Albums Turning 50 This Year: A First Peek

A new year means more albums hitting the big 50. Like in 2023, this preview is based on a review of Wikipedia and an initial selection of 40 studio albums that appeared over the course of 1974. From there, I narrowed it down to six favorites, each of which are briefly highlighted, followed by a Spotify playlist that captures one song from each of the 40 albums, except for Joni Mitchell. I’m planning individual, more in depth posts about the six picks and possibly a few more, all timed to each album’s anniversary date.

Joni Mitchell – Court and Spark (January 17, 1971)

Kicking off this preview is Court and Spark, the sixth studio album by singer-songwriter Joni Mitchell, one of the many outstanding artists hailing from the Land of the Maple Leaf. Not only did Court and Spark become Mitchell’s most successful album, but it also marked the start of her transition from a “straight folkie” to an artist who incorporated jazz elements in her music. Court and Spark featured prominent guests from both the jazz and other music realms, such as pianist Joe Sample (co-founder of The Jazz Crusaders), jazz bassist Max Bennett, session guitarist Larry Carlton and The Band’s Robbie Robertson. Here’s Trouble Child, which like all other except for one track was penned by Mitchell.

Steely Dan – Pretzel Logic (February 20, 1974)

While my favorite Steely Dan album will always remain Aja, there’s a lot more to the Dan than their September 1977 gem. Every time I see Good Stuff, an outstanding tribute led by my dear friend Mike Caputo, I’m reminded how great their earlier music was as well. Case in point: Pretzel Logic, their third studio album and final as a standing band featuring Donald Fagen (keyboards, saxophone, vocals), Walter Becker (bass, guitar, backing vocals), Denny Dias (guitar) and Jim Hodder (drums). That said, Hodder only sang backing vocals on one track, and the album had significant contributions from many prominent L.A. session musicians, already foreshadowing the approach Fagen and Becker would take starting with the next Steely Dan album Katy Lied. Here’s the excellent Night by Night, which has become one of my favorite Dan songs pre-Aja.

Lynyrd Skynyrd – Second Helping (April 15, 1974)

With (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd), the Southern rockers had released a strong debut in August 1973, which not only charted in the U.S. and Canada, but also overseas in the UK and Switzerland. While their follow-on Second Helping included what arguably is their signature song, Sweet Home Alabama, which became their first charting single and a major hit at home and elsewhere, the album missed the charts overseas. That said, it did better in the U.S. and Canada than their debut, peaking on the mainstream charts at no. 12 and no. 9, respectively. Here’s Don’t Ask Me No Questions, a great rocker co-written by guitarist Gary Rossington and lead vocalist Ronnie Van Zant. The horns by Bobby Keys, Trevor Lawrence and Steve Madaio give it a nice soul vibe!

Eric Clapton – 461 Ocean Boulevard (July 1974)

461 Ocean Boulevard, one of my favorite albums by Eric Clapton, marked his triumphant return to music after a 3-year hiatus due to heroin addiction. It also represented a clear break from Clapton’s hardcore blues rock-oriented days with John Mayall & The Bluesbreakers, The Yardbirds, Cream and Derek and the Dominos – all music I love as well. Sadly, his struggles with addiction weren’t over, and he would soon replace heroin with alcohol before finally getting sober in 1987. Here’s the fantastic Let It Grow, one of three tracks on the album Clapton wrote or co-wrote.

Supertramp – Crime of the Century (October 25, 1974)

Supertramp are a band I will always associate with my school days back in Germany, which in the U.S. would have been the equivalent to middle school. The English group became very popular in Germany, especially when they released their Breakfast in America album that topped the charts there and in many other countries. Crime of the Century, their third studio album, predated Breakfast in America by about 4.5 years. The song I best remember hearing on the radio is the opener School. Like all other tracks, it was co-written by Rick Davies (vocals, keyboards, harmonica) and Roger Hodgson (vocals, guitar, pianos). Typically, both alternated lead vocals, which in this case were sung by Hodgson.

Genesis – The Lamb Lies Down On Broadway (November 22, 1974)

This brings me to the final album I’d like to highlight in the post’s main section: The Lamb Lies Down On Broadway, the sixth studio album by Genesis. The British group became one of the few progressive rock acts I warmed to in the ’80s. I had always liked The Carpet Crawlers, which I had well known from the radio. Interestingly, according to Wikipedia, the song missed the charts everywhere, which I find hard to believe. The Lamb Lies Down On Broadway was a concept album telling the strange story of a poor Puerto Rican boy from The Bronx, who goes on a bizarre adventure in New York City, which ends in death. That said, musically, the group’s final album with original lead vocalist Peter Gabriel remains a gem, IMHO. Here’s the title track credited to all five members of the band: Gabriel (lead vocals), Steve Hackett (electric guitars), Tony Banks (piano), Mike Rutherford (bass) and Phil Collins (drums, bell-tree, glockenspiel, triangle, wind chimes, tambourine, timbales, backing vocals).

Here’s the above-mentioned Spotify playlist. It doesn’t include Trouble Child by Joni Mitchell who in January 2022 removed her music in solidarity with Neil Young to protest the platform for hosting Joe Rogan’s podcast, which spread dangerous misinformation about COVID-19.

Sources: Wikipedia; YouTube; Spotify

50 Years On, Still Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd

Another classic album has hit the big 50. While despite my preview in early January I cheerfully missed the actual anniversary date by about six weeks, I still felt Lynyrd Skynyrd’s debut album (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) deserved a dedicated celebratory post. Released on August 13, 1973, it features some of the southern rock band’s most beloved songs and is my favorite together with their April 1974 sophomore album Second Helping.

Lynyrd Skynyrd originally were formed in 1964 as My Backyard, featuring Ronnie Van Zant (lead vocals), Gary Rossington (guitar), Allen Collins (guitar), Larry Junstrom (bass) and Bob Burns (drums). After five years of touring and various line-up changes, they changed their name to Lynyrd Skynyrd in 1969. While by 1970 they had become a top band in the Jackson, Fla. area, it would still take them another three years before recording their first album. A key moment happened in 1972, when producer Al Kooper discovered Skynyrd and signed them to his Sounds of the South label.

Most of the songs on (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) had been part of the band’s live set for some time. They still decided to meticulously rehearse and perfectionate the songs before entering the studio. Kooper later said he was impressed how well the group was prepared for the recording sessions. According to Wikipedia, citing a 2018 film documentary (If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd, directed by Stephen Kijak), “every note was immutable and absolutely no improvisation was allowed.”

In addition to Van Zant, Rossington, Collins and Burns, the group’s line-up on the album included Billy Powell (keyboards) and Ed King (bass). Only a few months prior to the start of the recording sessions, King had replaced Leon Wilkeson who would rejoin the fold after the album’s release, with Ed King switching to co-lead guitarist.

Time for some music! A good way to start is Side one (speaking in vinyl terms) and Tuesday’s Gone. Co-written by Van Zant and Collins, the song features Kooper on Mellotron, which he used to add the upfront string sounds to the chorus. He’s credited as “Roosevelt Gook” and also plays different instruments on various other tracks. Notably, Atlanta Rhythm Section drummer Robert Nix manned the skins on this track instead of Bob Burns.

Gimme Three Steps, another Van Zant-Collins co-write, became the album’s first single on November 5, 1973. While the lyrics are kind of hilarious, they are based on a true story. Songfacts notes Rossington recalled Ronnie Van Zant, who was about 18 at the time, used a fake ID to get in a bar while his younger bandmates Rossington and Allen Collins waited for him in a truck. Van Zant danced with a girl named Linda, whose boyfriend, who was not too happy about it, came up to Ronnie and reached for something in his boot. Figuring he was going for a gun, Van Zant told him: “If you’re going to shoot me it’s going to be in the ass or the elbows… just gimme a few steps and I’ll be gone.” He ran to the truck, and he, Rossington, and Collins wrote this song that night.

Next up: Simple Man, the final track on Side one, co-written by Rossington and Van Zant. Songfacts explains, Shortly after Ronnie Van Zant’s grandmother and Gary Rossington’s mother died, they got together in Van Zant’s apartment and started telling stories about them. Rossington came up with a chord progression, and Van Zant wrote the lyrics based on advice the women had given them over the years. They wrote it in about an hour. To date, Simple Man has more than 403 million streams on Spotify, making it the third most streamed Skynyrd song on the platform. As you might have expected, Sweet Home Alabama leads with more than 1.16 billion streams. Can you guess the no. 2 song? Hint: It’s also on this very album!

This brings us to Side two, which kicks off with Things Goin’ On, another Rossington-Van Zant co-write. Songfacts explains, This is Ronnie Van Zant’s protest song. Instead of writing from the perspective of the war, it is written from the perspective of the government. Songfacts also notes Things Goin’ On was part of Skynyrd’s initial audition tapes. When Kooper asked the band to record all songs they knew live-in-studio so he could pick the best ones for the album, he liked all 14 cuts and used everything that didn’t fit as B-sides for singles or future albums.

The final track I’d like to call out is the big enchilada Free Bird, one of the most epic ’70s rock tunes I can think of. And, yes, it’s the second most streamed Skynyrd song on Spotify with more than 551 million streams. Free Bird, co-written by Collins and Van Zant, is about a man explaining to a girl why he can’t settle down and make a commitment, Songfacts points out. The opening lines, “If I leave here tomorrow, would you still remember me?” were inspired by Allen Collins’ girlfriend Kathy, who had asked him this very question during a fight. One of the song’s distinct features is the extended instrumental passage that makes up the final 4-plus minutes, which is dominated by Collins’ and Rossington’s guitar action.

(Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) put the group on the map and became one of their most successful albums. In the U.S., it was certified Gold in December 1974 and reached 2X Platinum (2 million certified sold copies) in July 1987. The album climbed to no. 27 on the Billboard 200, a decent showing for a debut, though their other ’70s albums reached higher peaks, especially Street Survivors (no. 5), the album just released prior to the devastating airplane crash that killed Van Zant, guitarist Steve Gaines and his older sister, backup singer Cassie Gaines, along with the pilot, co-pilot and the group’s assistant road-manager.

In 2012, Rolling Stone ranked (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) at no. 403 on its list of the 500 Greatest Albums of All Time. Unlike many other ’70s rock albums, it gained ground in the list’s 2020 revision, coming in at no. 381. Here’s a Spotify link to the album.

Lynyrd Skynyrd remain a touring act to this day and just finished the cleverly titled The Sharp Dressed Simple Man Tour with ZZ Top a week ago. The last original member Gary Rossington passed away in March this year at the age of 71. This makes guitarist Rickey Medlocke who first joined the group in 1971 the longest tenured member, followed by Ronnie Van Zant’s younger brother Johnny Van Zant who has been Skynyrd’s lead vocalist since the band reunited in 1987. The remaining line-up includes Mark Matejka (guitar, backing vocals; since 2006), Peter Keys (keyboards, piano; since 2009), Keith Christopher (bass; since 2017) and Michael Cartellone (drums, percussion; since 1999).

Evidently, Lynyrd Skynyrd aren’t done with touring for the year. Their web site currently lists three gigs for October and a late December date. The schedule is at https://www.lynyrdskynyrd.com/#tour.

Sources: Wikipedia; Songfacts; Lynyrd Skynyrd website; YouTube; Spotify

The Sunday Six

Happy Sunday and welcome to another excursion into the beautiful world of music. For most folks in the U.S., daylight savings began last night, so just in case, don’t forget to adjust your clocks. Should you feel a bit tired since you lost one hour of sleep, music is a great remedy. All aboard the time machine and let’s go back, Jack, do it again!

Wayne Shorter/Footprints

Today, our journey begins in October 1967 to commemorate the great Wayne Shorter who sadly passed away on March 2 at the age of 89. Frankly, had it not been for fellow blogger Music Enthusiast and his related tribute, I guess I would have missed it! Unlike Jeff Beck or Lynyrd Skynyrd co-founder Gary Rossington, who we lost on March 5, it seems Shorter’s death didn’t get comparable media attention. While Wayne Shorter wasn’t a guitarist, the jazz saxophonist and composer was a true rock star in my book. In addition to being a sideman playing with Art Blakey’s Jazz Messengers and Miles Davis’ Second Great Quintet, Shorter started his recording career as a bandleader in 1959 with Introducing Wayne Shorter – the first of more than 20 additional albums he released in that role. In 1970, Shorter became a co-founder of Weather Report, co-leading the jazz fusion band with Austrian keyboarder Joe Zawinul until their breakup in 1986. After leaving Weather Report, Shorter continued to record and perform until his retirement in 2018 after a nearly 70-year career! Let’s celebrate this great musician with one of his best-known compositions that has become a jazz standard: Footprints, which first appeared on Shorter’s 10th solo album Adam’s Apple released in October 1967. He was backed by Herbie Hancock (piano), Reggie Workman (bass) and Joe Chambers (drums).

Dirty Honey/California Dreamin’

I realize smooth saxophone jazz may not be the best remedy to wake up if you’re really tired. Let’s travel to the current century and kick up the speed a few notches with music by one of the most exciting contemporary rock bands I know: Dirty Honey. Founded in 2017, this Los Angeles-based group reminds me of bands like Aerosmith, Led Zeppelin and The Black Crowes. Dirty Honey are Marc Labelle (vocals), John Notto (guitar), Justin Smolian (bass) and Corey Coverstone (drums). To date, they have released a self-titled EP (2019) and debut album (2021), as well as a bunch of singles. Here’s California Dreamin’, the kickass opener of their full-length debut, which came out in April 2021. Or are we actually listening to a moniker of The Black Crowes when they were at their peak? Damn, feel free to play along with air or real guitar!

Sting/All This Time

Okay, time for a little breather with Sting and All This Time. This beautiful tune, off the ex-Police frontman’s third full-length solo album The Soul Cages, takes us to January 1991. The Soul Cages is a concept album revolving around the 1987 death of Sting’s father, which led the English artist to develop writer’s block. The scary episode lasted several years, explaining the relatively long 4-year gap to its predecessor …Nothing Like the Sun. Soul Cages also was Sting’s first solo album to feature guitarist Dominic Miller who would become a longtime collaborator appearing on most of Sting’s albums thereafter, including his most recent The Bridge from November 2021. Like all except two tracks on The Soul Cages, All This Time was solely written by Sting.

Danny & The Juniors/At The Hop

Let’s put on our classic rock & roll dancin’ shoes and pay a visit to the year 1957. That’s when American doo-wop and rock & roll vocal group Danny & The Juniors scored their biggest hit single At The Hop. The group from Philadelphia was formed in 1955 and originally included Danny Rapp, Dave White, Frank Maffei and Joe Terranova. At The Hop was co-written by Artie Singer, John Medora and White. The seductive honky tonk piano-driven tune became the group’s only no. 1 single in the U.S., topping both the mainstream pop and R&B charts. Danny & The Juniors may have had only one hit but they certainly made it count. White and Terranova passed away in March 2019 and April 2019 and the ages of 79 and 78, respectively. Let’s join in the dance sensations that are sweepin’ the nation at the hop – ’50s rock & roll doesn’t get much better!

Tracy Chapman/Talkin’ Bout a Revolution

We’re four tunes into our current journey and haven’t featured the ’80s yet. My proposition this week is Tracy Chapman and one of her best-known songs from her eponymous debut album that came out in 1988. I still remember when the folk singer-songwriter seemingly out of nowhere burst on the scene in April that year with Fast Car, the album’s first single, and became an overnight sensation. Talkin’ Bout a Revolution, the record’s opener, was the second single released in July 1988. While it didn’t match the chart success of Fast Car, the tune was just as ubiquitous on the radio back in Germany. I dug Chapman’s music so much that I bought a songbook of the album for acoustic guitar. Given her relatively deep vocals, I was able to reasonably sing her tunes. While Chapman has not been active for many years, she has not officially retired from music. I believe her most recent “public appearance” was the night before the November 2020 U.S. Presidential elections on Late Night with Seth Myers with a clip of her performing Talkin’ ‘about a Revolution, asking Americans to vote. Man, this tune still gives me chills – so good!

Lynyrd Skynyrd/Free Bird

Once again, it’s time to wrap up another music time travel. And what could possibly be a better final stop than Free Bird, the epic Lynyrd Skynyrd track that closed out their debut album (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd), released in August 1973. Co-written by the southern rock icon co-founders Allen Collins (guitar) and frontman Ronnie Van Zant (lead vocals), the 9-minute-plus gem features the late Gary Rossington on rhythm and slide guitars. Rossington also was among the band’s co-founding members. He cheated death twice. In 1976, he was in a car accident, hitting an oak tree while under the influence of alcohol and other drugs. Luckily, nobody else got hurt in that accident. Rossington also survived the horrific plane crash on October 1977, which took the lives of Ronnie Van Zant, Skynyrd guitarist Steve Gaines, backing vocalist and Steve’s sister Cassie Gaines, as well as three others. Rossington played with the band’s current touring version until his death and was their only remaining original member.

Here’s a Spotify playlist of all the above goodies. As always, I hope there’s something you dig!

Sources: Wikipedia; YouTube; Spotify

Lynyrd Skynyrd Shines During Farewell Show In New Jersey

When Johnny Van Zant asked the audience last night whether folks showed up because they are die-hard Lynyrd Skynyrd fans or because it’s their farewell tour, I answered ‘both’ to myself. While I’ve listened to Skynyrd for 20-plus years and like many of their songs, I wouldn’t call myself a die-hard fan. And, yes, part of my motivation to see these southern rockers at PNC Bank Arts Center in Holmdel, N.J. on Friday was the fact that this may well have been the last opportunity, if they indeed retire.

Recently, I read that Skynyrd added dates to extend their Last of the Street Survivors Farewell Tour. Maybe additional gigs will follow. Maybe it’ll turn into a Deep Purple-like “long goodbye tour.” Or maybe they’ll change their minds altogether, just like Scorpions did a few years go when the German rockers realized they couldn’t just decelerate from running at 200 mph to zero. Who knows.

Compared to artists like The Rolling Stones, Paul McCartney, Neil Young and especially 81-year-old Buddy Guy, Skynyrd certainly has relatively young members – at age 68, guitarist Rickey Medlocke is the oldest. Gary Rossington, guitarist and the band’s only remaining co-founder, is 66. Johnny Van Zant, the younger brother of co-founder and initial lead vocalist, the late Ronnie Van Zant, is 58. The other members are still in their 50s as well. One thing was crystal clear to me last night: Lynyrd Skynyrd sounded absolutely fantastic! And maybe that’s the whole point of the early retirement plan – go out while they’re still on top of their game.

Before Skynyrd came on and set the stage on fire, there were three guests. I didn’t catch the name of the band that opened up the long evening but certainly recognized the artists who followed: Atlanta Rhythm Section and Peter Wolf, ex-vocalist of the J. Geils Band. They compensated for my disappointment when I realized that contrary to what I had read somewhere before, Bad Company, a band I would have loved to see, wasn’t among the special guests.

Atlanta Rhythm Section

Frankly, I wasn’t even aware that ALR are still performing. Two of their current members, Rodney Justo (lead vocals) and Dean Daughtry (keyboards), have been around since the band’s formation in 1971, though in Justo’s case, it looks like were some breaks along the way. The remaining current line-up includes Steve Stone (guitar, harmonica, backing vocals), Justin Senker (bass), David Anderson (guitar, backing vocals) and Rodger Stephan (drums, backing vocals).

Except for Spooky and So Into You, I’m not well familiar with ALR’s songs but can confirm that in addition to these tunes, their set included Champagne Jam and Imaginary Lover, among others. Here’s a clip I took of my favorite ALR tune So Into You, a song I liked for its smoothness from the moment I heard it for the first time on the radio in Germany in the late 70s.

Next up was Peter Wolf. I was pretty pumped when I found out he was among the special guests last night. I’ve really come to like the J. Geils Band and ended up seeing them a few years ago. These guys truly were the ultimate party band. Wolf pretty much brought out that same swagger last night. He still has his distinct voice, charismatic stage presence and the occasional machine gun-like fast talking!

The set included a mix of J. Geils Band tunes, such as Homework, Give It To Me, Must Of Got Lost and Love Stinks, and songs from Wolf’s solo career like Wastin’ Time and Piece Of Mind. The Midnight Travelers, which include Duke Levine (guitar), Kevin Barry (guitar), Marty Ballou (bass), Tom Arey (drums) and Tom West (keyboards), proved to be a top-notch backing band. Here’s my clip of Homework.

After Wolf and The Midnight Travelers had fired up the crowd with an energetic performance, it was time for the big enchilada. From the opening bars of Working For MCA till the last note of the epic Free Bird, Skynyrd made it clear they meant business and didn’t want to say farewell quietly. In addition to these tunes, their set included many other gems like What’s Your Name, That Smell, Saturday Night Special, Tuesday’s Gone, Simple Man, Call Me The Breeze and, of course, Sweet Home Alabama.

Below is my clip of What’s Your Name, one of my favorite Skynyrd tunes. Co-written by Rossington and Ronnie Van Zant, it appeared on their fifth studio album Street Survivors in October 1977 – released only three days prior to the devastating plane crash that killed Ronnie, Steve Gains (guitarist) and Steve’s sister Cassie Gains (backing vocalist), along with the pilot, co-pilot and the band’s assistant road manager. Incredibly, Rossington not only survived the crash, but eventually made a fully recovery despite breaking both arms, legs, wrists, ankles and his pelvis.

Another highlight of Skynyrd’s set to me was That Smell, also from the Street Survivors album, which was co-written by guitarist and founding member Allen Collins and Ronnie Van Zant. In particular, I dug the harmonizing guitar parts. Since my cell phone battery was starting to run low on juice, I didn’t capture the performance, so needed to rely on other footage I found on YouTube. Here’s a clip from a gig in Tampa last month. Obviously, it was taken from a location way closer to the stage where I was last night, and frankly it is much better than anything I could have recorded!

Another song I’d like to highlight is Call Me The Breeze. I’ve always liked that J.J. Cale tune and Skynyrd’s take of it. As they were playing it last night, they turned it into an homage to the Stones, Jimi Hendrix, Chuck Berry, Elvis Presley and many other music legends, displaying images of them on the main monitor behind the stage – I thought this was kind of cool. Apparently, Skynyrd didn’t do that during their concert back in March in Atlanta, where the following clip was recorded. But it’s great quality concert footage.

In light of my cell phone battery situation, it came down to a choice between capturing Sweet Home Alabama or the encore Free Bird. Given the extended length of the latter, I went for Alabama, which is also my favorite of the two. The opener to Skynyrd’s sophomore record Second Helping, released in April 1974, was co-written by Rossington, Van Zant and then-bassist Ed King. To me it hasn’t lost any of its appeal to this day!

Of course, making the above choice doesn’t mean skipping Free Bird in this  post, especially when there are great other clips on YouTube. The song, which was included on Skynyrd’s debut album Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd from August 1973, turned into an emotional commemoration of Ronnie Van Zant. Here’s a beautiful clip from the above Tampa show.

In addition to Van Zant, Medlocke and Rossington, Skynyrd’s current line-up features Michael Cartellone (drums), Mark Matejka (guitar), Peter Keys (keyboards) and Keith Christopher (bass). The touring band is complemented by backing vocalists Dale Krantz-Rossington (Gary’s wife) and Carol Chase. Skynyrd’s upcoming dates include Jones Beach Theatre, Wantagh, N.Y. tonight; Coastal Credit Union Music Park, Raleigh, N.C., June 29; and PNC Music Pavilion, Charlotte, N.C., June 30. Earlier this month,  Ultimate Classic Rock reported that the band announced 21 additional dates, which extend the current tour from early September all the way to December. Let’s hope there will be additional extensions.

Sources: Wikipedia, Setlist.com, Atlanta Rhythm Section official website, Ultimate Classic Rock, YouTube