Ladies and Gentlemen, The Rolling Stones!

[Note: New Music Musings, my weekly look at newly released music, will resume next Saturday]

Who would have thought we’d ever see a Rolling Stones tour sponsored by AARP? I don’t mean this in a disrespectful way – after all, I’m a member of the club, and it’s safe to assume so are most other Stones fans in the U.S. For non-American readers who may not be familiar with it, AARP (formerly known as American Association of Retired Persons) is a non-profit, non-partisan interest group focused on issues affecting people age 50 and above. Mick Jagger (80), Keith Richards (80) and Ronnie Wood (76) certainly have reached a stage in their lives by which I hope I’ll be long retired, but that doesn’t mean they’ve forgotten how to rock. The Stones’ remarkable ongoing ability to deliver a great rock & roll show was on full display on Thursday evening (May 23) at MetLife Stadium in East Rutherford, NJ.

Like the recent Neil Young & Crazy Horse gig I attended, my decision to see the “greatest rock & roll band in the world” was driven by nostalgia and, yes, the thought this could be the last time – no pun intended! Yet another similarity was an uncertain weather forecast that until the night before included a high chance of late afternoon/evening scattered thunderstorms with possible hail and strong wind gusts. In the end, time was on my side and other attending folks, and the weather gods were kind. I guess unstable weather conditions during what used to be fairly safe seasons of the year have caught up with open air shows – something that going forward I’ll have to factor in when deciding whether or not to purchase concert tickets for certain venues!

It’s hard to believe Thursday evening’s show happened nearly five years after my previous Stones concert in August 2019 at the same venue. I had seen them first in October 2005 at Hersheypark Stadium in Hershey, Pa. In addition to Jagger (lead vocals, guitar, harmonica, percussion), Richards (guitars, backing and lead vocals) and Wood (guitars), the Stones’ line-up included Chuck Leavell (keyboards, backing vocals), Matt Clifford (keyboards, percussion, French horn), Tim Ries (saxophone, keyboards), Karl Denson (saxophone), Darryl Jones (bass) and Steve Jordan (drums), as well as Chanel Haynes (backing vocals). I don’t quite understand why Leavell and Jones haven’t become official members, given their long tenures of 41 and 31 years, respectively!

The official members of The Rolling Stones (from left): Ronnie Wood, Mick Jagger and Keith Richards with Steve Jordan in the background. Photo: Kevin Mazur/Getty Images

While the Stones have called it the Hackney Diamonds Tour in a nod to their most recent studio album from October 2023 I reviewed here, it was really more of a greatest hits set, mixed with three songs from Hackney Diamonds and a couple of deeper cuts. But this didn’t make me angry – in fact, I loved the variety, and it was evident the audience shared my sentiments! The setlist mostly drew from Stones albums released between the mid-’60s and the late ’70s, such as Aftermath, Beggars Banquet, Sticky Fingers, Exile on Main St. and Some Girls. The only exception apart from Hackney Diamonds was Tattoo You (1981). There were also a couple of non-album singles.

Before getting to some Stones music, I’d like to acknowledge talented opening act Jon Batiste, a New Orleans pianist and vocalist who blends jazz, soul, pop, gospel, and R&B. He has recorded and performed with the likes of Stevie Wonder, Willie Nelson, Ed Sheeran and Lana Del Rey, and together with his band Stay Human could be seen each night as bandleader and musical director on CBS’s The Late Show with Stephen Colbert from 2015 to 2022. Some of Batiste’s best-known songs and renditions include Freedom (2021), It’s Alright (2022) and I Need You (2021).

After Batiste’s outgoing and groovy 45-minute opening set and a short break it was time for The Rolling Stones. Appropriately, they charged out of the gate with Start Me Up. Credited to Jagger-Richards as usual, the lead single from their August 1981 album Tattoo You has become a staple of their live shows. Seeing one of my all-time favorite bands again made a grown man cry – okay, not literally, but I can’t deny it was an emotional moment!

It’s Only Rock & Roll (But I Like It) perhaps best embodies why I’ve loved the Stones for 40-plus years. The classic title track of their October 1974 studio album once again is credited to Jagger-Richards, though then-new guitarist Ronnie Wood contributed to it. Notably, the song’s basic rhythm track came out of a jam session with Wood and his Faces bandmate drummer Kenney Jones, along with Jagger, David Bowie and bassist Willie Weeks. Richards subsequently added some guitar overdubs.

And then it was time for the man with the pirate laughter to sing a couple of songs on lead vocals, as has been custom at Rolling Stones shows. Vocally, Keith Richards ain’t no Mick Jagger, but I’ve always dug his somewhat unpolished voice. Here’s I Got the Silver, the first of two songs Thursday evening, which Richards performed on lead vocals. The country blues is off the November 1969 Let It Bleed album – the first song at the time featuring Richards on lead vocals throughout. Also, check Woods on acoustic slide guitar!

There were so many great songs the Stones played Thursday evening, which made it hard to pick what to capture. Before getting to Gimme Shelter, I’d like to acknowledge their great rendition of Miss You, a song that generally isn’t among my favorites. Among others, the extended version featured neat solo action by Jagger, Daryl Jones and Karl Denson on harmonica, bass and saxophone, respectively. Gimme Shelter, another track from Let It Bleed, was one of the songs during which Chanel Haynes got to showcase her incredible vocal pipes – driving the audience gaga without the artist of the same name!

After about 1.5 hours, the Stones closed their official set with another goodie and long-time favorite: Jumpin’ Jack Flash, a non-album single the Stones released in May 1968. At the time, Rolling Stone magazine characterized the classic as “supernatural Delta blues by way of Swinging London.” Some folks regarded it as a return of the Stones to blues-oriented rock following their excursions into baroque pop and psychedelia, which for the record I generally dig.

Then Mick Jagger thanked the audience, wished New Jersey a good night, and walked off the stage, together with his bandmates. But the lights didn’t come on, a sure sign an encore was to come. And it did. Here’s the first, Sweet Sounds of Heaven. I think the ballad is a highlight from the Hackney Diamonds album. Once again, Chanel Haynes shined! Of course, the audience still wasn’t quite satisfied. Can you guess what the second and final encore was? 🙂

It’s stunning to realize the first Rolling Stones tour of the U.S. happened 60 years ago. Mick Jagger and Keith Richards were 20 at the time. Ronnie Wood who must have been a 16 or 17-year-old teenager just started his career, playing lead guitar in British R&B group The Birds – not to be confused with U.S. band The Byrds. After stints with the Jeff Beck Group and Faces, Wood began recording and touring with The Rolling Stones in 1975 before becoming an official member in April 1976.

Obviously, time hasn’t stood still, but Jagger, Richards and Wood were still bringing it. I thought Richards had a better night than 5 years ago at the same venue. Woods was in great shape as well, easily matching his performance from August 2019. Jagger continued to display his age-defying energy, working that stage like he was a 20-year-old! I must also commend the other musicians who were a hell of a backing band. Last but not least, I’d like to call out one last time Chanel Haynes who became an official member of the touring band last year – a terrific addition!

Chanel Haynes & Mick Jagger

Here’s the song line-up from Thursday evening:

Setlist:
Start Me Up
Get Off of My Cloud
Shattered (tour debut)
Angry
It’s Only Rock ‘n’ Roll (but I Like It)
Wild Horses (fan-voted song)
Mess It Up
Tumbling Dice
You Can’t Always Get What You Want
You Got the Silver (Keith Richards on lead vocals)
Little T&A (Keith Richards on lead vocals)
Sympathy for the Devil
Honky Tonk Women
Miss You
Gimme Shelter
Paint It Black
Jumpin’ Jack Flash

Encore:
Sweet Sounds of Heaven
(I Can’t Get No) Satisfaction

After playing another gig at MetLife Stadium tomorrow night, the 16-city Hackney Diamonds Tour next travels to Orlando, Fla. (June 3); Atlanta, Ga. (June 7); Philadelphia, Pa. (June 11) and Cleveland, Ohio (June 15). The tour is set to conclude on July 17 in Santa Clara, Calif. The full schedule is here.

Last but not least, I’m leaving you with a Spotify playlist that mirrors Thursday night’s show.

Sources: Wikipedia; Rolling Stones website; Setlist.fm; YouTube; Spotify

Catching Up: Short Takes On New Music I Missed

Neil Young & Crazy Horse, 7th & Hope, Revolution Saints and Sheryl Crow

With so much new music coming out each week, it’s no surprise I can’t keep up. As such, I thought this would be a good time to take a look at some of what I missed during the first half of February.

Neil Young & Crazy Horse/Broken Circle (Over and Over)

Neil Young has unleashed the horse again and released Broken Circle (Over and Over) on February 15, the first single from F##in’ Up, his cheerfully titled upcoming new album with Crazy Horse that’s set to drop on April 20. The song was first released as Over and Over on Ragged Glory. F##in’ Up is a collection of re-recordings from the Horse’s September 1990 album. “In the spirit it’s offered, we made this for the Horse lovers,” Young explained on his website. He has also announced the Love Earth Tour with Crazy Horse, which will kick off in San Diego on April 24 and travel across North America – dang it, after listening to this song, I’m very tempted!

7th & Hope/Take My Love

7th & Hope is a transatlantic pop duo by Los Angeles-based singer-songwriter Patricia Bahia, who I previously featured here, and UK-based singer-songwriter Betty Lawrence. Their new single Take My Love is a pretty song about offering unconditional love, which has a bit of an Ed Sheeran vibe. Additionally, the acoustic track features 7th & Hope collaborators Cameron Stymeist, who also produced the single, and Nitanee Paris. Released on February 14, Take My Love’s straightforward message couldn’t be more timely during a period when we’re surrounded by so much negativity and hate, especially on the Internet.

Revolution Saints/Against the Winds

When I first listened to Against the Winds, the title track of Revolution Saints’ new album released on February 9, I thought this sounds a bit like Journey – turns out I was on to something. This rock supergroup includes Journey drummer and vocalist Deen Castronovo, along with Joel Hoekstra (Whitesnake guitarist), Jeff Pilson (bassist of glam metal band Dokken) and Italian keyboarder, singer, record producer and songwriter Alessandro Del Vecchio. Including their self-titled 2015 debut, Revolution Saints have released five albums to date. I find this neat melodic rock very accessible! If you’re into Journey, there’s no way you won’t dig this!

Sheryl Crow/Do It Again

Sheryl Crow has released another single from her forthcoming new album Evolution scheduled for March 29. Do It Again was penned by Crow and John Shanks who previously also co-wrote Steve McQueen and Real Gone. In a Facebook announcement Crow explained Do It Again came together pretty quickly during a visit by Shanks and is “about a journey in figuring out who you are.” Musically, it’s classic Sheryl Crow and reminds me a tiny bit of her 1994 breakthrough single All I Wanna Do. I love it! Crow has a busy year ahead on the road in both Europe and the U.S. She’s another artist I’ve haven’t seen and would love to do so!

Most of Neil Young’s music remains unavailable on Spotify, so the enclosed playlist doesn’t include his new song. Instead, I included an additional track from Revolution Saints’ new album.

Sources: Wikipedia; Neil Young website; 7th & Hope Facebook page; Sheryl Crow Facebook page; YouTube; Spotify

Only Rock & Roll, But I Like It

A Turntable Talk contribution

After re-publishing my most recent December contribution to Turntable Talk yesterday, it occurred to me I never posted my submission for November’s installment of the great monthly participatory feature hosted by fellow blogger Dave from A Sound Day. The culprit was a temporary hiatus from blogging due to a family vacation in Europe, combined with bad memory – after my return, I simply forgot!

Before finally getting to it, I’d like to acknowledge yesterday’s 80th birthday of Keith Richards, which feels especially appropriate, given this is a post about The Rolling Stones! Richards joined the club of octogenarians after Mick Jagger did this past July. Who would have thought in the early ’70s when the Stones arguably hit their high The Glimmer Twins would still be rocking in their ’80s! ‘On with the show,’ as I’ve heard Keith say during Stones gigs.

# # #

I can’t believe Turntable Talk is hitting 20 – congrats on this milestone, Dave, and keeping this such a fun feature by continuing to come up with great topics. This time you asked, Do we still care about the Rolling Stones? I guess you won’t be surprised about my spontaneous answer: hell, yes!

Unlike The Beatles who have been my favorite band since my early teenage years back in Germany, my love for The Rolling Stones started a few years later and developed more gradually. If asked today whether to pick The Beatles or the Stones, I would still go with The Fab Four, though the Stones would be a close second. I also feel it’s difficult to directly compare the two groups since their styles ended up being very different.

How do you assess the relevance of a music artist objectively? The first thing I thought was their sales of music. I found this website, ChartMasters, which calculates total equivalent album sales (EAS) across all music formats. Using their methodology, The Rolling Stones have 244.55 million EAS. This puts them at no. 6, ahead of Pink Floyd (238.57 million) and behind Madonna (248.35 million) – certainly not a spot that would suggest irrelevance! The Beatles top the list with 423.9 million EAS – of course, they do!😊

Since the aforementioned sales volumes are cumulative, I figured they favor acts who started selling music a long time ago compared to those who are newer. Next, I thought that looking at top grossing concert tours should provide a more level playing field. Last year, The Rolling Stones came in at no. 6 on Billboard’s Top Tours 2022, grossing $179.35 million, behind Coldplay ($208 million) and ahead of Red Hot Chili Peppers ($177 million). Again, an impressive showing!

A third gauge I came up with to capture current relevance is followers on Spotify, something ChartMasters tracks as well. The top 3 are Ed Sheeran (114.9 million), Ariana Grande (94.26 million) and Arijit Singh (93.2 million). By comparison, the Stones and The Beatles have 13.4 million and 26.31 million followers, respectively. I think this outcome is a good illustration that assessing relevance very much depends on how you measure it.

The other day, I learned about Perplexity AI, an AI-powered search engine and chatbot. Putting my decidedly mixed feelings about AI aside, I was curious to see what kind of answer I would get to the question, Are The Rolling Stones still relevant? Here’s what I got (with references, which I removed):

The Rolling Stones are still relevant today, despite having been around for over 60 years. Here are some reasons why:

Live shows: The Rolling Stones remain one of the most electrifying live acts in music, and their tours continue to draw large crowds and sell out stadiums.
Timeless music: The songs recorded by the Rolling Stones in the 60s continue to cast a lasting influence on popular culture, and their music is still enjoyed by both old and new generations of fans.
Adaptability: The Rolling Stones have managed to adapt and anticipate new musical trends while remaining true to their rock ‘n roll and blues roots. They have also continued to release new music, with their last album “Blue & Lonesome” being a return to their blues days.
Cultural legacy: The Rolling Stones are one of the most important bands in the history of music, and their impact on popular culture cannot be overstated. They have influenced countless musicians and continue to be studied and analyzed by scholars.

Overall, the Rolling Stones are still relevant today due to their continued success in live performances, their timeless music, their adaptability, and their cultural legacy.

This doesn’t look like a bad answer, especially if you consider it only took a couple seconds to obtain it. Obviously, Perplexity AI missed Hackney Diamonds, the new album by the Stones – one illustration AI-generated content isn’t entirely up to date. Not yet!

After all the above attempts to address the topic as objectively as possible, I came to the brilliant conclusion that all of the above matters relatively little. None of it changes the fact that The Rolling Stones remain relevant to me. Why? Because I love their music – it’s really as simple as that at the end of the day!

I’d like to leave you with five Stones songs I dig:

The Last Time (single, February 1965)

I always loved the guitar riff. While credited to Mick Jagger and Keith Richards, the song is adapted from a traditional gospel song The Staples Singers released in 1954 as It May Be the Last Time. The Last Time became the Stones’ third no. 1 on the UK Singles Chart.

She’s a Rainbow (single Nov 1967)

While it’s perhaps uncharacteristic for the Stones, I’ve liked She’s a Rainbow from the first time I heard it many moons ago. That great piano part was played by Nicky Hopkins. John Paul Jones, then still a session musician who would later join Led Zeppelin, provided the string arrangement. This was the second upfront single from Their Satanic Majesties Request, a studio album the Stones released in December 1967.

Jumpin’ Jack Flash (single, May 1968)

This non-album single is another terrific riff-based song. The Stones recorded it during the Beggars Banquet sessions. While it certainly didn’t lack great songs, I’m still somewhat puzzled Jumpin’ Jack Flash didn’t make the album. I once read Richards still the kicks playing the song during live shows – can’t blame him!

Dead Flowers (Sticky Fingers, April 1971)

One of my all-time favorite songs by The Rolling Stones, off my favorite album Sticky Fingers. This song came together during a time when Richards’ friendship with Gram Parsons influenced his writing. I love the guitar lines he traded with Mick Taylor throughout the track. The solo in place of a third verse was performed by Taylor – perhaps the ultimate bar band song!

It’s Only Rock ‘n’ Roll (But I Like It) (It’s Only Rock ‘n Roll, October 1974)

The title track from the Stones’ 74 studio album kind of sums up why I love the Stones: It’s only rock & roll, but I like it. Then-future Stones guitarist Ronnie Wood collaborated with Jagger on the song, though it’s only credited to Jagger and Richards, as usual. David Bowie sang backing vocals to Jagger’s lead. Also notable, bass and drums were provided by Willie Weeks and Kenny Jones, respectively, instead of Bill Wyman and Charlie Watts.

If you haven’t checked out Hackney Diamonds, I can highly recommend it. This latest album by the Stones provides my evidence the greatest rock & roll band in the world remains very relevant, at least in my completely unbiased opinion!😊

Sources: Wikipedia; ChartMasters; Billboard; Perplexity AI; YouTube