. 30 on the corresponding U.S. chart.
Eddie Money/Take Me Home Tonight
For this next pick, I’d like to go to the ’80s and American pop rock singer-songwriter Eddie Money. When Take Me Home Tonight popped up on the radio in Germany in 1986, I immediately loved the tune and decided to get the album, on which it appeared, Can’t Hold Back. Other than this record, Money’s sixth studio release from August 1986, and a few additional songs I don’t know his music. But I surely enjoy what I’ve heard. Take Me Home Tonight is credited to Mick Leeson and Peter Vale, along with Ellie Greenwich, Jeff Barry and Phil Spector who wrote The Ronettes’Be My Baby, which was interpolated in the chorus of Money’s song. Apparently, this was the only charting track for him in Germany. Money clearly was much more successful in the U.S. and Canada where he had 12 and 9 top 40 hits, respectively during his 40-plus-year recording career. Sadly, Money died of complications from esophageal cancer at the age of 70 in September 2019.
And once again we’ve reached the end of yet another musical mini-excursion. Today, the final stop takes us to the ’90s and a beautiful tune by Annie Lennox: Why off her solo debut album Diva from April 1992. Lennox recorded it after Eurythmics, her duo with Dave Stewart, had gone on hiatus, in 1990 and the subsequent birth of her first daughter Lola Lennox, who also became a music artist. To date, Lennox has released five additional solo records. In the late ’90s, Eurythmics came back together for another album, Peace, released in October 1999, and had occasional reunions thereafter. Diva became a huge chart and commercial success, topping the charts in the UK and reaching 4x Platinum certification there. In the U.S., it climbed to no. 23 on the Billboard 200 and reached 2X Platinum status. In March 1992, Why was released separately as the album’s lead single. The song also did well in the charts, reaching no. 5 in the UK and Ireland, no. 17 in Australia and no. 34 in the U.S.
And here is a Spotify playlist with the above tunes, as usual:
Ann Wilson, Jeff Beck and Paul Rodgers brought Stars Align Tour to Holmdel’s PNC Bank Arts Center
As noted in a previous post, seeing Ann Wilson, Jeff Beck and Paul Rodgers as part of their Stars Align Tour at PNC Bank Arts Center in Holmdel, N.J., was a spontaneous decision, based on promising reviews and YouTube clips. Another reason was my previous disappointment that Bad Company wasn’t among the special guests during Lynyrd Skynyrd’s farewell concert there in June. While Sunday night’s event wasn’t the best show I’ve ever seen, I came away a happy camper after three and a half hours of solid rock at a very reasonable cost.
As anticipated, Ann Wilson opened the night; what I didn’t expect was that she started at 7:00 p.m. on the dot, literally as printed on the ticket. I had just taken my seat – good thing I had decided against food and drink, which are completed overpriced to begin with. I can’t recall a rock & roll show I’ve been to that got underway on time!
Except for Heart’s Barracuda, Wilson presented covers, mostly from her upcoming solo album that is set to arrive September 14. Called Immortal, it honors artists who have passed away, such as David Bowie, Tom Petty and Glenn Frey.
Here’s Barracuda, one of Heart’s best known songs credited to Ann Wilson and other members of the band, including her sister and lead guitarist Nancy Wilson, guitarist Roger Fisher and drummer Michael Derosier. The tune was the lead single from Heart’s second studio album Little Queen that appeared in May 1977.
Wilson opened and closed her set with tunes by The Who, The Real Me and Won’t Get Fooled Again, respectively. Below is a clip of the latter. Written by Pete Townshend, the song is the closer of Who’s Next, the band’s fifth studio album from August 1971. It also was released separately as the record’s lead single in June that year.
Next up was Jeff Beck, which came a bit as a surprise to me. Since I think it’s fair to say he’s the heavy weight among the three, I thought he’d close out the night. This was my second time seeing Beck, so I knew that much of his set would be instrumental. While his guitar-playing and sound are mind-blowing, I generally prefer his songs with vocals, especially with Rod Stewart on Beck-Ola. I realize true Beck fans may not be with me here.
Having said the above, the first tune I’d like to highlight here is an instrumental, a smoking hot cover of You Know You Know. Originally, the John McLaughlin tune appeared on The Inner Mounting Flame, the 1971 debut album by jazz-rock fusion band Mahavishnu Orchestra. Part of the reason I chose this track is the cool extended solo by ace bassist Rhonda Smith. When I saw Beck for the first time in July 2016, his backing band also included a killer female bassist: Tal Wilkenfeld. Speaking of Beck’s excellent band, the other members were cellist Vanessa Freebairn-Smith, drummer Vinnie Colaiuta and vocalist Jimmy Hall. Since I missed recording it myself, I’m relying on a clip from another recent gig.
Among the songs featuring Hall on vocals was the Jimi Hendrix tune Little Wing. It was included on the second studio album by The Jimi Hendrix Experience, Axis: Bold As Love, which came out in December 1967. While Hall is a solid vocalist, I felt by comparison he wasn’t as top-notch as the other members of the band.
The second to last song of the regular set was a great cover of Superstition, one of my favorite Stevie Wonder tunes. Wonder included it on his 15th studio album Talking Book from October 1972. It also was released separately as the lead single that appeared a few days prior to the album.
After a two-song encore by Beck, it was on to Paul Rodgers. Of the three artists I’m most familiar with his music, so it’s perhaps not a big surprise that he was the most accessible performer to me. Except for two covers, Rodgers’ set was evenly divided between Bad Company and Free songs. I thought he was in great shape, as was his backing band featuring Pete Bullick (guitar), Ian Rowley (bass), Rich Newman (drums) and Gerard Louis (keyboards).
The first tune I’d like to call out is Feel Like Makin’ Love. Co-written by Rodgers and Bad Company guitarist and co-founder Mick Ralphs, the song appeared on the band’s second studio album Straight Shooter from April 1975. It was also released separately as the record’s second single in November that year.
One the Free tunes Rodgers played was Mr. Big. Credited to all members of the band that in addition to Rodgers included Andy Fraser, Paul Kossoff and Simon Kirke, the song appeared on their third studio album Fire And Water. Among others, Rowley shines with a solo, the second extended bass solo for the night.
The last song of Rodgers’ regular set was another Bad Company classic, Rock & Roll Fantasy. Penned by him, the tune was included on the band’s fifth studio album Desolation Angels, which came out in March 1979. It also became the record’s lead single and the band’s best-selling single in the U.S. About 1:40 minutes into the song, somebody wearing a hat and playing a tambourine walked on stage, who turned out to be Steven Van Zandt. As if to prove it, he briefly took off his hat to reveal his signature bandana.
Rodgers saved Free’s signature tune All Right Now until the very end of the night as his second encore. Co-written by him and Fraser, the song was also included on the Fire And Water album and became Free’s most successful single.
Last night, The Stars Align Tour played Jones Beach Theatre in Wantagh on New York’s Long Island. The remaining four dates are Nashville, Tenn. (Aug 17), Charlotte, N.C. (Aug 19), West Palm Beach, Fla. (Aug 25) and Tampa, Fla. (Aug 26).
Sources: Wikipedia, Setlist.fm, Paul Rodgers website, YouTube