Best of What’s New

It’s Saturday and this means time to take another look at newly-released music. This week, my picks include pop punk and country rock from Canada, alternative rock from the U.S. and I guess you could call it alternative folk by a South African singer-songwriter. Except for the last track, all songs are on albums that came out yesterday (December 3).

Like Pacific/Hollow Tears

Kicking off today’s music revue is Canadian pop punk band Like Pacific. Formed in Toronto in 2010, the group currently includes Jordan Black (lead vocals), Luke Holmes (lead guitar, backing vocals), Greg Hall (rhythm guitar, backing vocals), Brad Garcia (bass) and Taylor Ewart (drums, percussion). In May 2011, they self-released their debut EP The Worst…. After three additional EPs, the band’s first full-length album Distant Like You Asked appeared in February 2016. It reached no. 25 in the U.S. on the Billboard Heatseekers Albums chart. Hollow Tears is a track from Like Pacific’s third and new full-length studio Control My Sanity. The tune is credited to all members of the band and producer Sam Guaiana. As somebody who doesn’t listen much to punk, the fairly melodic character of Like Pacific’s music makes it pretty accessible.

Failure/Submarines

Failure are an American alternative rock band from Los Angeles, which initially came together in 1990. In 1992, they signed with independent label Slash Records and released their debut album Comfort in December that year. After two additional studio albums, the band broke up in November 1997. In late 2013, they reunited. Failure have since released three additional albums including their latest titled Wild Type Droid. Their current line-up features co-founders Ken Andrews (vocals, electric guitar, bass) and Greg Edwards (electric guitar, bass, piano, percussion), together with Kellii Scott (drums). Here’s Submarines, co-written by Edwards and Andrews. Not quite sure what drew me into this tune. I find it weirdly catchy.

Blue Rodeo/When You Were Wild

Canadian country rock band Blue Rodeo were founded in 1984 in Toronto. They were formed by high school friends Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who had played together in various bands before, and Bob Wiseman (keyboards). Cleave Anderson (drums) and Bazil Donovan (bass) completed the band’s initial lineup. After gaining a local following in Toronto and signing with Canadian independent record label Risque Disque, the group released their debut album Outskirts in March 1987. Fifteen additional studio albums have since appeared, including Blue Rodeo’s latest Many a Mile. Here’s the opener When You Were Wild, co-written by Keelor and Cuddy. Check out that beautiful warm sound – love it!

Alice Phoebe Lou/Me & the Moon

I leave you with new music by South African singer-songwriter Alice Phoebe Lou, who first entered my radar screen in July 2020 when I covered her then-latest single Touch. Borrowing from that post: Lou grew up on a mountainside in South Africa, attending a local Waldorf school that cultivated her innate love of music and the arts. She made her first visit to Europe at 16, a life-changing journey that first saw her taking her songs to the streets. Lou returned home to finish school but as soon as she was able made her way back to Europe, specifically Berlin. Armed with just her guitar, a small amp, a passel of distinctive original songs, and an utterly intoxicating voice and charm, she soon built a devoted fan following, not just in Berlin but around the world as tourists and passers-by from faraway places were so captivated by her music that they began sharing it amongst friends and social media. Lou self-released her debut EP, MOMENTUM, in 2014, followed two years later by her acclaimed first full-length, ORBIT. Me & the Moon is from Lou’s latest album Child’s Play, her fourth that came out on December 2nd. I like this!

Sources: Wikipedia; YouTube

Best of What’s New

Usually, I keep my forays into newly released music to four tunes. This installment includes two more tracks. Why? Easy, ‘coz I can! On a more serious note, unlike other weeks where I feel more challenged to find music that sufficiently speaks to me, I discovered these tracks fairly quickly. And since I couldn’t quite decide on four, I ended up taking all six. Except for the final song, all tunes are included on releases that appeared yesterday (March 19).

Mason Lively/Love Ain’t Done a Damn Thing

Mason Lively is a country/Americana artist from Victoria, Texas. According to his website, he grew up in a country music atmosphere. His appreciation for the genre can be traced back to his childhood. Though he enjoyed and was exposed to many types of music, he would listen to artists like Willie Nelson, Merle Haggard, and Ray Price to name a few. Growing up, while also being influenced by Blues and Classic Rock, Mason started to take interest and study the songwriting of artists from his home state’s music scene like Robert Earl Keen, Pat Green, Hayes Carll, and many more. As a result, when he started playing guitar at age 14, Mason claims that song-writing “sort of snuck up on him” not long after that. Lively’s debut album Stronger Ties appeared in April 2018. Love Ain’t Done a Damn Thing is a track from his new eponymous sophomore album.

Michigander/Let Down

Jason Singer, performing as Michigander, is a singer-songwriter hailing from Midland, Mich., who has been active since 2014. His artist profile on Apple Music describes Michigander’s music as a rich blend of hook-driven and radio-ready indie rock with electronic flourishes and earnest, big-hearted storytelling that invokes names like Lord Huron and Mumford & Sons. He is a self-taught multi-instrumentalist who spent his formative years building a sonic persona that looked to a wide array of influencers, including Coldplay, Rush, James Taylor, and the White Stripes. After honing his skills playing solo sets, Singer relocated to Kalamazoo in 2014 and began operating under the Michigander moniker. In 2016 he issued the nostalgia-driven single “Nineties,” which garnered over a million online streams. Looking to capitalize on the success of the single, Singer turned his one-man solo project into a fully-fledged rock & roll band and hit the road, sharing bills with contemporaries like Ra Ra Riot, Tokyo Police Club, and Twin Peaks, and released the group’s debut EP, Midland, in 2018. The following year saw the band ink a deal with C3 Records and issue a second EP, Where Do We Go from Here? Well, I suppose the answer is Everything Will Be Ok Eventually, Michigander’s latest EP. Here’s lead single Let Down. I have to say I find this tune quite catchy.

Alice Phoebe Lou/Dusk

South African singer-songwriter Alice Phoebe Lou first entered my radar screen in July 2020, when I covered her then-latest single Touch in a previous Best of What’s New installment. As noted there, Lou grew up on a mountainside in South Africa, attending a local Waldorf school that cultivated her innate love of music and the arts. She made her first visit to Europe at 16, a life-changing journey that first saw her taking her songs to the streets. Lou returned home to finish school but as soon as she was able made her way back to Europe, specifically Berlin. Armed with just her guitar, a small amp, a passel of distinctive original songs, and an utterly intoxicating voice and charm, she soon built a devoted fan following, not just in Berlin but around the world as tourists and passers-by from faraway places were so captivated by her music that they began sharing it amongst friends and social media. Lou self-released her debut EP, Momentum, in 2014, followed two years later by her acclaimed first full-length, Orbit. Dusk, written by Lou, is from her new album Glow. Just like I felt previously, her music falls outside my core wheelhouse but there’s just something about it.

Ringo Starr/Waiting For the Tide to Turn

Just like his ex-Beatles mate Paul McCartney, Ringo Starr kept busy during the pandemic. One of the results is a new EP titled Zoom In. A statement on his website notes it features 5 songs all of which were recorded at Starr’s home studio between April-October 2020...Joining Starr were musicians Nathan East (bass), Steve Lukather (guitar), Bruce Sugar (synth guitar), Benmont Tench (piano), Charlie Bisharat (violin), Jacob Braun (cello), and Jim Cox (string arrangements and synth strings). Dave Grohl, Ben Harper and Jenny Lewis also joined Starr in the home studio, and all contributed to the first single, Here’s To The Nights. I previously covered it here…Ringo co-wrote “Waiting For The Tide to Turn” with his engineer Bruce Sugar, adding Tony Chen and his extensive reggae roots; “This was something my engineer Bruce Sugar started, but it didn’t have a lot of words, so we wrote it together. I did my version of reggae and what was great was we had Tony Chen, who played with Bob Marley and lives here in LA, come over and play on it. He said, ‘hey Mon, that you on drums mon?’ and I said yes, and he said ‘great drums mon, very reggae!’ and my heart swelled! It was so great coming from him.” Ringo and reggae was something I didn’t expect, but I think it came out pretty well!

Joyce Wrice/Chandler

Joyce Wrice is an R&B and soul artist from Los Angeles. There isn’t any background on her website and Facebook page, so I’m relying on a news story by MTV. Chandler is the opener of Wrice’s debut album Overgrown. The release follows a series of EPs and publishing covers on YouTube for 10 years. Some of her influences include Missy Elliott, Aaliyah and Sade. Apparently, she is also influenced by her Japanese heritage and Buddhism. “One of the things that I’ve learned through my Buddhist practice is to create opportunities within the obstacle or the struggle,” Wrice pointed out to MTV News. “It’s actually helped me to dig deeper and not be swayed by the situation and keep pushing through.” This tune has a cool vibe. I can hear some early ’70s Marvin Gaye in here.

Tigers Jaw/New Detroit

American rock band Tigers Shaw were formed in Scranton, Pa. in 2005. The group was started in high school by Ben Walsh, who played drums at the time, and Adam McIlwee (guitar, vocals). A few months later, they were joined by Brianna Collins (keyboards, vocals). The band released their debut album Belongs to the Dead in October 2006. By the time of their eponymous sophomore album from September 2008, Tigers Shaw had grown to a five-piece and Walsh had switched to guitar and vocals. He and Collins remain part of the current formation that also includes Colin Gorman (bass, rhythm guitar) and Theodore Roberts (drums). According to their Apple Music profile, the band’s music evolved from pop punk to Emo to indie rock. New Detroit is from their sixth studio album I Won’t Care How You Remember Me, which appeared on March 5. I really like how melodic and catchy this song is!

Sources: Wikipedia; Mason Lively website; Apple Music; Ringo Starr website; MTV News; YouTube

Best of What’s New

This week’s installment of my recurring new music feature presents another combination of younger and older artists. I’ve kept it to four tunes. There’s some folk, jazz, space rock and indie pop. Let’s get to it!

David Gilmour/Yes, I Have Ghosts

At first, I was a bit lukewarm about David Gilmour’s new single, which appeared on July 3. I really dig him as a guitarist and think his solo in Pink Floyd’s Comfortably Numb is one of the most epic rock guitar solos I know. To be clear, Yes, I Have Ghosts is no Comfortably Numb; but the more often I listen to it, the more I like this tune. The lyrics were written by Gilmour’s wife and long time collaborator, English novelist, lyricist and journalist Polly Samson. Gilmour composed the music, which to me is pretty obvious, based on the chord changes. The track was inspired by Samson’s the new novel A Theatre for Dreamers. Interestingly, the song features Gilmour’s 18-year-old daughter Romany on harmony vocals and harp. While that had not been his initial plan and he ended up working with her because of the COVID-19 lockdown, I think the two of them really sound great together. This largely explains why I dig Yes, I Have Ghosts. There is also beautiful violin work by John McCusker. As reported by Rolling Stone, Gilmour’s single is his first new song in five years. Perhaps the beginning of another solo album? Who knows… Meanwhile, I’d be curious how you feel about this tune. Perhaps, give it more than one listen.

Aaron Parks/Solace

According to his website, Aaron Parks is a forward-thinking jazz musician who came to the public’s attention during his time with trumpeter Terence Blanchard. Born in Seattle, Washington, Parks began playing piano at a young age and by the time he was 14 had enrolled in an early entrance degree program at the University of Washington. Originally, Parks pursued both science and music degrees; however, his prodigious talent won out and by age 16 he had transferred to the Manhattan School of Music. While there, he studied with noted pianist Kenny Barron…At age 18 he joined Blanchard’s ensemble and subsequently recorded four albums with the veteran trumpeter…Besides playing with Blanchard, Parks has performed with a variety of artists including trumpeter Christian Scott, drummer Kendrick Scott, vocalist Gretchen Parlato, and others. In 1999, Parks released his debut album The Promise as a band leader. Solace, composed by him, is a relaxing instrumental from his most recent album Little Big II: Dreams of a Mechanical Man, which appeared on May 8. It has a bit of a late night bar background music flair.

Hawklords/Aerospaceage Inferno

Going from a relaxing jazz instrumental to a full-blown space rock attack may be a bit of a leap, but why not? Hawklords initially were formed in 1978 as a spin-off from Hawkwind, a British space rock band fellow blogger Vinyl Connections featured in a recent post. Hawklords’ former Hawkwind members were Robert Calvert (vocals), Dave Brock (guitar) and Simon King (drums), who teamed up with Harvey Bainbridge (bass), Martin Griffin (drums) and Steve Swindells (keyboards). The first active phase of Hawklords only lasted until 1979. In 2008, a new version of the band emerged around Bainbridge, together with Dave Pearce (drums), Jerry Richards (guitar, keyboards), Tom Ashurst (bass) and ex-Hawkwind vocalist Ron Tree. Aerospaceage Inferno is from the band’s latest album Hawklords Alive released on May 29. Written by Calvert, the tune first appeared on his second solo album Lucky Leif and the Longships from September 1975. Calvert died from a heart attack in August 1988 at the age of 43. As reported by Louder, Hawklords’ new live album was recorded during a concert at Live Rooms in Chester, England in May 2019 during the band’s Hawklords Generations Tour.

Alice Phoebe Lou/Touch

Alice Phoebe Lou is a soon-to-be 27-year-old singer-songwriter hailing from Kommetjie, South Africa. According to her website, Lou grew up on a mountainside in South Africa, attending a local Waldorf school that cultivated her innate love of music and the arts. She made her first visit to Europe at 16, a life-changing journey that first saw her taking her songs to the streets. Lou returned home to finish school but as soon as she was able made her way back to Europe, specifically Berlin. Armed with just her guitar, a small amp, a passel of distinctive original songs, and an utterly intoxicating voice and charm, she soon built a devoted fan following, not just in Berlin but around the world as tourists and passers-by from faraway places were so captivated by her music that they began sharing it amongst friends and social media. Lou self-released her debut EP, MOMENTUM, in 2014, followed two years later by her acclaimed first full-length, ORBIT. She has since released two additional albums and two EPs. Touch is Lou’s new single, which I don’t believe is associated with an album (yet).

Sources: Wikipedia; Rolling Stone; Aaron Parks website; Louder; Alice Phoebe Lou website; YouTube