The Sunday Six

Sunday is fun day and I hope this weekend has been going well for you thus far. Perhaps to make it even better, once again, I’d like to invite you to join me on another trip through space and time to visit music of the past and the present century. The magical time machine is ready to take off so hop on board, fasten to seatbelt and off we go!

Stan Getz and João Gilberto/The Girl From Ipanema (feat. Astrud Gilberto)

Our first stop today is March 1964 and a timeless Brazilian jazz gem. Sadly, this pick isn’t coincidental. On Monday (June 5), Brazilian samba and bossa nova singer-songwriter Astrud Gilberto (born Astrud Evangelina Weinert) passed away at the age of 83. I think it’s safe to say she’s best remembers for her vocals on The Girl From Ipanema, which was first released in 1963. Subsequently, the tune also appeared on Getz/Gilberto, a studio album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, who married Astrud in late 1959. The Girl From Ipanema, which became a worldwide hit in the mid’60s and won a 1965 Grammy for Record of the Year, was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. Norman Gimbel later penned English lyrics – an exceptionally beautiful tune!

Jonathan Wilson/Moses Pain

Next, we shall travel to the current century, more specifically to October 2013. That’s when singer-songwriter and producer Jonathan Wilson released a solo studio album titled Fanfare. Once again, I have to thank my longtime German music buddy who in late January recommended that I check out Wilson. I did and first featured him in a previous Sunday Six installment. Similar to Wilson’s previous album Gentle Spirit (September 2011), Fanfare included collaborations with various other artists. Moses Pain featured Mike Campbell (guitar) and Benmont Tench (piano), from Tom Petty and the Heartbreakers, as well as Jackson Browne, Graham Nash, Josh Tillman and Jenny O. on backing vocals.

The Pretenders/My Baby

English-American rock band The Pretenders, who since their fifth studio album Packed! (1990) have been known as Pretenders, probably need no introduction. The group around frontwoman and main songwriter Chrissie Hynde, their only constant member over the decades, had a series of successful albums starting in the late ’70s to the mid-’90s. My Baby, written by Hynde, is a track off their fourth studio album Get Close, released in October 1986. Together with Don’t Get Me Wrong, My Baby holds the distinction of having been the band’s only no. 1 in the U.S. on Billboard’s Mainstream Rock chart – love this tune!

Eddie Cochran/Summertime Blues

Now the time has come to visit the ’50s and one of the early pioneers of rock & roll: Eddie Cochran. Not only did his songs capture teenage frustration and desire in the mid-1950s and early 1960s, but he also experimented with multitrack recording, distortion techniques and overdubbing, even on his earliest singles! Summertime Blues, which I knew first because of The Who’s dynamite rendition, is among Cockran’s best-known tunes. It also became his highest-charting single in the U.S. in 1958, peaking at no. 8 on the pop chart. It also became Cochran’s most successful single in the UK where it climbed to no. 18. What an infectious tune!

Blue Rodeo/Lost Together

How about paying a visit to the rodeo? No, not one where they ride bulls. I’m talking about Blue Rodeo, a Canadian country rock band I’ve come to dig. Formed in Toronto in 1984, Blue Rodeo, among others, have released 16 full-length studio albums to date. I reviewed their most recent, Many a Mile (December 2021), here and have also covered them on various other previous occasions. Lost Together is the terrific title track of their fourth studio album, which came out in August 1992. Like all other songs on the album, it was penned by the group’s co-founders Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who together with bassist Bazil Donovan remain the three original members in Blue Rodeo’s current line-up.

Deep Purple/Smoke On the Water

Canadian wildfires and resulting smoke have been very much in the news throughout the week, so in case you don’t love this final pick on this music trip you’ll have to forgive me. Having been impacted by hazy conditions that turned my neck of the woods into a post-apocalyptic-looking landscape, somehow, Smoke On the Water just came to me.

Undoubtedly a nightmare of every employee who works in a store selling electric guitars you can try out, Smoke On the Water, dare I say it, may well be the ultimate hard tune by what I still consider the ultimate hard rock band: Deep Purple. The must-learn tune for every electric guitarist with that iconic riff first appeared in March 1972 on the English group’s sixth studio album Machine Head. It also became the fourth single in May 1973 and arguably Purple’s signature song. Yes, Smoke On the Water hasn’t exactly suffered from obscurity, but to me, it still remains a hell of a tune! Like the six remaining tracks, it was credited to all members: Ian Gillan (vocals, harmonica), Ritchie Blackmore (guitar), Jon Lord (keyboards, Hammond organ), Roger Glover (bass) and Ian Paice – the best line-up this band ever had!

Last but least, here’s a Spotify playlist of the above goodies. So, wadda’ll think?

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Hard to believe it’s Sunday again, and we’ve reached the second weekend in spring. In typical tri-state (New Jersey, New York, Connecticut) fashion, we’ve had some wild temperature swings, and for tomorrow, the weatherman has forecast a whooping daytime high of 35 F – keeping fingers crossed they’re wrong like most of the time! Meanwhile, let’s keep the weather behind us and embark on another journey celebrating the music of the past and the present with six tunes.

Carlos Santana/Bella

I’d like to start today’s trip with a beautiful instrumental by Carlos Santana, one of the first guitarists I admired after I had started to pick up the guitar as a 12 or 13-year-old. Santana’s first compilation Santana’s Greatest Hits from July 1971, which spans the band’s first three albums, was one of the vinyl records my six-year-older sister had at the time. While I’m most familiar with the band’s classic period and it remains my favorite Santana music, I’ve also come to like some of their other work. Bella, co-written by Sterling Crew (keyboards, synthesizer), Carlos Santana (guitar) and Chester D. Thompson (keyboards), is from a solo album by Carlos, titled Blues for Salvador. Released in October 1987, the record is dedicated to his son Salvador Santana, who was born in May 1983 and is one of three children he had with his first wife Deborah King. Salvador Santana is a music artist as well, who has been active since 1999 when he collaborated with his father on composing El Farol, a Grammy-winning track from Santana’s hugely successful Supernatural album that came out in June that year.

Steely Dan/Home at Last

Last night, I saw an outstanding tribute band to Steely Dan, Sting, Stevie Wonder and Gino Vannelli. I’ve covered Good Stuff on previous occasions, for example here. After having felt skittish about going to concerts for the longest time, I’ve recently resumed some activities. It felt so good to enjoy some top-notch live music! As such, I guess it’s not a surprise that Messrs. Walter Becker and Donald Fagen are on my mind. While they have written many great songs, the one album I keep coming back to is Aja, a true masterpiece released in September 1977. Here’s Home at Last. That’s kind of how I felt last night!

The Chambers Brothers/Time Has Come Today

All righty, boys and girls, the time has come to go back to the ’60s and step on the gas a little with some psychedelic soul – coz, why not? The inspiration for this next pick came from a playlist titled 60s Rock Anthems, which I saw on Spotify. Regardless of whether you consider Time Has Come Today by American psychedelic soul group The Chambers Brothers a “rock anthem,” I think it’s a pretty cool tune. The title track of their debut album from November 1967 became the group’s biggest hit single, climbing to no. 11 on the Billboard Hot 100. The trippy song was co-written by brothers Willie Chambers (vocals, guitar) and Joseph Chambers (guitar), who made up the band together with their brothers Lester Chambers (harmonica) and George Chambers (bass), along with Brian Keenan (drums). Since the studio cut came in at 11 minutes, they edited it down to 2:37 minutes for the original single. Subsequently, there were also 3:05 and 4:45-minute single versions. Since we don’t do things half-ass here, of course, I present you with the full dose – sounds like a tasty stew of early Pink Floyd and Jimi Hendrix!

The Style Council/Shout to the Top

After the previous 11-minute psychedelic soul tour de force, I thought something more upbeat would be in order. The other day, I remembered and earmarked British outfit The Style Council. Formed in late 1982 by singer, songwriter and guitarist Paul Weller (formerly with punk rock band The Jam) and keyboarder Mick Talbot (formerly of Dexys Midnight Runners, among others), The Style Council became part of a wave of British pop outfits that embraced blue-eyed soul and jazz. Others that come to mind are Simply Red, Matt Bianco and Everything But The Girl. Shout to the Top, written by Weller, was the group’s seventh single that came out in October 1984. It was included on the band’s sophomore album Our Favourite Shop from June 1985 and part of the soundtrack of the American romantic drama picture Vision Quest released in February of the same year. Warning, the catchy tune might get stuck in your brain!

Blue Rodeo/5 Days in May

Our next stop takes us to the ’90s and some beautiful Neil Young-style Americana rock. Blue Rodeo are a relatively recent “discovery.” The first time I featured the Canadian country rock band, who has been around since 1984, was in early December 2021. Borrowing from this post, they were formed by high school friends Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who had played together in various bands before, and Bob Wiseman (keyboards). Cleave Anderson (drums) and Bazil Donovan (bass) completed the band’s initial lineup. After gaining a local following in Toronto and signing with Canadian independent record label Risque Disque, the group released their debut album Outskirts in March 1987. Co-written by Keelor and Cuddy, 5 Days in May is from Blue Rodeo’s fifth studio album Five Days in July, first released in Canada in October 1993. It only appeared in the U.S. in September of the following year. The band has since released 16 additional studio albums. I reviewed their most recent one, Many a Mile, here.

Foo Fighters/Medicine At Midnight

Once again, we’ve reached the final stop of our musical mini-excursion. Late on Friday sad news broke that Taylor Hawkins, who had been the drummer of Foo Fighters since 1997, passed away at the age of 50. The tragic event happened just before the band was scheduled to play a gig in Bogota, Colombia as part of their South America tour. The cause of death is still under investigation but may have been heart-related. I generally don’t follow the Foos and as such know next to nothing about their music. But I think Dave Grohl is a pretty cool dude, and I sympathize with what must be a difficult loss to him and his bandmates, the Hawkins family and Foo fans. An AP story quoted Grohl from his 2021 book The Storyteller: “Upon first meeting, our bond was immediate, and we grew closer with every day, every song, every note that we ever played together…We are absolutely meant to be, and I am grateful that we found each other in this lifetime.” Here’s the title track from Foo Fighters’ tenth studio album Medicine at Midnight released in February 2021. Like all other tracks on the record, it’s credited to the entire band.

Here’s a Spotify playlist featuring all of the above tunes.

Sources: Wikipedia; Associated Press; YouTube; Spotify

The Year That Was – Part 2 of 2

This is the second installment of my 2-part review of 2021. Here I’m going to focus on songs released over the past 12 months, which I like in particular. The picks are based on my Best of What’s New weekly recurring feature. Part 1, which you can read here, highlighted my six favorite albums that came out over the past year.

Altogether, Best of What’s New featured more than 200 songs that were released in 2021. From there I narrowed things down to 4o tunes, which are included in the playlist at the end of this post. Following I’d like to highlight 10 out of these 40 songs. It wasn’t easy to pick those 10 tunes. In my view, that’s a good sign since it means there were many great choices.

Aaron Frazer/If I Got It (Your Love Brought It)

Kicking things off is If I Got It (Your Love Brought It), a terrific soul tune by Aaron Frazer, a Brooklyn, New York-based singer-songwriter. The song, co-written by Frazer, Dan Auerbach and David Ferguson, is off Frazer’s debut album Introducing…, which appeared on January 8 and was produced by Auerbach. Check out that neat falsetto, which is reminiscent of Curtis Mayfield – so good!

Gretchen Parlato/É Preciso Perdoar

Next, let’s turn to contemporary jazz by California native Gretchen Parlato. É Preciso Perdoar is the beautiful opener of her fifth studio album Flor (Portuguese for flower) that appeared on March 5. The tune is credited to Brazilian composers Alcyvando Luz and Carlos Coqueijo, as well as Parlato – just beautiful and so relaxing!

Dirty Honey/California Dreamin’

Dirty Honey are a great rock band from Los Angeles that was founded in 2017. I love their classic rock sound that has traces of Aerosmith, Led Zeppelin and The Black Crowes. California Dreamin’, credited to the entire band, is from Dirty Honey’s eponymous first full-length album released April 23.

Lord Huron/Mine Forever

Indie folk-rock band Lord Huron are one of the most seductive contemporary groups I can think of. Their moody sound of layered voices, jangly guitars and expanded reverb is pretty cool – very cinematic! Frankly, their latest record Long Lost, which came out on May 21, easily could have been in part 1 of this year-in-review feature. Here’s my favorite tune off that record, Mine Forever, penned by guitarist and vocalist Ben Schneider who founded Lord Huron in 2010.

Jane Lee Hooker/Drive

While I’ve started to pay much closer attention to new music, I only follow very few contemporary acts. One is Jane Lee Hooker, formed in 2013 in New York as an all-female blues rock band. Drive is more of a rock ballad with a nice soulful vibe. Released as a single on May 28, the tune will be on the band’s next album Rollin’ that is scheduled for January 2022. Definitely looking forward to that one!

The Wallflowers/Roots and Wings

On July 9, The Wallflowers released Exit Wounds, their first new album in nine years. With its warm melodic roots rock, the record sounds like it could be a follow-on to Bringing Down the Horse from May 1996, the sophomore album by Jacob Dylan’s band that brought them commercial success and two Grammy awards. Here’s one of my favorite tracks off the new album: Roots and Wings.

Son Volt/The Globe

While alternative country and Americana rock band Son Volt have been around since 1994, I had not heard of them until August of this year after the release of their ninth and latest album Electro Melodier on July 30. Check out The Globe written by the band’s founder, singer-songwriter and guitarist Jay Farrar. It’s got a bit of a Springsteen vibe, and there’s also a brief homage to The Who. Check out the Moog line at around 2:15 minutes… Love that tune!

Maggie Rose/What Are We Fighting For

Maggie Rose, born Margaret Rose Durante, is a Nashville-based country and rock singer-songwriter, who released her debut single under her maiden name in 2009, a cover of Kings of Leon’s Use Somebody. In the spring of 2013, when her first full-length album appeared, she already had adopted the Maggie Rose moniker. What Are We Fighting For is the opener of her latest album Have a Seat that came out on August 20. The great soulful tune was written by Rose, together with her longtime collaborators, guitarist Alex Haddad and Larry Florman  (background vocals, percussion).

Joey Landreth/Two Trains

While he shares a famous last name and also is a slide guitarist, Canadian artist Joey Landreth isn’t related to Sonny Landreth. But he sure as heck is talented and has a great sound! Check out Two Trains, the catchy funky closer from his third and most recent album All That You Dream, which appeared on November 26.

Blue Rodeo/When You Were Wild

When You Were Wild is a great tune by Blue Rodeo, a Canadian country rock band founded in 1984 in Toronto. I first came across the group in February of this year. This tune, co-written by founders Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), is from their 15th studio album Many a Mile released on December 3. I love that beautiful warm sound!

That’s it for the 10 tracks I wanted to call out. There are many more great tunes in the below playlist. Hope you will check them out!

Finally, to those celebrating, I wish you a merry Christmas and please be safe!

Sources: Wikipedia; YouTube

The Year That Was – Part 1 of 2

After feeling a bit lukewarm initially about the thought of looking back at 2021, a year I’d rather forget in many regards, I’m glad I decided to proceed. After all, there was lots of great new music – music that undoubtedly helped me cope with challenges this tiresome pandemic presented.

This review is split into two parts. Part 1 revisits my favorite 2021 albums I covered during the past year. Part 2 presents highlights from Best of What’s New, my weekly recurring feature looking at newly released songs. While it would have been easy to feature some of the same artists in both parts, I deliberately avoided overlap.

Altogether, I reviewed more than 20 albums over the past 12 months. After excluding archives releases, such as Neil Young’s Carnegie Hall 1970 and Young Shakespeare, and reissues like Tom Petty’s Angel Dream (Songs and Music from the Motion Picture “She’s the One”), I narrowed the list to 17 albums. Following are six I like in particular.

Rev. Peyton’s Big Damn Band/Dance Songs for Hard Times

Rev. Peyton’s Big Damn Band is an unusual country blues trio, and it’s not only because of their funny name. The group, which has been around since 2003, consists of Josh “The Reverend” Peyton (guitar, lead vocals), his wife  “Washboard” Breezy Peyton (washboard) and Max Senteney (drums). Notably, they don’t have a bassist. Peyton, a great guitarist, compensates with skillful fingerstyle playing that includes the prominent use of his thumb to play bass lines. Dance Songs for Hard Times, the trio’s 10th full-length album, was released on April 9. You can read more about it here. To get an idea, check out the amazing Too Cool to Dance and tell me this doesn’t rock!

John Hiatt with The Jerry Douglas Band/Leftover Feelings

One of my big “discoveries” this year is John Hiatt, an artist whose name I’ve known for 30-plus years but had not started to explore until earlier this year – well, better late than never! On May 21, Hiatt released a great collaboration album with Dobro resonator guitar master Jerry Douglas. They were backed by Jerry Douglas Band members Mike Seal (acoustic and electric guitar), Daniel Kimbro (bass, string arrangements) and Christian Sedelmyer (fiddle). You can read more about Leftover Feelings here, which was recorded at Nashville’s historic RCA Studio B during the Covid shutdown. Here’s a little sample: Mississippi Phone Booth, written by Hiatt.

Southern Avenue/Be the Love You Want

Southern Avenue, a five-piece from Memphis, Tenn., are one of my favorite contemporary groups, blending blues and soul with contemporary R&B. Founded in 2015, this great band features Ori Naftaly (guitar), Tierinii Jackson (lead vocals), her sister Tikyra Jackson (drums, backing vocals), Jeremy Powell (keyboards) and Evan Sarver (bass). On August 27, their third album Be the Love You Want came out. While it feels like a bigger and more contemporary production compared to the band’s first two records and there’s a guest appearance by pop artist Jason Mraz, at its core, this still sounds very much like Southern Avenue’s music I’ve come to love: A tasty blend of blues, soul, funk and gospel, combined with elements of modern R&B. You can read more about it here. And here’s Push Now.

The Wild Feathers/Alvarado

The Wild Feathers, formed in Nashville, Tenn. in 2010, combine elements of country rock, southern rock, classic rock, blues and folk with multi-part harmony singing – a quite attractive combination! The group’s current lineup includes founding members Taylor Burns (guitar, vocals), Ricky Young (guitar, vocals), Brett Moore (guitar, mandolin) and Joel King (bass, vocals), together with Ben Dumas (drums). On October 8, they released their fifth studio album Alvarado. According to an exclusive preview by American Songwriter, The Wild Feathers wrote and recorded the album in a small cabin located an hour northwest of Nashville, the same place in which they conceived predecessor Medium Rarities. You can read more about Alvarado here. To get an idea, I give you Side Street Shakedown, a great rocker co-written by King, Young and Burns.

The Brandy Alexanders/The Brandy Alexanders

The Brandy Alexanders are a psychedelic pop-rock band from Canada, which was formed in 2016. The members include brothers Alex Dick (lead vocals, guitar) and Daniel Dick (keyboards), along with Sean Shepherd (lead guitar), Zack Vivier (bass) and Robbie Cervi (drums). They were discovered in 2019 by Renan Yildizdogan, the founder of independent label Gypsy Soul Records, who saw the group at a local performance venue in Toronto and subsequently signed them. On December 10, The Brandy Alexanders released their eponymous debut album. For more on that, click here. And here’s the great-sounding opener Ceiling Fan, Man. 

Neil Young & Crazy Horse/Barn

Neil Young has been on a roll this year. In addition to the aforementioned solo releases from his archives, he put out Way Down in the Rust Bucket, another excellent archives release of a 1990 live concert with Crazy Horse. Speaking of Young’s longtime backing band, there was a record with new songs, Barn, his 41st studio release and 14th album with Crazy Horse. It appeared on December 10 as well. Recorded in a converted barn high in the Rocky Mountains, Barn sounds charmingly ragged, relaxed and spontaneous – like classic Crazy Horse! Click here for my album review and check out Heading West!

Additional 2021 albums I’d like to at least briefly acknowledge include Exit Wounds (The Wallflowers), Many a Mile (Blue Rodeo), Long Lost (Lord Huron), Dirty Honey (Dirty Honey) and The Battle at Garden’s Gate (Greta Van Fleet). Stay tuned for Part 2 of this year-in-review feature, which will include songs from these artists.

Sources: Wikipedia; American Songwriter; YouTube

Blue Rodeo’s New Album Is Medolic Country Rock Gem

Since I featured the great lead single When You Were Wild in my last Best of What’s New installment, I’ve listened a few times to Blue Rodeo’s new album Many a Mile. I just love the warm sound of this Canadian country rock-oriented group! The band has been around since 1984 when it was co-founded by Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), two high school friends who had played together in various bands before.

Released on December 3, Many a Mile is Blue Rodeo’s 16th studio album and their first new record since 1000 Arms from October 2016. In addition to Cuddy and Keelor who write the band’s original songs, the other members include Colin Cripps (guitar, backing vocals), Jimmy Bowskill (pedal steel, mandolin, guitar), Mike Boguski (piano, organ), Bazil Donovan (bass) and Glenn Milchem (drums).

According to this review in the Toronto Star, the prospects for another album following 1000 Arms were uncertain since Keelor had been dealing with various aural conditions, including tinnitus. Apparently, the forced break from touring due to the pandemic had a positive impact on Keelor’s health. “It was a surprise to me to get Greg’s songs pretty much completed,” Cuddy told the Star. “And I was overjoyed. They’re great songs and there’s a lot of them.”

In fact, when he received Keelor’s songs, Cuddy was working on a solo project, which he subsequently put aside. “I do try to not overlap, so I had to start songwriting again,” he noted. “But I was on a good songwriting roll as well … So I could do an about-face, start writing for the Blue Rodeo record and that was a lot of fun.”

The Toronto Star also explained Keelor and Cuddy were never in the same studio when making the new album: When they needed to sing on each other’s songs — Cuddy wrote five and Keelor penned seven for “Many a Mile” — they sent each other digital stems and recorded their harmonies in their respective studios. Of course, music artists each working in separate locations is a reality that has become all too common during the pandemic. Let’s take a look at some of the outcomes!

Since I just covered it, I’m skipping the excellent opener and lead single When You Were Wild and go right to I Owe It to Myself. Featuring beautiful harmony singing, a catchy melody and a great warm sound, the tune pretty much represents the rest of the album.

Symmetry of Starlight, a slower tune with a dreamy sound, is one of the tracks written by Keeler. I’m less fond of what sounds like synth claps (starting at around 2:23 minutes into the track), but it’s a minor aspect of an otherwise beautiful tune.

Here’s The Opening Act, which sounds a bit more like traditional country. As recently as five or six years ago, I would probably have dismissed it as hillbilly music. My music taste has definitely evolved since.

Never Like This Before is a nice pop rock tune. Admittedly, Blue Rodeo aren’t exactly reinventing chord progressions here. It doesn’t matter, I still dig this song. With great singing, nice guitar and keyboard work, and yet another tune with a catchy melody, what’s not to love about it!

The last track I’d like to highlight is the album’s closer Ride Your Bike. It’s another great illustration of the band’s warm sound. I also like the changes in dynamic.

According to their website, In the 35 years since forming, Blue Rodeo have sold over 4 million albums, received dozens of JUNO Award nominations and wins, played over 2,000 shows, been inducted into the Canadian Music Hall of Fame, received a star on Canada’s Walk of Fame, been named to the Order of Canada and have been honoured with the Governor General’s Performing Arts Award. This surely is an impressive record!

Last Thursday, Blue Rodeo announced a 25-plus-date tour across Canada to support their new album. The tour is supposed to kick off this Friday, December 10 in Kitchener, Ontario. The last currently scheduled gig is on March 26 in Halifax, Nova Scotia – keeping fingers crossed everything will go as planned! The current tour schedule is here.

Sources: Wikipedia; Toronto Star; Blue Rodeo website; YouTube

Best of What’s New

It’s Saturday and this means time to take another look at newly-released music. This week, my picks include pop punk and country rock from Canada, alternative rock from the U.S. and I guess you could call it alternative folk by a South African singer-songwriter. Except for the last track, all songs are on albums that came out yesterday (December 3).

Like Pacific/Hollow Tears

Kicking off today’s music revue is Canadian pop punk band Like Pacific. Formed in Toronto in 2010, the group currently includes Jordan Black (lead vocals), Luke Holmes (lead guitar, backing vocals), Greg Hall (rhythm guitar, backing vocals), Brad Garcia (bass) and Taylor Ewart (drums, percussion). In May 2011, they self-released their debut EP The Worst…. After three additional EPs, the band’s first full-length album Distant Like You Asked appeared in February 2016. It reached no. 25 in the U.S. on the Billboard Heatseekers Albums chart. Hollow Tears is a track from Like Pacific’s third and new full-length studio Control My Sanity. The tune is credited to all members of the band and producer Sam Guaiana. As somebody who doesn’t listen much to punk, the fairly melodic character of Like Pacific’s music makes it pretty accessible.

Failure/Submarines

Failure are an American alternative rock band from Los Angeles, which initially came together in 1990. In 1992, they signed with independent label Slash Records and released their debut album Comfort in December that year. After two additional studio albums, the band broke up in November 1997. In late 2013, they reunited. Failure have since released three additional albums including their latest titled Wild Type Droid. Their current line-up features co-founders Ken Andrews (vocals, electric guitar, bass) and Greg Edwards (electric guitar, bass, piano, percussion), together with Kellii Scott (drums). Here’s Submarines, co-written by Edwards and Andrews. Not quite sure what drew me into this tune. I find it weirdly catchy.

Blue Rodeo/When You Were Wild

Canadian country rock band Blue Rodeo were founded in 1984 in Toronto. They were formed by high school friends Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who had played together in various bands before, and Bob Wiseman (keyboards). Cleave Anderson (drums) and Bazil Donovan (bass) completed the band’s initial lineup. After gaining a local following in Toronto and signing with Canadian independent record label Risque Disque, the group released their debut album Outskirts in March 1987. Fifteen additional studio albums have since appeared, including Blue Rodeo’s latest Many a Mile. Here’s the opener When You Were Wild, co-written by Keelor and Cuddy. Check out that beautiful warm sound – love it!

Alice Phoebe Lou/Me & the Moon

I leave you with new music by South African singer-songwriter Alice Phoebe Lou, who first entered my radar screen in July 2020 when I covered her then-latest single Touch. Borrowing from that post: Lou grew up on a mountainside in South Africa, attending a local Waldorf school that cultivated her innate love of music and the arts. She made her first visit to Europe at 16, a life-changing journey that first saw her taking her songs to the streets. Lou returned home to finish school but as soon as she was able made her way back to Europe, specifically Berlin. Armed with just her guitar, a small amp, a passel of distinctive original songs, and an utterly intoxicating voice and charm, she soon built a devoted fan following, not just in Berlin but around the world as tourists and passers-by from faraway places were so captivated by her music that they began sharing it amongst friends and social media. Lou self-released her debut EP, MOMENTUM, in 2014, followed two years later by her acclaimed first full-length, ORBIT. Me & the Moon is from Lou’s latest album Child’s Play, her fourth that came out on December 2nd. I like this!

Sources: Wikipedia; YouTube