The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another installment of The Sunday Six where I’d like to present six songs from the past six decades or so. The rules are there are no rules, and pretty much any music genre goes, as long as I like the track. I suppose this means the outcomes may vary. At the end of the day, my goal is to celebrate great music, which can come in many different flavors.

Kenny Burrell/Saturday Night Blues

I’d like to start today’s mini-journey with a great bluesy jazz instrumental by American jazz guitarist Kenny Burrell. Burrell started picking up the guitar in 1943 as a 12-year-old. Among his influences were jazz guitarists Charlie Christian, Oscar Moore and Django Reinhardt. Burrell’s recording debut occurred in 1951 with Dizzy Gillespie’s sextet while he was a student at Wayne State University. The first album he recorded under his own name was Introducing Kenny Burrell, released in September 1956. Subsequently, an enormous amount of additional records appeared, both featuring Burrell as a leader, as well as a sideman to many other jazz artists, especially organist Jimmy Smith. Saturday Night Blues is from Midnight Blue, a Burrell album from May 1963. Other musicians on the recording include Stanley Turrentine (tenor saxophone), Major Holley (bass), Ray Barretto (conga) and Bill English (drums). This tune may be called Saturday Night Blues, but for me, it works just as well for a Sunday morning!

Robert Palmer/Sneakin’ Sally Through the Alley

British songwriter and vocalist Robert Palmer joined his first band The Mandrakes in 1964 as a 15-year-old high school student. After playing in two other groups, he co-founded soul/rock band Vinegar Joe in 1971. Follwing three albums, the group disbanded in 1974, and Palmer launched a solo career. In 1984, he formed English-American supergroup The Power Station, together with Duran Duran members Andy Taylor (guitar) and John Taylor (bass), as well as former Chic drummer Tony Thompson. The following year, Palmer left the group that subsequently disbanded to record his next solo album, the highly successful Riptide. It featured the single Addicted to Love, which became a no. 1 in the U.S. and Australia, as well as a top 5 hit in the UK, Ireland, Canada and New Zealand. Palmer recorded six additional solo albums and one 1996 reunion album with The Power Station. He died from a sudden heart attack in Paris in September 2003. Sneakin’ Sally Through the Alley, written by Allen Toussaint, is the groovy title track from Palmer’s debut solo album that came out in September 1974.

Tracy Chapman/Give Me One Reason

For this next pick, let’s jump to the ’90s and a great tune by Tracy Chapman I recall the song somewhat surprised me coming from her at the time it appeared. The singer-songwriter from Cleveland, Ohio burst on the scene in April 1988 with her eponymous folk-oriented debut album. Her singles Talkin’ ‘about a Revolution and especially Fast Car struck a chord with many listeners, including this blogger. Chapman has since released seven additional studio albums and two compilations. According to this website, Chapman is still in the music business but not really active lately. From a 2015 interview: “Being in the public eye and under the glare of the spotlight was, and it still is, to some extent, uncomfortable for me, but there are some ways by which everything that has happened in my life has prepared me for this career. That has made me perhaps not the ideal person for this job.” I certainly hope we’ll hear more from Tracy Chapman. For now, let’s listen to Give Me One Reason, a terrific blues tune penned by Chapman. It appeared on her fourth studio album New Beginning from November 1995.

Meat Loaf/Dead Ringer for Love

As widely reported, Meat Loaf passed away during the night of January 20 to January 21. While it’s safe to assume his operatic, heavily produced output isn’t everybody’s cup of tea, many people bought his music. How many? How about 65 million-plus records sold worldwide! Meat Loaf whose real name was Michael Lee Aday was rock opera on steroids. His bombastic productions were somewhat comparable to Queen and ELO. Altogether, the Texan released a dozen studio albums between October 1977 (Bat Out of Hell) and September 2016 (Braver Than We Are). Aday struggled with health issues, including severe back problems, which largely sidelined him since the mid-2010s. I recall reading somewhere last year that he was working on new music. Here’s one of my favorite Meat Loaf songs: Dead Ringer for Love from his sophomore album Dead Ringer that appeared in September 1981. Written by Aday’s longtime songwriter Jim Steinman, who passed away in April of last year at the age of 73, the tune features Cher on vocals. Hot patootie, bless your soul, I really loved your rock & roll!

Lenny Kravitz/The Chamber

I trust most readers have heard of American singer-songwriter, multi-instrumentalist, producer and actor Lenny Kravitz. Following challenges in his early career, where some clever music industry officials told him he didn’t sound “black enough” (what does this even mean?!) while others opined his music embraced too many influences of terrible artists like Led Zeppelin, Jimi Hendrix and The Beatles (you just can’t make this stuff up!), Kravitz has established himself with more than 40 million records sold worldwide and multiple awards. I think these smartass industry folks have since shut up. Here’s a cool groovy tune called The Chamber from Kravitz’s 10th studio album Strut released in September 2014. It was co-written by Kravitz and Craig Ross, who also played guitar and handclaps on the album. The song had first appeared in June that year as the lead single. Be careful, boys and girls, the video may harm you. And, Lenny, how could you, that bass groove sounds way too much like Chic!

Parquet Courts/Watching Strangers Smile

And once again this brings me to the sixth and final pick for this installment, a tune by Parquet Courts. ‘Who?’ you might think? I kind of had a similar initial reaction when I stumbled upon this New York City-based rock band, founded in 2010 by then-University of North Texas students Andrew Savage (vocals, guitar) and Austin Brown (vocals, guitar, keyboard). Sean Yeaton (bass, backing and lead vocals) and Max Savage (drums, percussion, backing vocals) completed the line-up, which remains in place to this day. Wikipedia notes the group’s music has been characterized as indie rock, post-punk, art punk and garage punk. To date, Parquet Courts have released eight studio albums. Here’s what appears to be their most recent tune, Watching Strangers Smile, a non-album single that came out on January 12 this year. I think it sounds pretty cool – check it out!

Here’s a Spotify playlist featuring all of the above picks. Hope you find something that’s for you.

Sources: Wikipedia; About Tracy Chapman website; YouTube; Spotify

The Sunday Six

Celebrating music with six random songs at a time

I hope everyone is enjoying their weekend. It’s time again for The Sunday Six and another set of tunes from different genres and different decades. This installment touches the 1950s, ’60s, ’70s, 90s and 2021, and features jazz, psychedelic blues rock, alternative pop rock, rock and bluesy R&B.

Lou Donaldson/Blues Walk

Starting us off is beautiful saxophone jazz by American jazz alto saxophonist Lou Donaldson. Donaldson, who is 94 years old and only retired in 2016, had a 64-year career as an active performer. That’s just mind-boggling! Here’s an excerpt from the bio on his website: Jazz critics agree that “Sweet Poppa Lou” Donaldson is one of the greatest alto saxophonists of all time. He began his career as a bandleader with Blue Note Records in 1952 and, already at age 25, had found his sound, though it would continue to sweeten over the years — earning him his famed nickname –“Sweet Poppa Lou.” He made a series of classic records for Blue Note Records in the 50’s and takes pride in having showcased many musicians who made their first records as sidemen for him: Clifford Brown, Grant Green, Blue Mitchell, Donald Byrd, Ray Barretto, Horace Parlan, John Patton, Charles Earland, Al Harewood, Herman Foster, Peck Morrison, Dave Bailey, Leon Spencer, Idris Muhammad, and others.  After also making some excellent recordings for Cadet and Argo Records in the early 60s, Lou’s return to Blue Note in 1967 was marked by one of his most famous recordings, Alligator Bogaloo. I’ve decided to highlight one of his earlier recordings: Blues Walk, the title track of his 1958 album, which according to Wikipedia “has been considered Donaldson’s undisputed masterpiece.” I’m not a jazz expert but I know is this: I love the saxophone, and Donaldson surely sounds sweet. Also, check out Herman Foster on piano!

The Doors/Riders on the Storm

Now let’s turn to a classic psychedelic tune with a great jazz and blues vibe by The Doors, who I trust need no further introduction. Riders on the Storm is the magnificent closer of their sixth studio album L.A. Woman from April 1971 – yet another great record that has turned 50 this year! It was the final to be released during the lifetime of lead vocalist Jim Morrison who passed away three months later in Paris, France at the age of 27. While the official cause of death was listed as heart failure, several people who maintained they were eyewitnesses said Morrison died from an accidental heroin overdose. Of course, we know all too well the history of rock is littered with so many talented artists who became casualties to drugs! Riders on the Storm was credited to all members of The Doors, who in addition to Morrison included Ray Manzarek (keyboards), Robby Krieger (lead guitar) and John Densmore (drums). It’s such a cool tune that still gives me goosebumps the moment that thunderstorm sound in comes on in the beginning.

Noods/Starting Over Again

For this next tune, let’s jump 50 years to the present and a recent discovery: Starting Over Again by Noods. Unfortunately, there is very little public information about the group. This short profile on Oh My Rockness describes them as a “fuzzy jangle pop band from from NY” and lists the following members: Trish Dieudonne (vocals, guitars), Nick Seip (vocals, guitars, synths, piano), Shane Danaher (drums, synths) and Mandy Romano (bass, vocals). According to this preview piece on Stereogum, the band released their debut EP Noods Please in 2017. The first full-length album is titled Blush. It has since appeared on April 16 this year. Here’s Starting Over Again, a pleasant song co-written by Dieudonne and Seip. I like the jingle-jangle guitar sound and the laidback vibe.

Tom Petty and the Heartbreakers/Something in the Air

When it comes to Tom Petty, one of my long-time favorite artists, there are so many great original tunes I could have picked. And yet I chose to highlight a cover. Why? Coz I absolutely love this tune and Petty’s rendition, which he recorded with The Heartbreakers for their November 1993 Greatest Hits compilation. That album is best known for the single Mary Jane’s Last Dance, which climbed to no. 14 on the Billboard Hot 100, marking Petty’s first top 20 hit of the ’90s in the U.S. mainstream chart. The band’s cover of Something in the Air also appeared as a single but missed the Billboard Hot 100. It did make Billboard’s Main Stream Rock chart, reaching no. 19. Written by singer-songwriter Speedy Keen, the tune was first recorded by short-lived British band Thunderclap Newman and became a no. 1 hit in the UK in mid-1969. Before joining Thunderclap Newman, Keen was the driver of none other than Pete Townshend and shared an apartment with him in London. Keen also wrote Armenia in the Sky, a tune The Who included on their third studio album The Who Sell Out from December 1967. Townshend was the catalyst behind the formation of Thunderclap Newman and also produced Something in the Air and the band’s only album Hollywood Dream released in September 1970.

Credence Clearwater Revival/Have You Ever Seen the Rain

This brings me to another band and song I’ve dug for many years: Creedence Clearwater Revival and Have You Ever Seen the Rain. In my book, it’s a great timeless tune that holds up well, even though I literally must have listened to it more than 100 times. In fact, it’s running in the background as I’m writing this! 🙂 Like most CCR songs, Have You Ever Seen the Rain was penned by the great John Fogerty. CCR were on a roll when this came out. The tune was included on their sixth studio album Pendulum released in December 1970, only five months after predecessor Cosmo’s Factory. It’s perhaps my favorite CCR song, together with Hey Tonight, Proud Mary and Born on the Bayou.

The Animals/I’m Crying

Am I already again at the point to wrap up this post, just when I’m having so much fun? I guess this means it’s time to shed some tears! 🙂 But, don’t worry, since I started The Sunday Six this January, it’s become my favorite recurring feature, so there will be more. The final tune for this installment shall belong to The Animals. When I first learned about them as a teenager, essentially, I only knew The House of the Rising Sun, their signature song and biggest hit that topped the charts in the U.S., UK and Canada in 1964. While it’s a great tune, there’s much more to the British rock band that was fronted by one of the best white blues vocalists, Eric Burdon, who turned 80 just a few days ago. Which brings me to I’m Crying, a gem that first appeared as a single in September 1964. Co-written by Burdon and the band’s first keyboarder Alan Price, the tune was also included on The Animals’ second studio album The Animals on Tour from February 1965 – a somewhat misleading title for a record that didn’t include any live tracks. I always liked the band’s raw bluesy guitar sound combined with Price’s organ and Burdon’s distinct, deep vocals.

Sources: Wikipedia; Lou Donaldson website; Oh My Rockness; Stereogum; YouTube